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I Reckon Westerns Are Coming Back ...

Filed under: Fandom », Newsstand », Quentin Tarantino », Western »



Sorry, Hugh Jackman ... I don't think its musicals that are back. I think it's the clink of spurs, and the fast draw that's enjoying a renaissance. I know, they say William Munny killed it along with Little Bill Daggett (and if so, it certainly went out with one hell of a last line), but then came The Missing, The Proposition, Open Range, 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford, and Appaloosa. There's also been a few that stretched the definition beyond the classic, pistols-at-sunset sort and tackled a more modern definition and locale, such as All the Pretty Horses, Brokeback Mountain, No Country for Old Men, and Australia. Asia has gotten in on the fun with Sukiyaki Western Django and the upcoming The Warrior's Way.

Of course I'm leaving a few of them out (apologies to the Texas Rangers fans out there), and it's also worth noting that not all of them were successful or popular. Some of them were downright disastrous. But they were made when Unforgiven supposedly shot them down, and they were clearly popular or interesting enough to warrant a few more remakes and revivals. The Lone Ranger is set to call on Silver, the Coen Bros are re-hiring Rooster Cogburn, and Gerard Butler will reportedly try to duck the noose in The Hanging Tale. On the graphic novel end, you'll have Jonah Hex wrecking bloody havoc, and Preacher may finally go to Texas. Today, Variety is reporting that Roy Rogers may rise from the dead for a new film trilogy. It won't be a biopic, nor a traditional Western, but be some kind of "family-fantasy adventure" that will use the characters of Rogers, Dale Evans, and Trigger, capitalizing (their words, not mine) on their iconic status, and introducing them to a new generation.

Spin-ematical: New on DVD for 3/10

Filed under: Comedy », Drama », Foreign Language », Gay & Lesbian », Independent », Romance », Thrillers », Mystery & Suspense », New on DVD », Home Entertainment », Cinematical Indie »

Milk
Sean Penn won an Academy Award for his portrayal of openly gay San Francisco politician Harvey Milk, and Dustin Lance Black won another for his script, which focused on Milk's activist years in the 1970s. "It's a minor miracle of sheer film making joy and determination," wrote James Rocchi, "and one of the best American films of 2008." With deleted scenes and mini-features "Remembering Harvey," "Hollywood Comes to San Francisco," and "Marching for Equality." Also on Blu-ray. Buy it.

Add to Netflix queue. | Buy at Amazon.

Let the Right One In
My top pick from last year is a dramatic thriller about vampires and young people, old souls and eternal fears, yearning for the unobtainable and the inevitable pains of loving another person. Director Tomas Alfredson takes a traditional tale -- the youngster who is picked on and the new friend who helps -- and rubs in a touch of supernatural, a touch of the old world, and a touch of heart on the sleeve, wrapping it in beauty and agony. Also on Blu-ray. Buy it.

Add to Netflix queue. | Buy at Amazon.

Transporter 3
I have no easy defense of my love for Jason Statham as Frank Martin in the Transporter films. Suffice it to say that the action -- fights, car stunts, people stunts -- keeps me occupied, the plots are not hard to track, and I like the interplay between the main character and Inspector Tarconi (François Berléand). In this episode, Jeroen Krabbé as the bad guy is a nice bonus. Also on Blu-ray. Rent it.

Add to Netflix queue. | Buy at Amazon.

Also out: Cadillac Records, Role Models. After the jump: a bounty of Indies on DVD, more Blu-ray Picks, plus Collector's Corner.

Cinematical Seven: Sexy Scenes Without the Sex

Filed under: Cinematical Seven », Lists »



(With Valentine's Day arriving this week, we thought we'd dig up some of our old romantic favorites and mix them in with some new stuff. Enjoy.)

By: Monika Bartyzel

Warning: Even though this isn't about sex, it's about sexiness, so some content might not be suitable for work, or for young/impressionable/anti-sexual readers.


There's a vast sea of in-your-face sex on film -- close-up penile shots from the likes of Brown Bunny, real sex in Shortbus, porn penis in Romance -- and those are just the moments that capture the real deal. There's also all the simulated sex from the infamous prosthetic in Boogie Nights to the sexual addiction of A Dirty Shame.

Yet in this barrage of real and almost-real sex, there's tons of sexy scenes that do just as well without the actual act of copulation. And I'm not talking about a scene like Mulholland Drive, where the camera fades out before the heat begins to sear. This sexiness could be orchid tickling by a young man who gave up sex for Lent, Mark Hunter dancing with a fan to "Why Can't I Fall in Love?, " or even two people working on some clay. And that's just the beginning. In honor of Valentine's Day (which is Saturday), what follows are some of sexiest moments cinema has captured without the sex. Read on, and then weigh in with your favorites.

Career Opportunities | View It!

This is one of those scenes that went well beyond the movie, which is impressive since this flick is pretty damn low on the John Hughes totem pole. Jennifer Connelly's Josie McClellan is a rich, dissatisfied young woman stuck in Target. When some lame criminals interfere with her evening locked in with Jim (Frank Whaley), she gets creative. While the boys sit down for a bite to eat, she throws a long leg over a stationary horse, and calmly, seductively rides it while taunting the thieves with every mechanical bounce, and her statement: "I think I might need more than just a quarter."

Cinematical Seven: Roles That Made Us Love Anna Faris

Filed under: Comedy », Drama », Cinematical Seven »

Despite having starred in a series of spoofs that have together raked in over $400 million on the domestic front, it still doesn't feel like Anna Faris is quite the household name she deserves to be. All dollar signs aside, this comedienne has that endearing mix of whip-smart comic timing, goofy mugging, general hotness (what?), and a sense of self-awareness in even her ditziest roles. Time will only tell if tomorrow's release of The House Bunny will formally launch her into the ranks of, say, Reese Witherspoon after Legally Blonde, but even if she doesn't, here's at least seven reasons why she'll always be our funny bunny.

1. Cindy Campbell in Scary Movie 3 (2003)

Say what you will about this parody franchise, but it's been a minor blessing that Faris keeps coming back to ground these puppies from evaporating into pure irrelevance... although it's pure irrelevance that keeps me coming back to this one in particular. Call it a guilty pleasure if you must, but there are glorious non sequiturs a-plenty that help me cope with the slapdash plot and already dated pop culture riffs (oh, right, Simon Cowell, he's that guy...). Naturally, not the least of the credit goes to Faris, who, as the aloof reporter/single mom, is just as inept at either job as we'd like her to be.

'Brokeback Mountain' To Be an Opera

Filed under: Drama », Remakes and Sequels »

Turning movies into Broadway musicals may still be a hot trend (the latest to hit the stage to mixed reviews is Saved!), but the idea of turning movies into operas is gaining heat. Just two weeks ago, we heard about an operatic adaptation of the global-warming doc An Inconvenient Truth. And today The New York Times reports that the New York City Opera has commissioned Pulitzer Prize-winning composer Charles Wuorinen to create an opera version of Brokeback Mountain. Of course, the production won't necessarily have anything to do with Ang Lee's Oscar-winning 2005 film. The Times notes the commission is for an opera based on Annie Proulx's original short story.

So, we may not get to see Jack Twist sing the line "I wish I knew how to quit you." But the plot of the story is pretty much the same as the movie, and therefore fans of the latter will likely find the opera just as appealing. Such a melodramatic tale, about the romantic relationship between two young married men, should feel right and appropriate for the highly emotional medium. It may seem a bit silly to imagine an opera featuring costumes consisting of plaid button-downs and cowboy hats, though. What do you think? Are you interested in seeing Brokeback Mountain: The Opera? And are there any other movies you'd like to see get the opera treatment?

The New York City Opera plans to premiere Brokeback Mountain in 2013.

[via Vulture blog]

Ang Lee Signs On for 'Taking Woodstock'

Filed under: Drama », Deals », DIY/Filmmaking », Newsstand »

It looks like Ang Lee isn't heading back into big-budget Hollywood waters any time soon. Variety reports that the Brokeback Mountain director will instead take on another gay-themed project: an adaptation of a book called Taking Woodstock: A True Story of a Riot, a Concert, and a Life. It's the autobiography of Elliot Tiber, an unassuming Catskills hotel manager and interior designer who wound up playing a pivotal role in making the Woodstock festival a reality. The point, I take it, is that Tiber's role in one of the greatest events in rock and roll history served as redemption for giving up his own artistic ambitions and living most of his life in the closet.

As readers of this blog have probably guessed, I'd watch a cheese sandwich if Ang Lee directed it. This project seems lighter than anything the filmmaker has done since at least Eat Drink Man Woman, and I wonder how (if at all) it will jive with the deliberate, supremely controlled style he's been nursing in his past few movies. It'll be interesting if Lee takes this opportunity to return to the much looser vibe of his early comedies.

Lee's longtime producing partner James Schamus is also on board for Taking Woodstock, and the fact that Schamus is the CEO of Focus Features conveniently takes care of distribution.

Cinematical Seven: Sexy Scenes Without the Sex

Filed under: Cinematical Seven »

Even though this isn't about sex, it's about sexiness, so some content might not be suitable for work, or for young/impressionable/anti-sexual readers.



There's a vast sea of in-your-face sex on film -- close-up penile shots from the likes of Brown Bunny, real sex in Shortbus, porn penis in Romance -- and those are just the moments that capture the real deal. There's also all the simulated sex from the infamous prosthetic in Boogie Nights to the sexual addiction of A Dirty Shame.

Yet in this barrage of real and almost-real sex, there's tons of sexy scenes that do just as well without the actual act of copulation. And I'm not talking about a scene like Mulholland Drive, where the camera fades out before the heat begins to sear. This sexiness could be orchid tickling by a young man who gave up sex for Lent, Mark Hunter dancing with a fan to "Why Can't I Fall in Love?, " or even two people working on some clay. And that's just the beginning. In honor of Valentine's Day (which is tomorrow!), what follows are some of sexiest moments cinema has captured without the sex. Read on, and then weigh in with your favorites.

Career Opportunities | View It!

This is one of those scenes that went well beyond the movie, which is impressive since this flick is pretty damn low on the John Hughes totem pole. Jennifer Connelly's Josie McClellan is a rich, dissatisfied young woman stuck in Target. When some lame criminals interfere with her evening locked in with Jim (Frank Whaley), she gets creative. While the boys sit down for a bite to eat, she throws a long leg over a stationary horse, and calmly, seductively rides it while taunting the thieves with every mechanical bounce, and her statement: "I think I might need more than just a quarter."

Is Ang Lee a Tyrant on Film Sets?

Filed under: Drama », Foreign Language », Romance », RumorMonger », Celebrities and Controversy »

"This is the man Hugh Grant dubbed 'Fang Lee' after making Sense and Sensibility with him," so says a new article in The Age about Ang Lee's apparent reputation for being a cruel taskmaster on his movie sets, although in Lee's defense the piece doesn't offer a great deal of examples to support its premise and comes across more like a hook to write up an otherwise boring piece about Lust, Caution. In fact, the closest it comes to naming names is offering the vague assertion that Heath Ledger once claimed Lee pushed him to the brink of physical endurance during the shooting of Brokeback Mountain, which doesn't sound like a damning accusation even if it's taken in context. But who cares about context? Lets have some more hyperbole: Lee is "the industry's Clark Kent," according to the piece. "Under that mild-mannered exterior -- consisting of a gentle-to-inaudible speaking voice, self-deprecating manner and an overall Zen calm -- lurks a driven obsessive, a Caligula among directors."

According to the article, Lee reportedly spent 100 hours to film a ten minute sex scene in Lust, Caution, but he defends his exactitude as a necessary part of the job. "None of us enjoys it," he's quoted as saying. "By nature it's very uncomfortable, draining and painful. We're just common people. It felt pretty harsh. But we used the pain. We enjoyed the pain." Okay, maybe that last line tags him as a bit of a weirdo, but I rarely believe stories about directors being unreasonable on the set, and if you want to know why, check out the making-of documentary on the DVD of The Shining. There's a great moment when Kubrick loses his cool at Shelley Duvall for not hitting her mark, and you can see how little moments like that can create a 'reputation,' but it still seems like something that's all in a day's work.

RIP: Reel Important People -- December 3, 2007

Filed under: Obits », Michael Moore », Cinematical Indie »

  • Marit Allen (c.1941-2007) - Costume designer who worked often with Ang Lee (on Brokeback Mountain, Hulk and Ride with the Devil) and Nicholas Roeg (on The Witches, Eureka, Bad Timing and Don't Look Now). She also produced wardrobes for Eyes Wide Shut, Smilla's Sense of Snow, Dead Man, Mrs. Doubtfire, Mermaids, Dirty Rotten Scoundrels and 2007's La Vie en Rose and Love in the Time of Cholera. She had recently been working on costumes for Justice League of America. She died of a brain aneurism November 26, in Sydney, Australia. (Variety)
  • Jeanne Bates (1918-2007) - Actress who co-starred in the 1943 serial of The Phantom. Known for playing nurse characters in TV and film, she appears as such in Gus, The Strangler and Paula. She also appears in Eraserhead, Mulholland Dr., Die Hard 2 and Grand Canyon. She died November 28 in Woodland Hills, California. (FindaGrave.com)
  • Fred Chichin (1954-2007) - French musician and songwriter who composed music for André Téchiné's latest, The Witnesses. He also appears as himself, with his band Les Rita Mitsouko, in Godard's Keep Your Right Up. He died of cancer November 28, in Paris. (France 24)
  • Mali Finn (c.1938-2007) - Casting director who worked on many on many films by James Cameron, including Terminator 2: Judgement Day, Titanic and True Lies, and by Joel Schumacher, including Batman Forever, Batman & Robin and Tigerland. She also worked on The Untouchables, L.A. Confidential, The Matrix trilogy, Wonder Boys, All the Real Girls, Running with Scissors, The Assassination of Jesse James by the Coward Robert Ford, Shooter and the upcoming 10,000 B.C., among others. She died of melanoma November 28, in Sonoma, California. (Variety)
  • James M. Hart (1943-2007) - Special effects coordinator who worked on Newsies, Apollo 13, The Vanishing and Witness. He died November 19. (IMDb)
  • Evel Knievel (1938-2007) - Daredevil stunt motorcyclist who appears as himself in Viva Knievel! and Freebie and the Bean (as "motorcyclist"). He was portrayed by George Hamilton in 1971's Evel Knievel and by Sam Elliott and George Eads in separate TV movies of the same name. He died November 30 in Clearwater, Florida. (AP)
  • Al Mancini (1932-2007) - Actor who plays a soldier "Tassos Bravos" in The Dirty Dozen. He also appears in Miller's Crossing, Falling Down, Big Business, Turk 182! and The Public Eye and voices a fish in Babe: Pig in the City. He died of Alzheimer's disease November 12, in London, Ohio. (FindaGrave.com)

Chemistry Crisis! Which On-Screen Pairs Have the Least Chemistry?

Filed under: Romance », Casting », Celebrities and Controversy », Lists »

Chemistry -- you can be the best filmmaker, writer or actor, but nothing makes up for a lack of that intangible connection between two people. This is probably why so many actors can't keep up long relationships -- they continually get paired up with people they have great chemistry with and are weakened by temptation over and over until they can't help but break the ties that bind and go libidinously nuts. Oh, the devilish temptation! But on the flip-side, there are pairings that are just plain crappy -- painfully free of that interest and attraction that comes from the eyes. The CBC has reported that British cinema advertisers Pearl and Dean recently conducted a survey asking 3,000 movie-goers which duos have the worst on-screen chemistry, and came up with a list of the 10 worst offenders.

The top spots are no big surprise, really -- the 5th went to Catherine Zeta Jones and Sean Connery in Entrapment, the 4th to Madonna and Adriano Giannini in Swept Away, Keira Knightley and Orlando Bloom got the third spot with the Pirates of the Caribbean trilogy, the runners up were the rockin' Bennifer pair for Gigli and the top spot went to Natalie Portman and Hayden Christensen with Episode II: Attack of the Clones. I'd say they're pretty spot on, although my top offender are the two that hold that third spot, and I'm glad I'm not the only one that thinks so. Granted, Johnny Depp can whip up some chemistry with almost anyone, which makes it hard to compete, but man, I hated Knightley and Bloom together. This also made many parts of the final film truly annoying, if you get my drift. Also, you've got to question your real-life couple choices when you can't cook up chemistry at work, with your significant other.

Finishing the list, there's Hugh Grant and Andie MacDowell in the 6-spot with Four Weddings and a Funeral, Ben Affleck appeared again at 7 with Kate Beckinsale for Pearl Harbor, Tom Cruise and Nicole Kidman got 8 with Eyes Wide Shut, Heath Ledger and Jake Gyllenhaal followed with Brokeback Mountain and Titanic got the final, 10th spot, with stars Kate Winslet and Leonardo DiCaprio. Who would you pick?
 
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