BoogieNights Tagged Articles at Cinematical

There are a lot of things I love about Paul Thomas Anderson's Boogie Nights (the sight of Don Cheadle in a Stevie Wonder wig is worth the price of admission alone), but if I simply had to choose, the scene of a botched drug deal with Rahad Jackson (Alfred Molina) probably ranks as one of my favorite movie moments of all time. Why? Between the Night Ranger soundtrack and the sounds of Cosmo's cherry bombs going off in the background, I was right there with Reed Rothchild (John C. Reilly) on the couch wanting to get the hell out of that living room. I get film geek goose pimples all over as the camera settles on Dirk (Mark Wahlberg), watching his face gradually realize how far he'd fallen. At the time, it even managed to convince me that Wahlberg might be an honest to goodness actor -- a notion he's been working hard to dissuade me from ever since.

Boogie Nights fun facts:

• Paul Thomas Anderson intended for further scenes involving Rahad Jackson (Molina) that would have had him going out in a blaze of gunfire when the cops arrived on the scene.
  
  
• There are numerous references to John Holmes in the film, but this sequence is loosely based on the infamous Wonderland murders that centered on Holmes and gangster Eddie Nash in real life.

First, he gets a mainstream comic actor to act in a contemplative art house narrative with Punch-Drunk Love. Now, he's putting two of them on a stage. According to cigarettes and red vines, Paul Thomas Anderson has written and directed a play in Los Angeles with Saturday Night Live stars Maya Rudolph (Anderson's partner) and Fred Armisen. It premieres at the Largo on August 5, but specific details about plot remain unrevealed. Still, the prospects of seeing Anderson's eerily detached style in a live performance are intriguing, to say the least. As Slashfilm points out, the production has a few logical attachments to the filmmaker's past: Anderson directed a short film for SNL back in 2000, and Rudolph starred in Robert Altman's A Prairie Home Companion, which Anderson may or may not have ghost-directed in parts.

Now that Anderson has proven he can craft epic period pieces of the raunchy (Boogie Nights) and morose (There Will Be Blood) kind, he's reached a point where audiences will basically allow him to take them wherever he wants to go. The dynamics of the stage, however, differ greatly from those of the cinema. Since the name and subject matter are a mystery, there's a lot left to the imagination. Will Anderson allow Rudolph and Armisen to unleash their comic potential? Or is that a milkshake I hear brewing?

Just caught There Will Be Blood on DVD last weekend, and though it's after the fact, I'm pretty convinced now that it should have won Best Picture. I haven't yet explored the DVD (which comes out on April 8), but I definitely encourage you to pick this flick up and watch it again, or watch it for the first time. In my opinion, one of the best films in the past 10 years. Without a doubt. But anyway, came across this very cool Paul Thomas Anderson tribute video today and thought we'd share it with you. It's six minutes long, and covers only five films (Hard Eight, Boogie Nights, Magnolia, Punch Drunk Love, There Will Be Blood), but it's cut brilliantly and worth a watch if you, like me, are a die hard PTA fanboy. Whoever cut this must have gotten their hands on a copy of the There Will Be Blood DVD (no, not me -- this would've taken me five years to cut together), so in case you want to go into that film fresh, you may want to skip this.

Additionally, this dude also made videos for Quentin Tarantino and The Coen Brothers, among others. Check them all out if you have some time to kill.

It's inevitable, over the Thanksgiving weekend: At some point, you're going to be full. And I mean full -- loaded up with happy memories and a whole bunch of pie. What better time to throw on a long, long movie? I always wind up watching something huge during Thanksgiving weekend -- I particularly recall a carb-coma afternoon with Spartacus washing over me like a river of gravy, rich and flavorful -- and this year is no exception. I don't think I'm going to have enough time to watch The Best of Youth again -- I don't think I have that much time -- but I have been circling my copy of Nashville with a certain avaricious eye towards re-enjoying it. (Oh, and to the commenter yesterday who noted that A Prairie Home Companion is a film more worthy of Best Picture consideration than Crash, well, I have film on my teeth more worthy of Best Picture consideration than Crash. And maybe it's just my hatred of Garrison Keillor, but Prarie Home Companion drove me mad. ...) Then again, I might throw on Boogie Nights for the umpteenth time -- or even the Criterion disc of Dazed and Confused. Much like Nashville, they're both American stories, too. ...

What are you planning to watch over the Thanksgiving weekend? And what's your secret for pumpkin pie?

J.