I found myself asking one simple question during Ridley Scott's Body of Lies, a well-shot, big-name intelligence thriller that sees Leonardo DiCaprio's CIA man caught up in action in the Middle East -- namely, what is Body of Lies for? I don't mean that in the sense of asking what it supports or believes in -- although, with the film's mix of Hollywood heroics and sneering cynicism, you're certainly left with that question -- but rather in the sense of asking what it is that Body of Lies means to accomplish or communicate. Part of the film feels like an attempt at a sprawling, globe-trotting story of realpolitik and moral complexity, in the mold of Syriana or Scott's own Black Hawk Down; other parts feel like Dolby-pumped slam-bang action, in the mold of Tony Scott's Spy Game or the Bourne Films. And some of Body of Lies feels like a weird, surreal workplace satire, with DiCaprio's on-the-ground intelligence agent fighting, fussing and feuding with his D.C.-based superior Russell Crowe; if you hate having your boss hover over your shoulder second-guessing you, imagine how it feels to have your boss looking over your shoulder second-guessing you from orbit via satellite.

Adapted from David Ignatius' novel by The Departed screenwriter William Monahan, Body of Lies follows DiCaprio's Roger Ferris through a series of run-and-gun intelligence-gathering missions that start in Iraq and travel the globe in the name of penetrating, and breaking, a terror ring operating on a global level. Ferris works for Ed Hoffman (Russell Crowe, beefy and drawling), who runs his section of the CIA with a true believer's fervor. Speaking to a group of political staff and elected officials, Hoffman tries to get everyone in line by getting everyone scared: "Our world as we know it is much simpler... to put to an end than you might think." Ed knows that in an age of asymmetrical warfare, America's seemingly unsophisticated opponents have big advantages; you can't tap someone's phone if they don't have one, can't crack their e-mail if it doesn't exist.

Despite having six new wide releases last week, only Beverly Hills Chihuahua and Nick and Norah's Infinite Playlist cracked the top five. In its third week of release, Appaloosa expanded into an additional 1,031 theaters, allowing it to take the number five spot. Here's the top five.

1. Beverly Hills Chihuahua: $29.3 million
2. Eagle Eye: $17.7 million
3. Nick and Norah's Infinite Playlist: $11.3 million
4. Nights in Rodanthe: $7.3 million
5. Appaloosa: $5 million

Body of Lies
What's It All About: In this Ridley Scott film, Leonardo DiCaprio plays a CIA agent tracking terrorist activity in Jordan, with Russell Crowe playing the veteran agent who helps him infiltrate the terrorist underground.
Why It Might Do Well: This film reteams DiCaprio with William Monahan, the screenwriter behind The Departed, and the flick is sporting a 70% fresh rating at rottentomatoes.com.
Why It Might Not Do Well: This being an election year, there are already enough lies kicking around.
Number of Theaters: 2,500
Prediction: $26 million

There's a lot of cinematic power behind Warner Bros. upcoming political thriller Body of Lies: It's directed by Oscar-winner Ridley Scott (Gladiator), it's written by Oscar-winner William Monahan (The Departed), and it stars reliable talents / big-time movie stars like Leonardo DiCaprio and Russell Crowe. Based on the novel by David Ignatius, Body of Lies tells the story of a journalist who is enlisted by the CIA to help track down a suspected terrorist. That's only the sketchiest of plot synopses, but since I haven't read the book, I'd like to enjoy Body of Lies without knowing the whole story.

And we're very pleased to bring you the very first look at the official one-sheet for Body of Lies. (It's behind the jump!) The film hits theaters on October 10 -- and since it's a Ridley Scott film, you just know I'll be there opening night. If it's half as good as Mr. Scott's last "action" film (the stellar Black Hawk Down), then I'll be a happy guy. (Click here for the poster!)

The international trailer for Body of Lies has just arrived online, and the combo of Russell Crowe and Leonardo DiCaprio is enticing to say the least. Based on the novel by David Ignatius (and scripted by The Departed's William Monahan), Body of Lies tells of a former journalist (DiCaprio) who's hired by the CIA to track down an Al Qaeda leader in Jordan. The film was directed by Ridley Scott.

Cinematical's Eugene Novikov recently used Body of Lies as part of his From Page to Screen column, and on the book he says: "Body of Lies, the novel, is pitched as a spy thriller informed by the author's extensive experience in the field and knowledge of the way the CIA really operates. (The back cover offers a fawning quote from former CIA director George Tenet, claiming that the book is "fiction but reads like fact.") It's certainly intelligent, plausible, and sometimes exciting." The trailer seems to focus more on that "sometimes exciting" part, showing DiCaprio in all sorts of iffy situations, while his CIA boss (played by an overweight and somewhat unattractive Russell Crowe) rides his ass until something gives. Body of Lies hits theaters on October 10.

I dig it. Do you?

Zack Snyder wouldn't confirm it last month when he talked to Collider, but Coming Soon has now scored confirmation about which trailers Warner Brothers Pictures is tacking on to the next Batman installment when it hits next week on July 18.

Wonderfully and most importantly, is Watchmen. I can only hope that it shows some action, and a good look at the heroes (including Doc Manhattan), rather than a teaser that lays on more anticipatory torment. The next in the list is, fittingly, Terminator Salvation, which will give us a taste of Bale in the future, before the trailers end and he slips into the batsuit. Finally, there's Ridley Scott's Body of Lies.

Does this affect your moviegoing plans in any way? When I bought my midnight screening tickets for The Dark Knight a week or two ago, my friend and I had a whole discussion about screens -- do we see Batman in IMAX with no Watchmen, or see it on a normal screen and finally delight in the first teaser. We opted to skip the IMAX experience this time, but what about you? Do these trailers change your plans at all? Will you now see the film on a certain screen, or check out the movie earlier to see Snyder's eagerly anticipated trailer?

Realistic spy fiction is hard. On screen, it's almost never done. The tendency to romanticize espionage is so ingrained in us through decades of James Bond and Bourne and 24 that a warts-and-all depiction of the way intelligence agencies actually operate might not even make sense to much of the moviegoing public. Occasionally, someone will make a minor, based-on-a-true-story attempt – The Good Shepherd with the CIA, for example, or Breach with the FBI – but those are viewed as history lessons, not spy thrillers.

That makes sense. The CIA doesn't exactly have an open-door policy, so it's hard to say for sure, but by all accounts the work of a real-life agent isn't terribly dramatic, or ripe for genre film treatment. Much of it is a bureaucratic nightmare, and the jobs that we view as exotic and exciting – "secret agent," for example – are usually a tedious slog, consisting of years of building connections and forging allies in the hopes of a payoff in the indefinite future. Yeah: all else equal, I'd rather watch Jason Bourne kick some bad guys in the face while searching for his true identity.

Thanks to Bourne, the spy-fi genre is alive and well and every studio is on the lookout for a franchise of their own -- even Disney. Variety reports that super-producer Jerry Bruckheimer (along with the Mouse) has purchased the screen rights to David Ignatius' spy thriller, The Increment. Ignatius is an associate editor for The Washington Post and Increment will be his seventh novel. An adaptation of his 2007 book, Body of Lies, has already finished shooting with Ridley Scott at the helm, and Leonardo DiCaprio starring as a CIA agent hot on the tail of a terrorist.

The Increment centers on a "shadowy, elite group of British undercover intelligence operatives who are conscripted by a CIA agent to help a weapons scientist defect from Iran." Early reviews of the manuscript praised the story, citing the wealth of facts about the CIA and the international intelligence community. But insiders were shocked that Disney would want the property considering the amount of 'hot button' issues in the book, like Islamic politics and an invasion of Iran.

Ignatius' novel has not even been published yet, so it's very early days for the adaptation -- and leaving plenty of time for Disney to water down the story. In the meantime, look for Body of Lies to arrive in theaters on October 8th, 2008.

Looks like Ridley Scott and Leonardo DiCaprio are quite fond of one another, as both men have decided to team up once again on a new thriller called The Low Dweller. This script is being touted as a cross between The History of Violence and No Country for Old Men, and when the latter flick wins an Oscar for best picture -- well, you bet your you know what this is gonna be a hot property. And indeed it is; apparently, the script comes from some "twentysomething working as an insurance salesman in Pennsylvania," so says The Hollywood Reporter. Dude was just a random guy, plugging away on a spec script, and, whaddya know, it sparked up a huge bidding war between Warner Bros. and Sony before Relativity Media came in and swiped it up for a crisp $650,000 against $1 million.

Not bad for an insurance salesman from Pennsylvania.

According to HR, the film is set in Indiana during the mid-1980s, and it "centers on a man (DiCaprio) trying to assimilate into society after he's released from jail, only to find someone from his past pursuing him to settle a score." They add that another male character and a female love interest are also involved in some way. Sounds like it could be good, but then again that description doesn't give you all that much. Scott and DiCaprio just wrapped up Body of Lies, and each will now head to another project (Leo on Shutter Island and Scott on Nottingham) before returning for this one.

He's been fighting his young look for years, but it looks like Leonardo DiCaprio has finally gotten to a place where he looks older and more experienced. Perhaps that's due to the furrowed brow he's sporting in the picture above. The image is from his current film, Ridley Scott's Body of Lies, and it leads me to wonder if he practiced that furrowed look to age him, and how long it will be before he and Josh Brolin play brothers. (See the bearded resemblance?)

The film is based on David Ignatius' novel about a CIA agent sent to Amman to collaborate with Jordan's special intelligence and track down an Al Qaeda bad guy who is scheming an attack on America. DiCaprio plays the agent, Russell Crowe plays his boss, and Carice van Houten plays his ex-wife. No release date has been set for the film, but it shouldn't take too long to hit screens.

[via Empire Online]