Granted, Daniel Craig has already made sure that he won't be playing James Bond for the rest of his career; but that hasn't stopped him from signing up for a variety of parts that are as far as you can get from the suave super spy. Paramount Vantage has just released the trailer for the WWII drama, Defiance. The film is the latest from 'bleeding-heart' action director Ed Zwick, whose last feature, Blood Diamond, managed to snag the director an Oscar nomination. Judging by the orchestral swell in this trailer and tag lines like "from desperation comes defiance," it would seem like he might be angling for another nomination this year.

Defiance is based on the true story of three Jewish brothers who escaped Nazi-occupied Poland to join up with the Russian resistance in the forests of Belarus. Zwick's screenplay is based on Nechama Tec's book Defiance: The Bielski Partisans. Tuvia, Zusia, and Asael Bielski established a large partisan camp in the forests of Belarus during World War II and ultimately helped to save the lives of over 1,200 Jews. Craig will play Tuvia Bielski and he is joined by Liev Schreiber and Jamie Bell as Zusia and Asael.

Despite my lack of love for some of Zwick's previous work, I'll admit that so far this one looks pretty good. Although to be fair, it might have a lot to do with the talents of Daniel Craig and Liev Schreiber rather than Zwick's skill behind the camera. Defiance has yet to find a release date, but is expected to arrive sometime in '08.

[via ComingSoon.net]

With its concentration on the music industry, it's easy to forget that the Grammys have a few movie-related categories. They include best compilation soundtrack album, best score soundtrack album and best song written for motion picture, television or other visual media. One thing that's always odd with the Grammys, though, is how many nominees are so old. Take a look at the score/composer nominees, for example: Babel (Gustavo Santaolalla); Blood Diamond (James Newton Howard); The Departed (Howard Shore); Happy Feet (John Powell); Pan's Labyrinth (Javier Navarrete); Ratatouille (Michael Giacchino). Only the last of those films came out in 2007. But the eligibility period for the Grammys is always October of the previous year until the end of September of the current year. All but Ratatouille's soundtrack were released in October, November and December of 2006. Since the Grammy ceremony is only a couple weeks prior to the Oscars, the ancient films honored are easily seen as that much more old news (Babel won the 2007 Academy Award for score).

Happy Feet was also recognized in the best song category, for "The Song of My Heart" by Prince (who already has the best soundtrack of all time), despite its not having received an Oscar nomination. Same goes for one of its competitors, Casino Royale theme song "You Know My Name", co-written (with David Arnold) and performed by Chris Cornell. Dreamgirls' "Love You I Do", written by Siedah Garrett and Henry Krieger (performed by Jennifer Hudson) is the only overlap from last February's Oscar nominees (it lost to Melissa Etheridge's "I Need to Wake Up" from An Inconvenient Truth). The other recognized tracks, both from 2007 releases, are Eddie Vedder's "Guaranteed" from Into the Wild and Glen Hansard and Markéta Irglová's duet "Falling Slowly" from Once.

Once is also a contender for best compilation soundtrack, though it faces a huge challenger in The Beatles, who are recognized for the album for the Cirque du Soleil show Love (how does that fall into this category and not the one for musical show album?) and indirectly for the soundtrack to the movie Across the Universe, which features covers of the band's tunes performed by the movie's cast. Other soundtrack nominees are retro musicals Dreamgirls and Hairspray. Sorry, fans of High School Musical 2.

Are you ready for Leonardo DiCaprio doing an Irish accent? He probably should have played Irish in Titanic, but now he'll really have to master the accent for a historical epic called Freedom Within the Heart. Set 1,000 years ago, the film is about Brian Boru, the High King of Ireland who united the country in battle against a Viking threat. Since Boru was at least 60 when he became King, DiCaprio seems a bit young to play the lead, but according to a story from February, the actor was indeed being sought for that very role. At the time, former soccer pro Vinnie Jones was also reportedly cast as Boru's nemesis, Ivor of Limerick. Now, confirming DiCaprio's involvement is a press release from Limerick.com, which states the two actors will be joining Irish filmmaker Mark Mahon in the village of Tuamgraney, in County Clare, provided the Irish Film Board accepts a bid for the production to shoot there. There are hopes that the movie will bring tourism to the area in the same way movies like Braveheart and Rob Roy have brought people to Scottish locales.

Despite earning an Oscar nomination for Blood Diamond, a lot of people thought he did a terrible job with the South African accent, so we'll have to see how he does with the Irish. He could be criticized enough for playing such a legendary figure and not actually being Irish, so if he gets the accent wrong, he'll only make things worse. However, plenty of similar epics have been made without great accuracy, and fans of medieval action probably won't mind.

[via Dark Horizons]

I stood where James Dean stood before he got "stuck" in Rebel Without a Cause. I know that it's been many years since his feet were there but just the idea is still exciting. I also turned into a huge geek after seeing Casino Royale at the famous Grumman's Chinese Theatre when I stuck my hands in Sid Caesar's. That's the fun part of living in Los Angeles; nearly everywhere has been used as a location for a film. It makes the city potent with history and lore and I simply love it. But more and more filming is done outside of California (Vancouver may be the new Hollywood) and this past year outside the United States.

This year filming in Europe and Africa was bountiful. Marie Antoinette and The Da Vinci Code were two that rolled camera in France and Catch a Fire and Blood Diamond are two out of many that were filmed in Africa. The Hollywood Reporter attributes it to filmmakers' rising interest in creating more complex films about the difficulties existing in our world (globalization for one) as well as tax incentives that are stealing filming from California.

It also is incredibly fun for everyone involved in the production to travel to new places. I wouldn't mind going to France, Africa or Vancouver -- especially if it were to make a film. But I wonder if all this traveling to the real Champs Élysées is making the sound stages at the Universal Studios back lots really dusty. ...

What if you could make your own film presenting your take on the Harry Potter character (someone in Georgia might be interested) or your opinion of what should have happened in X-Men: The Last Stand (comic book geeks everywhere wish they could)? Unfortunately, most fictional films involve intellectual properties and copyrights and other things that (legally) cannot be messed with by just anyone.

The same isn't true for documentaries, which tend to present facts or deal with truth, concepts that people don't regularly own or control. These facts and truths are often debatable, though, and can be argued or debunked via other documentary films. Michael Moore's Fahrenheit 9/11 was answered with Alan Peterson's Fahrenhype 9/11. Morgan Spurlock's Super Size Me led to both Bowling for Morgan and Me and Mickey D. Robert Greenwald's Wal-Mart: The High Cost of Low Price was responded to with Ron Galloway's Why Wal-Mart Works: And Why that Drives Some People C-r-a-z-y.

The latest rebuttal doc is aimed at Al Gore's claims in An Inconvenient Truth. Steven Hayward has begun work on An Inconvenient Truth ... Or Convenient Fiction?, a documentary that will be formatted in the same way as Davis Guggenheim's award-winning doc on global warming. Hayward, like Gore, will present his own thoughts on the issue through a similar lecture and slide show. But he isn't going to disagree with global warming altogether, just specific points that Gore supposedly got wrong.

There are plenty of reasons to dislike Blood Diamond -- it's over-long, over-earnest, and over-hyped, just for starters. But Blood Diamond is handsomely made; it features at least one interesting performance; it is actually trying to be about something. In an end-of-year film season crammed with pious nonsense like The Pursuit of Happyness and insane vanity projects like Rocky Balboa, that's enough to reveal it as, well, something like a diamond -- multifaceted, rough and all the more brilliant viewed against its contrasting background. And, of course, like a diamond, it has no real value beyond what the viewer is willing to ascribe to it.

Directed by Edward Zwick (Glory, The Last Samurai), Blood Diamond takes place in civil-war torn Sierra Leone. A fisherman, Solomon (Djimon Hounsou) wants the simple things -- peace, order, a better life for his son. He's not going to get them. Rebel forces tear through the village -- killing many, mutilating some and pressing others into service as diamond miners. This is Solomon's fate, although he's soon rescued and taken to jail. Sierra Leone's rebels finance their attacks on the government through selling diamonds; the jewelry industry doesn't want to have a potential customer ready to punk down the recommended three month's salary turned off by the ugly political realities of Sierra Leone -- crimson blood clashes with wedding white -- so most of Sierra Leone's diamonds are smuggled into neighboring Liberia; this is where Rhodesian-born, South African-bred smuggler Danny Archer (Leonardo DiCaprio) comes in.

Warner Bros. announced that it has moved the release date for Blood Diamond up one week to December 8, instead of sticking with its original release of December 15. According to Dan Fellman, President of Domestic Distribution, the move was made simply because the film is already generating good buzz and the studio wants to give you folks Academy and guild members more time to see it before Oscar starts tapping on everyone's shoulder.

Seems plausible, right? Well, Fellman is wrong in one area -- Blood Diamond has not been generating good buzz as of late. It's not so much the film as it is the studio's so-called marketing strategies. See, some of you might not be aware of this, but producers grabbed 27 teenage and child amputees out of South African hospitals and asked them to be extras in the flick. In return, they were promised a small salary and brand new prosthetic limbs. However, more than three months later and no one has received anything. Some feel Warners was holding out until the film was released before handing over the prosthetic limbs in order to use it as a way to promote their product. As you can imagine, this has caused quite a stir and Warner Bros. insists the new limbs are on their way. It does make you wonder though, did they push up the film's release date because of the good buzz or the bad buzz?