CInematical Tagged Articles at Cinematical

In this current world where Katie Holmes is wife to Tom Cruise and mother of Suri, it's easy to forget she used to have a pretty solid indie career intermingled with her days on the popular Creek -- Libbets Casey in The Ice Storm, Claire in Go, Hannah in Wonder Boys, Jessica in The Gift, Nurse Mills in The Singing Detective, April Burns in Pieces of April, and Heather Holloway in Thank You For Smoking. But there is one starring role in there that's quite applicable this week: Pieces of April. *

Her last big role of worth (she played only a supporting character in Smoking and she was bad enough to be axed from Gotham law after Batman Begins), Pieces of April finds Holmes the black sheep of a dysfunctional family. Living a life on her own in New York with her boyfriend Bobby, April decides to tackle the daunting halls of turkey roasting and have her family over for a Thanksgiving feast. Unfortunately, her oven fails and throws her into ultimate turkey turmoil as she struggles not to be seen as a failure (again) by her family. The film earned Patricia Clarkson an Oscar nomination for her role as Holmes' cancer-plagued mom, and is a pretty decent indie as a whole.

So, as you gear up for your own turkey feast:

Head over to SlashControl and watch Pieces of April for free!

*And one supporting gig that's prime for the more cynically holiday-minded -- The Ice Storm.

Like many critics I'm working on my list of the best films of the decade. I have been doing lots of shuffling around, swapping some of the films in the top 20 with films in the top ten, just to see how they look. But something occurred to me. A lot of the films had one thing in common: Scarlett Johansson. What does that mean? Does it mean that she's the greatest actor of the decade? Or is she just lucky? I'm not sure what to make of it. I have never interviewed her (I was once all set for a phone interview for Girl with a Pearl Earring that was canceled) so I can't claim to know what she's like in real life. Frankly, she's not the greatest actor in the world; in bad movies she can seem awkward, fumbling with troublesome dialogue. But there's definitely something about her, and it goes beyond her blonde-haired, full-lipped, smoky-voiced, voluptuous beauty. I might make an argument for her as "performer" of the decade.

Let's look at her first great film of the decade, Terry Zwigoff's Ghost World (2001). She plays Rebecca, the best friend of Enid (Thora Birch). They have just graduated high school, and face a long, boring summer. They have long-standing plans to get jobs and rent an apartment together. Rebecca holds to her end of the bargain, but Enid becomes sidetracked with a summer class and a friendship with a nerdy record collector (Steve Buscemi). When they are together, Rebecca and Enid have a funny, dark, cynical rapport. Rebecca is good at keeping up with her friend, but there's the tiniest hint that she's getting tired of it, that she wants to move on. Johansson was only 16 here, and two years younger than Birch, but she seems much older and perhaps wearier.

As I'm sure everyone has heard by now, the newest Twilight film made CRAZY money over the weekend. The Blind Side made a pretty respectable showing as well, though still taking a distant second. Here's the top five:

1. The Twilight Saga: New Moon: $142.8 million
2. The Blind Side: $34.1 million
3. 2012: $26.4 million
4. Planet 51: $12.29 million
5. A Christmas Carol: $12.28 million

This weeks new releases offer one part action to one part comedy, plus we have a kids film going into wider release.

Ninja Assassin
What's It All About: A skilled assassin swears vengeance on the secret order that trained him after they murder his friend.
Why It Might Do Well: This is produced by the Wachowskis, the team behind the Matrix films, so I imagine the martial arts action will be something to behold.
Why It Might Not Do Well: A lack of star power may be a problem.
Number of Theaters: 2,500
Prediction: $10 million

Old Dogs
What's It All About: Robin Williams plays a middle aged man who suddenly finds out that he has six-year-old twins with a woman he hasn't seen in years, and his bachelor buddy John Travolta helps him adjust to life as a father.
Why It Might Do Well: I really love that bit in the commercial where a terrified Seth Green sings "All Out of Love" to a gorilla.
Why It Might Not Do Well: I suspect that gorilla gag may be all the film has to offer, as the film is only getting 10% over at Rottentomatoes.com.
Number of Theaters: 3,300
Prediction: $32 million

This is a tale of the girl who cried wolf vampire...

TMZ is reporting that the 17-year-old girl who claimed that a fellow moviegoer bit her neck while exiting a screening of New Moon was, as they put it, "lying through her teeth." Erin Westrate gave police her story of the so-called bite, but a witness came forward to say that they saw her leave the theater and saw no biting. After grilling the teen, she confessed: "the alleged culprit was simply kissing her on the neck at the time and she was a 'willing participant.'" What possessed her to make up this extravagant lie is beyond me. Is she an English literature fiend who wanted to play on the never-cry-wolf idea after a movie with wolves and vamps?

Detective Lieutenant Timothy LaVigne says that the teen could now face criminal charges, and if this is all true and she did lie -- I say bring her down. Women have a tough enough time as it is when they are assaulted, crying wolf doesn't help matters.

From the original post:

We keep hearing about the annoying Twilight Saga fans and their ever-loyal fandom, but there are other crazies coming out of the woodwork. An ABC affiliate in Michigan reports that while watching New Moon at the Norton Shores theater, a teen girl was harassed and bitten by an old perv while watching the vampire/werewolf blockbuster.

It seems that in the midst of a screen full of vamps and wolves, an old, short, white dude believed to be about 45 years old starting throwing "sexual comments" at a 17-year-old girl sitting in front of him. But he didn't just assault her with words. When the movie was over, he decided to give her a taste of the "real deal" and allegedly bit the girl on the neck (lucky for her, he didn't break the skin). Right now, the perv is at large, and the police are asking anyone with any information to contact the Norton Shores Police Department.

In 1982, Ben Kingsley became Mahatma Gandhi in Richard Attenborough's Gandhi. The film instantly became a classic and went on to dominate the Oscars, earning Best Picture, Director, Actor, Writing, Editing, Costume Design, Cinematography, and Art Direction. And even though those are ridiculously enormous shoes to fill, the Guardian reports that Kingsley is heading back to Indian history to play Shah Jahan, the emperor who built the Taj Mahal.

Back in the mid-1600s, Shah Jahan was a Mughal Emperor who was devastated when his favorite (third) wife Mumtaz Mahal died while giving birth to their fourteenth child. In her honor, he decided to erect a grand mausoleum that would not only be epically impressive and beautiful, but also so glorious that sins would be washed away. It took roughly 21 years to create and has been included on some Seven Wonders of the World lists.

Titled Taj, the script was written by British novelist and playwright David Ashton, and is still looking for a director. Alongside Kingsley will be Aishwarya Rai Bachchan, who will play Mumtaz Mahal. This won't, however, be her first stab at the object of such desire: The former Miss World and Bride & Prejudice star played Mumtaz in the 2007 short musical, Journey Across India.

SBK Pictures is hoping to start production in the fall of 2010, but for now: Do you think Kingsley can make Indian history win in Hollywood once again?

There are times in this busy world when I forget just how cool The Muppets are. Randomly mention the beastly little guys and gals, and I'll smile politely, vaguely remembering the good old days. Put them in front of me, however, and it's a challenge to not let out a real world, ear-breaking shriek of squee. I don't care how long they've been around -- The Muppets are cool, and they are no cooler than when they're delighting in the epic grandeur of rhapsody ... Queen's "Bohemian Rhapsody," that is.

We all know the song. It was pretty epic in its own right, and then soared to new levels in Wayne's World, where it grabbed the #2 spot on the Billboard charts almost two decades after its release. Now the MuppetsStudio on YouTube have released the ultra-awesome clip you can see after the jump -- an arseload of Muppets singing the classic Queen song just like the old-school music video. And it's convinced me that Beaker is a lost member of the band.

The bad thing about all of this is that it's making me wish for a whole different sort of Muppet movie. Sure, Jason Segel is planning The Greatest Muppet Movie of All Time, and the project will involve the gang reuniting to save the studio. But considering this video, and the utter awesomeness that is Segel's rock opera in Forgetting Sarah Marshall, couldn't they halt things, change scope, and make this The Greatest Muppet Rock Opera of All Time? The possibilities are wonderfully epic and so utterly perfect. Who's with me?

Hit the jump for the Muppets' performance, plus the original video and that bit from Wayne's World.

[via Movieline]

It's the day before a major holiday, and all you want to do is surf around looking for things to occupy your time before the boss finally lets you leave a drop early. Am I right? Well here's a little treat that will take up all of about a minute and a half of your time. Pieced together to celebrate the 10th anniversary of The Matrix, a group of freaks with 440 extra hours on their hands decided to recreate the famous "Trinity Help" sequence using LEGOs. This is the scene where Neo manages to dodge some agent bullets in super slow-mo before Trinity finally shows up to help her man squeeze out of a tough spot.

And yes, I wasn't joking -- it really did take a whopping 440 hours to put this together. The folks behind it even created a website dedicated solely to this project. In it, they describe the making-of process and include a side-by-side video comparison featuring both the real scene and the LEGO version (we included both after the jump). From their description:

Just in time for its 10th year anniversary, "Trinity Help" is a frame-accurate stop-frame animation of the famous bullet-dodge scene from the 1999 movie The Matrix, all done in Lego. By "frame accurate" we mean that we took all of the video frames from that part of the movie (that's nearly 900 frames for just 44 seconds of footage) and reproduced them all in Lego.

Early in the piece we decided we wanted to do everything "in camera". No wire-removal, no special effects, no crazy Photoshop tricks. We pretty much regret this now, but I guess it gives us bragging rights of some sort. We did do some colour correction and image stabilising, and at one point we edited a very small number of frames in one scene so that some minor background shake was taken out, but that's it.

Watch the video(s) after the jump.

This week Richard Linklater's Me and Orson Welles is finally making its way to the big screen. It's not a big buzzed-about film, but it is, indeed, one worthy of your time. The movie offers a peek at Efron's possible future (which the abysmal 17 Again completely failed to do), a delightful look into creating art in the '30s, and it recreates the nuances of theater on the big screen. And hey, it's a Linklater film, which seems to be painfully rare these days.

But none of those reasons are why I urge you to see it. It all rests on the shoulders of actor Christian McKay, who plays Orson Welles. I missed the film at TIFF, and spent the next year listening to raves over McKay's performance before I finally got the chance to make it to a screening. Even with the rave reviews and raised expectations, it was quite easy to get mesmerized by McKay, who not only bears an uncanny resemblance to the iconic actor and filmmaker, but also adeptly embodies the man's larger-than-life ways.

To get the full experience, you must be familiar with Welles, and if you're not, well, good lord, now's the time to change that. What follows are some of Welles' essential work, as well as glimpses into the man's real life so you can see just how good McKay's performance is.

The first reviews for Peter Jackson's The Lovely Bones are beginning to pour in, and, naturally (for a popular, fan-friendly director like Jackson), there are the raves (Harry Knowles from AICN) and the pans (Todd McCarthy from Variety). Just posted this evening over at Variety, McCarthy's review is perhaps the hardest one to swallow. Essentially his biggest problem with the movie were the effects, claiming Jackson uses them way too much (and too often) for a film (and story) that doesn't really require them. He calls it "show-offy" and says the film "rates as a significant artistic disappointment." It's an unfortunate review for a film that was a shoe-in (and still may be, especially for Stanley Tucci) for multiple Oscar nods on almost everyone's list.

Some other quotes (no spoilers):

-- "This is an incredibly lovely film. From the visuals to the performances to the story-telling and film work... it all goes to capture a very powerful story in a way that makes you want to hug those close to you." -- Harry Knowles, AICN

-- "It's not that The Lovely Bones is a bad movie, exactly. It is handsomely made and strongly acted, while its woozy, lullaby ambience recalls Jackson's work on the brilliant Heavenly Creatures, before he set forth on his epic voyage through The Lord of the Rings." -- Xan Brooks, Guardian

-- "Peter Jackson's eagerly awaited film version of Alice Sebold's bestselling novel is sometimes exquisitely realised, sometimes frustratingly uneven. ... While The Lovely Bones is as dark as it gets thematically, it will still be an event movie for the adult audience." -- Mike Goodridge, Screen Daily

-- This was never going to be an easy story to film. Using the same characters and many events, Jackson and his team tell a fundamentally different story. It's one that is not without its tension, humor and compelling details. But it's also a simpler, more button-pushing tale that misses the joy and heartbreak of the original." -- Kirk Honeycutt, The Hollywood Reporter

The Lovely Bones hits theaters on December 11th.

We keep hearing about the annoying Twilight Saga fans and their ever-loyal fandom, but there are other crazies coming out of the woodwork. An ABC affiliate in Michigan reports that while watching New Moon at the Norton Shores theater, a teen girl was harassed and bitten by an old perv while watching the vampire/werewolf blockbuster.

It seems that in the midst of a screen full of vamps and wolves, an old, short, white dude believed to be about 45 years old starting throwing "sexual comments" at a 17-year-old girl sitting in front of him. But he didn't just assault her with words. When the movie was over, he decided to give her a taste of the "real deal" and allegedly bit the girl on the neck (lucky for her, he didn't break the skin). Right now, the perv is at large, and the police are asking anyone with any information to contact the Norton Shores Police Department.

Attention pervy men: While it might seem like biting is the new flirting, especially with the hordes of girls begging Robert Pattinson to bite them, you are not RPatt and that is not cool. And for you fellow filmgoers -- don't let the sickos get away, okay? Do you want to worry about who sits behind you or walks too close as you exit a theater?

You can watch the newscast after the jump.