Blood Simple Tagged Articles at Cinematical

Yes, I have a knee-jerk negative reaction to remakes in general. Yes, I love Blood Simple, the Coen Brothers' debut feature, so much so that I wrote a long article about the film. Yes, I initially thought the prospect of a Chinese version set in a noodle shop was ridiculous.

On the other hand, we're talking Zhang Yimou, people! He's a world-class filmmaker who has demonstrated his artistry over many years, ranging from the delicate poetry of Raise the Red Lantern to the homespun humanity of Not One Less to the martial arts dramatics of House of Flying Daggers and Curse of the Golden Flower. Do I want to see that guy remake Blood Simple in Chinese? Heck yes!

The new version will indeed be set in a Chinese noodle shop, but rather than Texas, the background will be "a sand dune-specked desert." The premise remains the same -- a married man's plot to kill his adulterous wife and her lover quickly spins out of control -- with a slight twist: these characters are more accustomed to knives and swords than guns.Sony Pictures Classics will release the picture, which is currently untitled; Anne Thompson has the press release. The Coen Brothers really have no reason to complain, since they had no compunction about remaking Alexander Mackendrick's The Ladykillers.

If you have any doubts that Zhang can handle a thriller-comedy, may I refer you to Happy Times, which wrung deadpan laughs out of a dramatic situation that could have been smarmy and dreary. While he hasn't made a dark thriller before, he'd never made an action picture before Hero (the one with Jet Li) either, and that turned out pretty darn good. So I have every confidence that he'll make something distinctive, and definitely his own, out of Blood Simple.

The latest wacky work from Ethan and Joel Coen, Burn After Reading, is headed to screens next week. As you might have seen from the trailer, the flick has brought together the awesome collection of George Clooney, Brad Pitt, John Malkovich, Tilda Swinton, and Frances McDormand. But this is certainly not the first Coen movie that Frances has graced. In fact, they jump-started her career in 1984 with Blood Simple.

Above, you can check out the trailer for the film, which follows love triangles and murder. McDormand's Abby is married to Julian (Dan Hedaya), but having an affair with Ray (John Getz). To make matters messier, her lover works for her husband. Julian finds out and wants murderous revenge. But deals with sketchy characters will always be that -- sketchy -- so things don't go according to plan. If you need to know more, check out Peter's great retro review.

It's not really a primer for Burn After Reading, which is definitely more in the Coens' goofy sea, but it is a look at how far McDormand has come over the years. Thank God Joel found her and married her! Can you imagine all those films, especially Fargo, without McDormand?

With No Country For Old Men coming to DVD next Tuesday (3/11) in the final paces of the film's victory lap, it seems like a good time to note that when one of the film's Oscars went to Best Supporting Actor Javier Bardem, it came as the logical conclusion of a long-established fact for many Coen watchers: the brothers have a Midas touch when it comes to supporting parts -- writing them, casting them, directing them. Throughout their career, the writing-directing duo of Joel and Ethan Coen have always peppered their films with brief, brisk parts that both famous and lesser-known actors have turned into standout moments. Here, then, is a list of seven truly great Coen Brothers supporting parts, as well as runners-up from each film. As ever, these lists are highly subjective, and our comments section below awaits your thoughts. ...

1. The Dane (J.E. Freeman), Miller's Crossing

In Miller's Crossing (for my money, the the most overlooked and under-appreciated film in the Coen canon) the brothers pull a balancing act; they not only refuse, refute and re-invent gangster film styles, plots and archetypes, but they also freshen, fire up and fulfill those gangster film styles, plots and archetypes. So it is with J.E. Freeman's Eddie Dane, a fearsome tough guy whose simple, shark-like capacity for murder and mayhem drives the plot and whose complicated private life adds a few twists to the finale. Much is made of John Turturro's work in this film (as it should be) but it's The Dane who keeps sticking out in my mind whenever I re-visit Miller's Crossing, a small, self-contained example of why the film as a whole is so good.

(Runners-up: Bernie Bernbaum (John Turturro), Vera Bernbaum (Marcia Gay Harden) and Johnny Caspar (Jon Polito).

The films of the Coen Brothers tend to split their admirers into different camps. Some love everything they do, many favor their loonier comedic endeavors (Raising Arizona, The Big Lebowski, O Brother, Where Art Thou?), and still others pledge allegiance to their more straightforward and violent dramatic offerings (Miller's Crossing, Fargo, No Country for Old Men).

I fall into the latter camp, having first encountered the unique sensibilities of Joel and Ethan Coen on a tiny television in my tiny Brooklyn living quarters in the late 1980s. Even in a bowdlerized version for television, interrupted for commercials every 10 minutes, Blood Simple held me mesmerized from its opening shot -- an extreme low-angle view of a two-lane highway, shredded rubber tire in the foreground -- to its last.

Watching the film again last night, I was struck by how accomplished the film looks. You could play it on a double bill with No Country for Old Men and be reminded that the Coens already knew the power of silence way back in 1984. They also knew a great image when they saw one, appreciated the value of underplaying a performance, recognized the allure of shadows and silhouettes, and treasured subtle nuances. They've grown and matured, expanding their thematic range, but their debut demonstrates that they've always been uncommonly assured filmmakers.

No Country for Old Men, the new film from Joel and Ethan Coen, is an unquestionable return to form. It is scary, funny, moving, violent, and meaningful, in pretty much equal measure. The Coens' take on the Cormac McCarthy novel of the same name is a pairing as successful, as seamless, as delicious as that of chocolate and peanut butter.

Josh Brolin gives the finest of his four excellent performances this year as Llewelyn Moss. Moss is a struggling everyman who stumbles upon a circle of trucks and dead Mexicans in the desert -- a heroin deal gone bad. Real bad. The lone survivor asks Moss for some agua, and Moss ignores the request. He surveys the scene and eventually comes upon a suitcase filled with $2 million dollars. Moss' response upon finding the money? A simple "Yeah." It's a perfect moment in a movie packed with them. Moss takes the money and returns home to his trailer and his wife Carla Jean (Kelly MacDonald). Soon, his conscience begins to nag at him, and he decides to head back to the scene of the crime to give the dying man a drink. A compassionate decision, but not, as you can probably imagine, an intelligent one.

Javier Bardem plays Anton Chigurh (start to say Chicago and then growl and you're close to the pronunciation). I'll leave his specific involvement in the proceedings up to you to figure out, but just know that he really wants that $2 million. Moss will come to refer to Chigurh as "the ultimate badass," and that's about right. Chigurh is a classic screen villain, the kind we haven't seen in far too long. Every time he appears on screen, cattle stunner in tow, it just makes your heart sink -- somebody is going down. Much like Hannibal Lecter, the guy is a vicious, remorseless killer, but he has a strangely sensible logic and one can't help but be seduced by him. Bardem, sporting a Prince Valiant haircut, gives a flawless performance here, one that will likely be noticed come Oscar time. He completely disappears into Chigurh.