Your enjoyment of Your Name Here might depend on your tolerance for mind-bending narratives and acid-trip weirdness. Mine is low, I'll tell you that up front. But "Your Name Here" deserves credit for being different, and Bill Pullman's central performance is probably the most bizarre and demanding of his career.

Written and directed by first-timer Matthew Wilder, our story is set in Los Angeles in July 1974, when a trippy sci-fi writer named William J. Frick (Pullman) -- clearly modeled after Philip K. Dick -- is informed that he owes more than $100,000 in back taxes. If he could finish his latest novel, he could probably pay the bill. Trouble is, he's stuck on putting into words the spiritual epiphany he had on March 2, which he wants to incorporate into the story.

That's about the last part of the film that makes any kind of normal sense. Next thing you know, Frick is being approached by Nikki (Taryn Manning), a hot actress -- "the poor man's Ali McGraw," someone calls her -- who wants him to help her with the disaster epic she's currently shooting. Then Frick is being hurried onstage somewhere to accept an award. Then Frick is in the balcony, watching a version of himself deliver a spiel to an audience. Then Frick is being threatened by Kroger (M. Emmet Walsh), a government operative who demands to read Frick's account of the March 2 thing. Frick insists if they'd just let him go, he could go home and WRITE it, but that's not an option.

While David Lynch prepares to team up with Werner Herzog to make a guerilla-style murder drama, his daughter is doing quite well on her own, thank you very much. indieWIRE reports that Surveillance, the first film by Jennifer Chambers Lynch in 15 years, has been picked up by Magnet Releasing for distribution in the US. The thriller will be playing out of competition at Cannes next week in one of the three Midnight screening slots.

Surveillance is set in the Santa Fe desert, where a blood-curdling killing spree has been unleashed, according to the official synopsis. The FBI arrives and listens to three eyewitnesses, including an eight-year-old girl whose family was brutally murdered. It becomes clear that the little girl knows something about the FBI agents ... and then two more bodies are found.

Creepy, eh? But not nearly as creepy as Lynch's first film, Boxing Helena, in which a surgeon held a woman captive and started amputating her limbs, all in the name of love. Based on the premise, Surveillance sounds much more straightforward, but perhaps the younger Lynch has some surprises up her sleeve.

The film stars Julia Ormond and Bill Pullman (David Lynch's Lost Highway) as the FBI agents, Pell James, Ryan Simpkins, and Kent Harper as the witnesses, and Michael Ironside as the local police chief. French Stewart and Cheri Oteri are also featured. Harper co-wrote the script with Lynch. Magnet Releasing, the genre arm of Magnolia Pictures, plans a fall theatrical roll-out.

We found out from Erik back in February that Ellen Page is becoming a mom for the upcoming weird psychological thriller Peacock, which will co-star Cillian Murphy. Now Variety reports that three more have joined the cast -- Susan Sarandon, Bill Pullman, and Josh Lucas. (Who they will play has not been revealed.) This film is sounding better by the minute!

If you remember back, this story focuses on Peacock, Nebraska, where Murphy's character has a split personality -- a man and wife. That's not quite as weird as the fact that he fools the whole town into believing that there are two people. (I guess this is some sort of Clark Kent/Superman thing where no one notices that they're never at the same place at once.) Anyway, Page plays a young mom "who holds the key to his past and sparks a battle between the personalities."

Oh, but it gets better. The description with this story says: "a quiet bank clerk's (Murphy) life is shattered by a train crashing into his back yard revealing a woman living there." (Page, perhaps?) A train crashes onto his lawn? Revealing a woman living there? Umm... Is there some bomb shelter? Is his back yard just really, really cluttered? I don't get it. Whatever the case, it sounds like an insanely interesting story.

Oh, Taryn Manning. Sure, she occasionally tackles a different role here and there, but for the most part, she's made her career on a mixture of cinematic drugs, sex, and hooking over and over again. It's gotten to the point where you kind of wonder if that's what her career will amount to. But maybe it'll change now that's she trading in the needles for some flashy robotics. She is co-starring with Bill Pullman in the recently-wrapped Your Name Here, which Cinematical first told you about last year. (Note: The Matthew Wilder who wrote and directed this film is not the music guy.)

It's sort of a biography of Philip K. Dick, but it's being done sort of like Fur -- using his writing and fake world rather than being a straight-out biopic. (Pullman's name in the movie is William J. Frick.) MTV recently talked with the actress and got the scoop on the movie, which is currently being submitted for next year's Sundance. She plays Nikki, who is based on Victoria Principal (the woman Dick wanted to play the lead in Blade Runner).

As Manning describes it, Frick is "infatuated with my character... she starred in that movie Earthquake, and he is obsessed with her even though he has a wife. All around his office you see pictures of me. One day, he does a huge line, and the next thing you know he's in the back of a limo, and there I am!" Well, there she is as a robot. Manning says Frick "can't tell if it's a dream or I'm really there, and the next thing you know, I'm taking him into my world. [He thinks] we're going to live happily ever after." It's zany enough that it could actually be entertaining, and if Taryn is believed, it will be: "It's deep; the writer is great; and it's kooky. I think it'll be another cool cult movie."

Too bad for fans of the book Judgement of Paris: California vs. France and the Historic 1976 Paris Tastings That Revolutionized Wine. Its adaptation might be overshadowed in the same way that Infamous was overshadowed by Capote. Of the dueling films about the 1976 Paris Tastings, Bottle Shock seems to be taking the lead. According to The Hollywood Reporter, the film begins shooting August 1 and it has just announced its principal cast. Meanwhile, I haven't heard much about Judgement in six months, despite the fact that it is supposedly the 'official' film about the event and had originally appeared to have the higher profile. However, according to Decanter.com, which has been following the clashing projects, Judgement producers Elizabeth Fowler and Clark Peterson are looking into suing the makers of Bottle Shock. So, maybe it is still too early to tell which film will hit theaters first.

Bottle Shock is not based on any book, but the project was commissioned by Jim and Bo Barrett, who own the Napa property Chateau Montelena. Montelena surprised many by coming in first in the blind Chardonnay tasting in 1976, which really put California vineyards on the map. The film will feature a varied ensemble of actors, including Bill Pullman as the owner of Montelena and Chris Pine as his son, who saves the winery by entering it into the tasting event. Alan Rickman has been cast as Steven Spurrier, the English wine merchant who organized the event, though his character could have a different name if Fowler and Peterson do in fact own all rights to the man's life story. Also in the cast are Elisha Eliza Dushku, who will play a bartender, and Transformers' Rachael Taylor, who will play an intern at the winery. The original script for Bottle Shock, by Ross Schwartz, has been rewritten by Randall M. Miller and Jody Savin, and Miller will be directing the film.

I had always really liked Felicity Huffman, one half of Hollywood power couple Filliam H. Muffman, as an actress. And then I saw her screeching, ridiculous work in the screeching, ridiculous movie Georgia Rule. I'm usually pretty forgiving for such cases of bad judgment -- but I just can't let this one slide. I'm going to need a couple great performances from Huffman to scrub miserable scenes like her roadside freakout in Rule from my mind. Hopefully she'll redeem herself in Phoebe in Wonderland, a comedy from first-time director Daniel Barnz (incorrectly listed as Ben in the Variety article announcing the film), who also wrote the screenplay. Huffman will join Patricia Clarkson, Bill "Not Paxton, dammit, it's Pullman!" Pullman, and Elle "Not Dakota, dammit, it's Elle!" Fanning for the movie.

Fanning will play "a rebellious little girl who clashes with the rule-obsessed authority figures in her life. She seeks enlightenment from her unconventional drama teacher," played by Clarkson. The announcement doesn't give further details, but if I had to guess, I'd wager Huffman and Pullman play Fanning's strict parents, and that her teacher helps her use her imagination to expand her horizons? Barnz, who apparently loves movies with the word "land" in the title, also wrote Sugarland, an upcoming lawyer drama about exploited migrant workers with Robert DeNiro and Jodie Foster. Foster will also direct that one. And let me just use this space here at the end of the article to beg you not to see Georgia Rule. Unless you're a fan of child molestation humor, there's better ways to spend your hard-earned cash. For shame, Huffman!

When I was in grade school, I always wanted to hang out at my friend's house because he had cable. And cable meant boobs. After his parents had gone to bed, we would stay up and flip through the channels looking for so much as a hint of nipple. So one night we're flipping around and we stumble upon a little picture called Boxing Helena. It looked promising, but it wound up being a cruel punishment for our lustful thoughts. If you're not familiar with the plot of Boxing Helena, allow me to share it with you. A surgeon, played by Julian Sands, has a one night stand with Sherilyn Fenn. He becomes obsessed with her, but she does not share the feeling. She has a car accident in front of his house. He brings her inside and... amputates her arms and legs so that he can control her. It is more ridiculous than it sounds, and the ludicrous ending (spoiler alert-- it was all a dream) is infuriating. Oh, we got our nudity that fateful Saturday night, but at what cost? At what cost?

If there is anything notable about Boxing Helena, it is that the film was directed by David Lynch's daughter, Jennifer Lynch. The film was so despised by critics and audiences (it's currently sporting a 16% average over at rottentomatoes.com), it is little surprise that Lynch hasn't directed a film since. Until now! Pell James, Bill Pullman, and Julia Ormond will star in Lynch's "indie supernatural thriller" Surveillance. Her old man will be executive producing and helping to finance the film, which co-stars former Saturday Night Live cast member Cheri Oteri and Squinty McGee -- French Stewart (!). The story "revolves around an FBI agent who goes to a small town, where everyone lies and no one is safe." Kinda sounds like Jennifer's been studying her father's Twin Peaks. Pullman and Ormond have worked with David Lynch before, in Lost Highway and Inland Empire, respectively. They must have owed him a huge favor.

In the 45th case this year of (at least) two competing movies about the same historical figure being made at the same time, another biopic of sci-fi writer Philip K. Dick has been announced, just weeks after news of a similar film surfaced. The first Dick biopic (That just rolls off the tongue, doesn't it?) was written and will be directed by 1980s one-hit wonder Matthew Wilder, and stars boring Bill Pullman as Dick. Wilder's film, entitled Panasonic, will reportedly be a comedy in which "The lines between reality and perfection blur ... Paranoid conspiracy theories of the highest order, drug-fueled interdimensional shifts, and 1970s pop-culture combine for the mind-bending adventure of the century." Got that?

The new Dick project, on the other hand, is fully authorized by Dick's estate, and is being co-produced by the estate's Electric Shepherd Prods. Currently untitled, the film is described as a "nontraditional biopic [which] will interweave the prolific author's life with his fiction and incorporate elements of his last unfinished novel, The Owl in Daylight", and will be written by Tony Grisoni (who, having also helped write Fear and Loathing in Las Vegas, seems the perfect choice). The increasingly prolific Paul Giamatti, already on board as a producer, is currently in negotiations to star in the film.

There's no word yet on a start date for either project, but since the screenplay for Panasonic is already done, that one would seem to have a head start.

Remember that awesome 1980s song about the guy who "sailed away to China/in a little rowboat to findya" (possibly the greatest slant-rhyme in the history of slant-rhymes), only to find that his girl had to get her laundry cleaned? Yeah, it was a fantastic song. For those of you who, like me, can't remember, it was by a guy named Matthew Wilder. Rather than disappearing off the face of the earth, it turns out that what Wilder has been doing all this time is ... putting together a comedic film about Philip K. Dick. Well of course he has!

According to Saturday's Production Weekly, the film is entitled Panasonic, and will star Bill Pullman as Dick. Panasonic is described as a "comedic journey" into the author's mind, and Wilder is dreaming big. Get this: "The lines between reality and perfection blur ... Paranoid conspiracy theories of the highest order, drug-fueled interdimensional shifts, and 1970s pop-culture combine for the mind-bending adventure of the century." [Emphasis added.] Whoa. Man, I don't care if Chris De Burgh is directing -- I am totally sold on this one.

The movie is due to begin shooting next month.