Boy A Tagged Articles at Cinematical

This list is harder to put together than it may seem, since one first needs to settle on a definition of "overlooked" and "indie." Nonetheless, I've endeavored to compile a set of seven small films, each of which had some manner of U.S. theatrical distribution, and each of which got less attention than it deserved -- or so I thought. None of these movies figures in the year's Oscar race, but they should be remembered for your DVD collection.

1. Boy A (John Crowley) - This is the movie Harvey Weinstein supposedly championed, though I suspect he only did it so that after it flopped he could point to it as an example of no one caring about whether his movies are any good. Whatever. Boy A is very, very close to being a great film, kept from the mantle by one too-on-the-nose plot thread that rears its head in the late going. Other than that it's a quiet, profound rumination on punishment, forgiveness, and our insistence on letting juvenile convictions haunt people for the rest of their lives. In a better world, Andrew Garfield would get an Oscar nomination for his heartbreaking performance. And the ending is a knock-out.

2. Transsiberian (Brad Anderson) - I don't think I saw a more effectively atmospheric movie this year -- no, not even Let the Right One In. The story is what it is (it's not too impressive), but the snowbound setting -- and the movie along with it -- constantly straddles the line between beauty and menace in a way that's truly gripping. I left the theater in a sad, unsettled funk, even though I get the sense that Anderson was going for breathless suspense. It's pitched as a thriller, and Anderson is a God among horror buffs after Session 9 (which I still haven't seen; it's creeping up my Netflix queue), but Transsiberian is beautiful and hypnotic above all else.

Above: You Don't Mess with the Zohan, The Happening, Sleeping Beauty

You Don't Mess with the Zohan
Adam Sandler wandering into topical territory, actually making sense, and stll making the funny? I was surprised too! Don't worry, he still packs in plenty of juvenile gags about the outlandish size of his package and drags in every ancient ethnic stereotype possible, but as an Israeli intelligence operative who wants to become a hairdresser, he pulls off the neat trick of creating a completely silly character in a wish-fulfillment scenario that, well, nearly everyone wants to see. Rent it. Available rated (theatrical cut) on a single-disc DVD and unrated in single-disc and double-disc DVD editions. The Blu-ray includes both the rated and unrated versions.

The Happening
Maybe the inclusion of "over 1 hour of intense bonus footage not shown in theaters!" -- extended versions of "Lion Attack" and Survivalist Porch" among them -- will convert me. Maybe I'll watch M. Night Shyamalan's first R-rated horror flick again some day to see if it still makes me roll my eyes and laugh out loud at scenes that were evidently intended to make me shiver in my seat. Maybe one day pigs will fly. Skip it. Available on DVD and Blu-ray with deleted scenes and "making of" features.

Sleeping Beauty
Scott Weinberg has already written about the awesomeness of the new edition of Disney's animated treasure on Blu-ray. This is a classic no-brainer, a movie that both young and old can dip back into time and again. Buy it. Available on DVD and Blu-ray.

After the jump: Indies on DVD, Blu-ray, and Collector's Corner. Join us, won't you?

Movies about ex-convicts and their difficulty assimilating back into society generally begin with the prison release, during which the protagonist typically looks downright miserable. At first thought, I recall the opening of Vincent Gallo's Buffalo '66, which ironically exaggerates the hopelessness of post-incarceration by adding a lack of a public restroom to the list of things the former jailbird is without. But at the beginning of John Crowley's new film, Boy A, the titular young man being turned back into the world is high-browed and smiling from ear to ear. And this change from the expected norm really drew me into the film immediately.

Perhaps the difference is that for most films about ex-cons, the hero doesn't have a very good chance at starting over. For "Boy A," however, there's a literal reinvention taking place. In the first scene, the young man (Andrew Garfield) sits with his caseworker, Terry (Peter Mullan), and discusses the details of his release, which include his receiving a new home, a new job and, most importantly, a new identity -- he chooses the name "Jack." Also, rather symbolically, Terry hands Jack a gift, a pair of sneakers that unintentionally represents the young man's ability to comfortably run away from his former life.

Cinematical has just received this exclusive clip from the film Boy A, which I managed to catch earlier this year at the Tribeca Film Festival. Truth be told, I really dug it -- the film follows this kid named Jack (played by up-and-comer Andrew Garfield) who's released from prison after spending several years behind bars for a crime he committed as a child. Determined to get back on track, Jack, with help from his counselor Terry (Peter Mullan), tries to start over again in a new town with a new name and a new life. But how long will it be before his previous life catches up to him, and will Jack ever manage to build a successful future for himself if his past won't leave him alone?

In the clip above, Jack and his work buddy are driving along on a road when something catches their eye. That something would eventually change the course of the film. Really solid movie from start to finish, and it's beautifully shot -- some of the best cinematography I've seen all year. Definitely seek this one out when it hits theaters on July 23. You won't be disappointed.

Cinematical has received this brand new poster for Boy A (click image to enlarge), a film I was lucky enough to catch at this year's Tribeca Film Festival. Featuring terrific performances from Andrew Garfield (especially) and Peter Mullan, Boy A tells the story of Jack; a wounded soul who, at 24, is released from prison after serving time for a horrible crime he committed with a friend at the age of 10. Mullan plays the kid's councilor Terry; in charge of basically setting him up in a new town, with a new name and new goals to protect Jack from those who want him either dead or back in jail. Jack slowly begins to build a new life for himself; he excels at his job, makes some good friends and falls in love -- however, hidden deep inside him is a secret he can't afford to let out. Can he continue on as is, or will the truth eventually find its own brutal way of catching up to him?

Boy A is one heckuva powerful flick (shot and edited beautifully) that creeps up on you as the drama slowly unfolds. I have no problem giving this one a strong recommendation; it hits theaters in limited release on July 23.

What were the top films at this year's Tribeca Film Festival? What have been the breakout performances of this year's fest? What does Tribeca need to do to be even better next year? And finally, is the question of if Iron Man's box office will take a hit from Grand Theft Auto IV lazy journalism, or just plain stupid? Joining the Rocchi Review this week along with your regular host James Rocchi is Cinematical's Editor-in-Chief Erik Davis to talk about all these topics and much more. Cinematical's podcast is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

Another year, another Tribeca Film Festival. I'm pretty excited about Tribeca this year, as they've obviously listened to all the complaints from last year and a) cut down their slate pretty significantly, and b) centralized the entire festival so that it's, technically, below 14th street. No, the Tribeca Film Festival is still not in Tribeca, but it does help that the screenings are in one or two locations and not spread out across the entire city. This, I hope, will give the fest a more personal vibe, like the one I've experienced at Sundance, SXSW and even Berlin.

What's there to look forward to this year at Tribeca? Well, aside from big premieres like Baby Mama, Speed Racer, Redbelt and War, Inc, there's a ton of tinier films that have caught my eye and teased me with their alluring plot descriptions. Here's seven -- wait, strike that -- eight films I'm really looking forward to ...

Bart Got a Room (pictured above)

Starring William H. Macy, Cheryl Hines and Steve Kaplan, Bart Got a Room follows one dweeb-ish kid whose life turns upside down when the school's biggest loser secures not only a date to the prom before him, but also a hotel room. While our hero attempts to land his own prom date, his divorced (and eccentric) parents search, independently, for love. Not only am I sucker for nerdy, high school stories, but there's no way in hell I could resist a movie featuring William H. Macy rockin' a sweet Jew-fro.

The 51st edition of the London Film Festival kicked off last night with a red carpet gala for David Cronenberg's Eastern Promises. An article in Variety says that Cronenberg attended and even joked with the audience: "The reason you might not recognize London in this film is that it was shot in Prague." The now-notorious scene in which a naked Viggo Mortensen battles brutes in a bathhouse reportedly drew a round of applause.

Cast members Naomi Watts and Vincent Cassel were in attendance, as well as a treasure trove of celebrities, including Colin Firth, Martin Freeman and Elle McPherson. Check out the Cinematical photo gallery of the premiere below to get a taste of the red carpet.

Next Monday night, Robert Redford's political drama Lions for Lambs will have its world premiere, with Redford and stars Tom Cruise and Meryl Streep scheduled to attend. Other upcoming gala and special screenings include Bee Movie, The Darjeeling Limited, Into the Wild, Lust, Caution, Sicko and Things We Lost in the Fire.

Beyond the galas, the festival features a wide selection of world cinema. The "New British Cinema" section showcases 12 films, including Nick Broomfield's Iraq war docu-drama Battle for Haditha, John Crowley's tale of redemption Boy A and Simon Welsford's thriller Jetsam. "French Revolutions" highlights 14 newer titles from that country, while American titles like Hannah Takes the Stairs, Grace is Gone and Honeydripper are featured in other sections. The festival continues through November 1.

Those Weinsteins don't waste a minute! IndieWIRE reports that the Weinstein Company has bought the Toronto International Film Festival entry Boy A before it even screens there. The deal was finalized Friday; the film premieres Saturday. Talk about beating the rush.

Based on a novel by Jonathan Trigell, Boy A is a drama about a young man released from prison after spending most of his life there for a serious crime he committed when he was a child. The director is John Crowley, his second theatrical feature after 2003's ensemble comedy Intermission, which played out like a violent version of Love Actually. Boy A's cast includes Andrew Garfield, Peter Mullan, Katie Lyons, and Shaun Evans.

The Weinsteins' luck has been bad the last couple years, with very few hits and a lot of box office flops. But one thing they've generally been good at is sniffing out winners at film festivals. Buying Boy A before it even premieres suggests they spotted a good one and didn't want to risk someone else grabbing it -- that, or they're getting desperate. Hopefully we'll have some insight from our crew members in Toronto after the film screens there.