The international trailer for Body of Lies has just arrived online, and the combo of Russell Crowe and Leonardo DiCaprio is enticing to say the least. Based on the novel by David Ignatius (and scripted by The Departed's William Monahan), Body of Lies tells of a former journalist (DiCaprio) who's hired by the CIA to track down an Al Qaeda leader in Jordan. The film was directed by Ridley Scott.

Cinematical's Eugene Novikov recently used Body of Lies as part of his From Page to Screen column, and on the book he says: "Body of Lies, the novel, is pitched as a spy thriller informed by the author's extensive experience in the field and knowledge of the way the CIA really operates. (The back cover offers a fawning quote from former CIA director George Tenet, claiming that the book is "fiction but reads like fact.") It's certainly intelligent, plausible, and sometimes exciting." The trailer seems to focus more on that "sometimes exciting" part, showing DiCaprio in all sorts of iffy situations, while his CIA boss (played by an overweight and somewhat unattractive Russell Crowe) rides his ass until something gives. Body of Lies hits theaters on October 10.

I dig it. Do you?

Zack Snyder wouldn't confirm it last month when he talked to Collider, but Coming Soon has now scored confirmation about which trailers Warner Brothers Pictures is tacking on to the next Batman installment when it hits next week on July 18.

Wonderfully and most importantly, is Watchmen. I can only hope that it shows some action, and a good look at the heroes (including Doc Manhattan), rather than a teaser that lays on more anticipatory torment. The next in the list is, fittingly, Terminator Salvation, which will give us a taste of Bale in the future, before the trailers end and he slips into the batsuit. Finally, there's Ridley Scott's Body of Lies.

Does this affect your moviegoing plans in any way? When I bought my midnight screening tickets for The Dark Knight a week or two ago, my friend and I had a whole discussion about screens -- do we see Batman in IMAX with no Watchmen, or see it on a normal screen and finally delight in the first teaser. We opted to skip the IMAX experience this time, but what about you? Do these trailers change your plans at all? Will you now see the film on a certain screen, or check out the movie earlier to see Snyder's eagerly anticipated trailer?

Realistic spy fiction is hard. On screen, it's almost never done. The tendency to romanticize espionage is so ingrained in us through decades of James Bond and Bourne and 24 that a warts-and-all depiction of the way intelligence agencies actually operate might not even make sense to much of the moviegoing public. Occasionally, someone will make a minor, based-on-a-true-story attempt – The Good Shepherd with the CIA, for example, or Breach with the FBI – but those are viewed as history lessons, not spy thrillers.

That makes sense. The CIA doesn't exactly have an open-door policy, so it's hard to say for sure, but by all accounts the work of a real-life agent isn't terribly dramatic, or ripe for genre film treatment. Much of it is a bureaucratic nightmare, and the jobs that we view as exotic and exciting – "secret agent," for example – are usually a tedious slog, consisting of years of building connections and forging allies in the hopes of a payoff in the indefinite future. Yeah: all else equal, I'd rather watch Jason Bourne kick some bad guys in the face while searching for his true identity.

Thanks to Bourne, the spy-fi genre is alive and well and every studio is on the lookout for a franchise of their own -- even Disney. Variety reports that super-producer Jerry Bruckheimer (along with the Mouse) has purchased the screen rights to David Ignatius' spy thriller, The Increment. Ignatius is an associate editor for The Washington Post and Increment will be his seventh novel. An adaptation of his 2007 book, Body of Lies, has already finished shooting with Ridley Scott at the helm, and Leonardo DiCaprio starring as a CIA agent hot on the tail of a terrorist.

The Increment centers on a "shadowy, elite group of British undercover intelligence operatives who are conscripted by a CIA agent to help a weapons scientist defect from Iran." Early reviews of the manuscript praised the story, citing the wealth of facts about the CIA and the international intelligence community. But insiders were shocked that Disney would want the property considering the amount of 'hot button' issues in the book, like Islamic politics and an invasion of Iran.

Ignatius' novel has not even been published yet, so it's very early days for the adaptation -- and leaving plenty of time for Disney to water down the story. In the meantime, look for Body of Lies to arrive in theaters on October 8th, 2008.

Looks like Ridley Scott and Leonardo DiCaprio are quite fond of one another, as both men have decided to team up once again on a new thriller called The Low Dweller. This script is being touted as a cross between The History of Violence and No Country for Old Men, and when the latter flick wins an Oscar for best picture -- well, you bet your you know what this is gonna be a hot property. And indeed it is; apparently, the script comes from some "twentysomething working as an insurance salesman in Pennsylvania," so says The Hollywood Reporter. Dude was just a random guy, plugging away on a spec script, and, whaddya know, it sparked up a huge bidding war between Warner Bros. and Sony before Relativity Media came in and swiped it up for a crisp $650,000 against $1 million.

Not bad for an insurance salesman from Pennsylvania.

According to HR, the film is set in Indiana during the mid-1980s, and it "centers on a man (DiCaprio) trying to assimilate into society after he's released from jail, only to find someone from his past pursuing him to settle a score." They add that another male character and a female love interest are also involved in some way. Sounds like it could be good, but then again that description doesn't give you all that much. Scott and DiCaprio just wrapped up Body of Lies, and each will now head to another project (Leo on Shutter Island and Scott on Nottingham) before returning for this one.

He's been fighting his young look for years, but it looks like Leonardo DiCaprio has finally gotten to a place where he looks older and more experienced. Perhaps that's due to the furrowed brow he's sporting in the picture above. The image is from his current film, Ridley Scott's Body of Lies, and it leads me to wonder if he practiced that furrowed look to age him, and how long it will be before he and Josh Brolin play brothers. (See the bearded resemblance?)

The film is based on David Ignatius' novel about a CIA agent sent to Amman to collaborate with Jordan's special intelligence and track down an Al Qaeda bad guy who is scheming an attack on America. DiCaprio plays the agent, Russell Crowe plays his boss, and Carice van Houten plays his ex-wife. No release date has been set for the film, but it shouldn't take too long to hit screens.

[via Empire Online]

So while I wouldn't necessarily pair the rough and tumble director Ridley Scott with the world of high fashion, Fox must see something in the pairing that I don't. Variety reports that Fox 2000 is putting together a vehicle for Scott to direct that is based on the life and murder of Maurizio Gucci (head of the famous Gucci fashion house). The project had been wasting away at Paramount before Fox finally picked it up through The Devil Wears Prada producer, Carla Hacken.

The famous house of Gucci was founded by Guccio Gucci back in 1906. By the time the 70's had rolled around, the company was in serious financial trouble and there was infighting and bad blood running rampant in the family. Maurizio was the grandson of founder Guccio and had managed to retain 50% of the business after the death of his father. He allied with his cousin Paulo, and the two finally turned the company around. It was Maurizio who had hired a relatively new designer at the time, Tom Ford, to help revive the label in the 90's. On the eve of his big debut though, Maurizio was gunned down outside his apartment building. In 1998, Maurizio's ex-wife was convicted of the murder (she was later retried but her conviction was upheld with a reduced sentence).

Fox has already lined up Charles Randolph (The Interpreter) to begin working on the script as soon as the writer's strike is over. According to Variety, the story "chronicles the wild and glamorous story of the Gucci family in the 1970s and '80s". Scott is currently shooting the drama Body of Lies with Leonardo DiCaprio and Russell Crowe on location in Morocco, before heading off to work on the revisionist Robin Hood flick, Nottingham. So since Scott has plenty of work left to do and a script has yet to be written, it could be awhile before Scott and company can get this project underway.

I wish turkey day was turkey month, but since we all have to work and don't want to end up looking like Mr. Creosote, it's time to get back to work. Elizabeth Berkley is soon going to play David Caruso's ex on CSI: Miami, but that's not the only casting news coming out of the weekend:

• His name might not be on the tip of every tongue, but you've definitely seen John Michael Higgins around. He's been in a ton of stuff, the best of which rests on the plate of Christopher Guest. He was Michael McKean's lover and dog-show helper in Best in Show, a New Main Street singer in A Mighty Wind, and finally, For Your Consideration's Corey Taft, who said: "In every actor there lives a tiger, a pig, an ass, and a nightingale." Now Variety reports that he's got a role in Jim Carrey's Yes Man. Unfortunately, there's no word on who he'll play, but hopefully it'll be a decent gig and not just a brief blip.
  
• Ah, Simon Baker. The Aussie actor has made People's "Most Beautiful" list, and most recently, he's tried to whisk Anne Hathaway away from Adrian Grenier in The Devil Wears Prada, and starred with Winona Ryder in Daniel Waters' Sex and Death 101. According to Variety, he's now joining Alfred Molina and Hope Davis in The Lodger -- a Hitchcock remake that first geared up back in 2006. While they're not saying who he'll play, I imagine he'll be the lodger, since the only other younger man on the cast list thus far is Donal Logue, who is already playing Bunting.
• He usually pops up on television a lot, and in movies you've probably never heard of, but now Vince Colosimo has nabbed himself a role in a bigger-buzz feature. Variety reports that he has a part in Ridley Scott's Body of Lies, which already stars Leonardo DiCaprio, Russell Crowe and Carice van Houten. The movie, which is currently filming, is about a former journalist who was injured in Iraq, who then somehow gets hired to hunt down an Al Qaeda leader. Colosimo is playing some dude named Skip.

I have a favor to ask of Ridley Scott: please, sir, can you stop announcing movie projects until you're in the middle of shooting Monopoly? That's the only one I really want to see you committed to right now. So, just finish up with Body of Lies, then begin production on Monopoly, and then you may announce other gigs, including this new project, Stones, which The Hollywood Reporter now tells us you're set to direct. Sure, the film sounds really interesting -- its a supernatural thriller that deals with ancient landmarks like Stonehenge and the Great Pyramids -- but how can you be thinking about mystical places when you need to be concentrating on Rich Uncle Pennybags and how you might integrate the thimble and scotty dog into your board game adaptation.

Yes, the American Gangster director has too many films in the pipeline. And Monopoly isn't even one of the projects listed on the IMDb, which shows only the Robin Hood-based Nottingham and the Cormac McCarthy adaptation Blood Merdian as being lined up after Body of Lies. Other Scott-attached projects we've written about in the past include Child 44 and Gladiator 2, but those were both a long time ago. We know Scott has confirmed involvement in Monopoly, so where's the greenlight? Doesn't Hollywood know how huge this thing will be? Oh well, I guess we can take a little peak at what this Stones thing is all about. Scripted by Matthew Cirulnick (Paid in Full), the movie features the destruction of ancient religious structures throughout the world and the revelation that they are all tied together, with Stonehenge being the central site, and that they all retain supernatural powers meant for a specific purpose.

The Hollywood Reporter confirms that following Body of Lies, Scott will head straight into Nottingham, while Stones will have to await the end of the Writers Guild strike, because Cirulnick has not finished writing it. The trade also mentions another mythical project written by Cirulnick titled Elysium, which deals with Greek mythology, and going by the title, I presume it focuses on the afterlife.

What did you do on Saturday night? The Weinstein Co. was busy, closing three deals at the American Film Market (AFM), according to ScreenDaily.com. They picked up US distribution rights to films represented by French company Wild Bunch.

• Dorothy Mills stars Carice Van Houten, who gave an incredible performance in Paul Verhoeven's Black Book and has since been rumored as a Bond Girl and signed for biopic Smoke and Ochre, Bryan Singer's Valkyrie, Body of Lies with Leonardo DiCaprio and Russell Crowe, and Repossesion Mambo with Jude Law. (Whew!) Dorothy Mills was directed by Agnès Merlet (Artemisia) and is described as a mystery thriller. Van Houten plays a grieving psychiatrist assigned to help a teenage girl accused of strangling a baby.
  

• Dante 01 represents the solo directing debut of Marc Caro, who previously made Delicatessen and The City of Lost Children with Jean-Pierre Jeunet. The film is set in a "space prison," where dangerous criminals become unwilling participants in medical experiments. The prisoners begin resisting; the arrival of a mysterious convict brings everything to a head. It's due for release in France on January 2, 2008.
  

• Martyrs is a horror flick from writer/director Pascal Laugier. It starts in the 1970s with the discovery of Lucie, a young girl who'd gone missing the year before and has no memory of what happened. Hospitalized, she suffers from nightmares of torture, but slowly recuperates with the help of another young patient. Fifteen years pass and she turns up at a house in a forest with shotgun in hand. (Cineuropa has the details.)
  

No word yet on whether the Weinsteins plan theatrical releases, though Dorothy Mills is the most likely to get one. AFM continues through November 7 in lovely, seaside Santa Monica, California.