BobIger Tagged Articles at Cinematical
Will Johnny Depp Ditch 'Pirates 4' For Dick Cook?
Filed under: Action », Sci-Fi & Fantasy », Executive shifts », Disney », Celebrities and Controversy », Scripts », Family Films », DIY/Filmmaking », Newsstand », Steven Spielberg », Johnny Depp », Remakes and Sequels »
As the entertainment world headed out for the weekend, there was a very big shake-up at Disney, with studio head Dick Cook being ousted from the company. Disney's president Bob Iger is determined to reinvent the studio from top to bottom, and reportedly saw Cook as a relic of Disney's cartoonish past. But Cook has a lot of success under his belt, and friendships with the likes of Steven Spielberg, Tim Burton, and Johnny Depp. Depp was one of the first to speak out about Cook's departure, and hinted darkly to The Los Angeles Times about the fate of Sparrow and the Black Pearl. Depp revealed that he only has a potential deal in place for Pirates of the Caribbean: On Stranger Tides. It's all dependent on how good the script is, and how favorable he is towards a post-Cook Disney. "There's a fissure, a crack in my enthusiasm at the moment. It was all born in that office." Jack Sparrow was indeed born in Cook's office. As all Sparrow and Depp fans know, Disney had been trying to convince Depp to sign on for a Disney film for years, but it wasn't until Cook name-dropped Pirates that Depp was in.
Cook was one of Depp's supporters against a studio who was unimpressed with his eyeliner, gold teeth, beaded dreads and drunken demeanor. "When things went a little sideways on the first Pirates movie and others at the studio were less than enthusiastic about my interpretation of the character, Dick was there from the first moment. He trusted me." Lo and behold, an icon was born (whether you love him, hate him, or are just tired of him, you have to admit that Sparrow will outlast us all), and we got a little swashbuckling in the summertime. Hats off to Captain Cook for that, and if Sparrow never sails again, at least we'll know that friendship won out over a love of franchise gold.
Why day/date isn't ready to save the day: Laws and Sausages
Filed under: Independent », Deals », Disney », IFC », Magnolia », Distribution », Exhibition », Home Entertainment », Movie Marketing », Mark Cuban », Cinematical Indie »
The most shocking moment of Sunday night's Oscar ceremony came early in the evening, long before Three 6 Mafia or Crash scored their twin victories for mediocrity. An hour or so after losing the night's first award to George Clooney, Jake Gyllenhaal trotted out on stage to ostensibly announce one of the night's many disposable montages. "They're called epics," he near-monotoned. "Extravaganzas. Spectacles." With that last one, Jake's voice took an unexpected up-turn. He went on to list a few (oddly amalgamated for mass cross-generational appeal) examples of the genre in question – "West Side Story. Star Wars. Ben-Hur." – before delivering the kicker: "You can't properly watch these on a television set, and good luck trying to enjoy them on a portable DVD." Gyllenhaal punctuated that embarrassingly over-scripted slice of Academy propaganda with a desperate, self-referential giggle – a composure break that lasted long enough for an insert shot of Heath Ledger and Michelle Williams, Gyllenhaal's Brokeback Mountain co-stars, just two members of what sounded like a large chunk of the audience laughing along with him. It was rather amazing, a pure, bumbling moment of transparency that neatly struck down whatever was left of Sid Gannis' sad house of cards. The new takeaway for the evening: If Hollywood can't take its own last-ditch propaganda seriously, how can we?
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