Carey Mulligan Tagged Articles at Cinematical

Fall brings with it awards season, and among our first round of nominations are those of the British Independent Film Awards. According to Empire, Andrea Arnold's acclaimed Fish Tank took the lead with eight, while Duncan Jones' similarly lauded Moon came up with seven, including one for lead actor Sam Rockwell.

I'm personally happy to see the savage political satire In the Loop getting due notice, especially its expletive-laden screenplay, since it'll likely go overlooked when it comes to Yank laurels (sad but true, although I'll be happy if it's not). Meanwhile, the multiple nods for An Education and Bright Star only parallel their warm reception Stateside and their likely contention in next year's Oscar race.

And after being quietly blown away by it at Fantastic Fest a few weeks back, I'm also glad to see Down Terrace get some love under the Raindance Award category. Enough of these awards, and maybe that puppy'll earn some distribution in our neck of the woods. (You listening, IFC?)

By: James Rocchi, reprinted from the Sundance Film Festival 1/23/09

One of the audience and sales success stories at this year's Sundance Film Festival wound up on my screening schedule late in the week through the cruel editorial equations of film festival journalism: An Education became a film I should see because I should see it. There had been praise for Nick Hornby's screenplay adaptation of Lynn Barber's memoir, a coming-of-age-story set in 1961 London; there were raves for Carey Mulligan's performance in the lead role; there was the news that Sony Pictures Classics had picked up the North American distribution rights for $3 million. Late in the festival, buzz and business both assured, An Education became a film to see if only to see if the hum and thrum of the week prior was in fact right.

An Education opens with the sight of young girls balancing books atop their heads to improve their posture, learning ballroom dancing, and taking home economics; since we know that the '60s are coming, and the young women we see don't quite, yet, the vision is like seeing a dinosaur, back straight and eyes front, walk blithely into a tar pit. Jenny (Carey Mulligan) is part of this world, but looking past it -- she's applying to Oxford, making sure her application looks good on paper. Told by her father (Alfred Molina) that she shouldn't be practicing her cello when she should be hitting the books, she's confused: "I thought we agreed cello was my interest or hobby. ..."

Oliver Stone's sequel to his classic '80s tale of slick, money-hungry stockbrokers, Wall Street, is racking up quite the cast. Wall Street 2: Money Never Sleeps already has Shia LaBeouf, Susan Sarandon, Frank Langella, Michael Douglas, and arthouse It Girl Carey Mulligan (An Education) signed up for a 21st century take on greed on whether or not it's good (answer: probs not). But the big rumor all summer has been that Josh Brolin will take over the role of the villain after Javier Bardem turned down the role.

Well, as our buddies over at the esteemed website The Playlist point out, in this weekend's New York Times Oliver Stone casually confirms the rumors that Josh Brolin will indeed be playing the villain, and Charlie Sheen will be popping up in a cameo as his character from the original, Bud Fox.

Now that the real Wall Street and its counterparts around the world have felt the collective shudder of the past year's financial implosion, Stone is hoping to show some hope for redemption for Gekko.

"In his first run at Wall Street, Mr. Stone produced characters and a portrayal that lived longer than he ever expected and with unintended consequences. But he never would have made a second version if it didn't appear that the system, and high finance, had finally been brought to its knees.

'We wouldn't have done this movie in 2006,' he said. "'Things were too loose. I didn't want to glorify pigs.'"

Sometimes the unlikeliest movies attract the strongest casts. Is it the coincidence of schedules, the attraction of a high-quality director, or a dynamite script? Maybe it's all three in the case of Oliver Stone's Wall Street 2: Money Never Sleeps, which is drawing quality actors like the proverbial flies to honey.

A couple of months ago, we heard that Javier Bardem was the top pick for the role of a villainous hedge fund manager. Now Variety says that Josh Brolin is "reportedly circling a part," though it doesn't specify which one, and other rumors are circulating that actress Carey Mulligan (An Education) may be up for the role of Winnie, the estranged daughter of Gordon Gecko (Michael Douglas, reprising his role). Variety also reports that Frank Langella is "in talks" to play the old-time broker / mentor to up-and-coming trader Shia LaBeouf, whose character is engaged to Gecko's daughter. The latter bit of news sounds more solid than the other casting rumors.

Douglas won an Academy Award for the original Wall Street, and Langella was nominated for last year's Frost/Nixon, so the caliber of the cast is definitely trending upwards -- I'd love to see those two argue with each other! Wall Street 2: Money Never Sleeps is already a strong contender for the unofficial title of "Best Cast of 2010," and if they keep adding high-quality actors, it won't even be a contest. Of course, the quality of the film itself depends on the well-modulated execution of a good script, and that remains to be seen.

Danish director Lone Scherfig's new movie An Education is one of the finest movies I've seen so far this year and definitely one I'll be gunning for come Oscar time (and I am in good company). Based on the memoir by Lynn Barber and delicately adapted by Nick Hornby, An Education stars Carey Mulligan as Jenny, an Oxford-bound schoolgirl who finds the excitement she's been yearning for with David, a smooth operator played by Peter Sarsgaard. (As if dating a much older man who takes her out to parties, art auctions, and horse races isn't edgy enough in 1961, he's also Jewish. Oy!) James Rocchi wrote an excellent review of An Education from Sundance.

David manages to win her strict parents over (Alfred Molina and Cara Seymour) and as their relationship progresses, she transforms into an ultrachic '60s girl who brings her giggling friends perfume back from Paris. Olivia Williams (Dollhouse) is also outstanding as her concerned teacher. Rosamund Pike is great as the glamorous girlfriend of David's friend Danny, who is played by a rather debonair Dominic Cooper. Will she stay in school and head to Oxford or get a more real-world education from David and his friends?

The first trailer from Sony Picture Classics is up over at Yahoo, and it's a great tease of the joys to come in the feature-length film. The official website is here.

Barber is a respected journalist in the UK for The Observer and has given several very interesting interviews about An Education that spoil the plot just an eensy bit. If you're that curious, Google's got your back.

What do you do when you need a pretty actress with limited facial expressions? Well, if Nicole Kidman is busy, I guess you call Keira Knightley (only kidding ... well, maybe not completely kidding). Believe me when I tell you I have nothing personal against the girl, but darn it if I can detect a facial movement in most of her performances other than the example provided to the right. But Knightley's 'reserved' approach to emotion might come in handy now that Variety has announced that the perpetually pouty Ms. Knightley will star as a clone alongside Carey Mulligan in Never Let Me Go, a romantic sci-fi thriller based on the acclaimed novel by Kazuo Ishiguro.

The story centers on three friends who grow up together in a posh boarding school; unfortunately for them, however, this charmed life is a short one and the three learn the disturbing truth that they have been bred for organ donation. Don't worry if this sounds an awful lot like the 2005 stinker, The Island, because unlike Bay's exploration of 'happy organs' and Xbox competitions, Ishiguro's story is much more concerned with existentialism and the meaning of humanity (not exactly Bay country).

Mark Romanek is on board to direct the adaptation, and Alex Garland (28 Days Later) is already at work on a script. Romanek made his name making music videos (even though he didn't make the cut for Monika's list) but has directed only one other feature film: the slightly underwhelming One Hour Photo. But the pressure is on, because unlike The Island, if this flick is a flop we won't be able to blame Michael Bay.

The second Friday at Sundance is a day when many observers have returned home. But the festival is not over, and our intrepid crew remains on the scene.

Deals. The sight of Ashton Kutcher 's naked gigolo butt evidently convinced Anchor Bay Films that David Mackenzie's Spread was the movie for them. Eugene Hernandez at indieWIRE reports that the sister company of Overture Films paid nearly $4 million for US and Australian rights. Kutcher served as a producer on the film, which also stars Anne Heche, Rachel Blanchard, Margarita Levieva, and Sonia Rockwell.

Speaking of Rockwells, Brian Brooks (also of indieWIRE), says that Sony Pictures Classics will distribute the Sam Rockwell-starring Moon, the science fiction flick directed by David Bowie's son, Duncan Jones. Sony Pictures Worldwide Acquisition Group pre-bought the film's rights before the festival. Sony Classics plans a June 2009 release. James Rocchi reviewed it for Cinematical last week.

Reviews/Interview. Our man James followed up his review of the doc We Live in Public by talking with director Ondi Timoner and subject Josh Harris. James also discovered Noah Buschel's The Missing Person, starring Michael Shannon; James says the film "isn't merely a clever, cool spin on the classic private eye story, but it also works as a private eye story." Finally, James got An Education from suddenly hot actress Carey Mulligan, director Lone Scherfig, and scripter Nick Hornby; the film's evocation of 1960s England struck James as "superbly constructed, yes, but those elements also connect." Be sure to catch up on all of Cinematical's coverage via the Sundance hub at Moviefone.

Blog Talk. Continue onward, brave reader, for a few more quotable quotes.

One of the audience and sales success stories at this year's Sundance Film Festival wound up on my screening schedule late in the week through the cruel editorial equations of film festival journalism: An Education became a film I should see because I should see it. There had been praise for Nick Hornby's screenplay adaptation of Lynn Barber's memoir, a coming-of-age-story set in 1961 London; there were raves for Carey Mulligan's performance in the lead role; there was the news that Sony Pictures Classics had picked up the North American distribution rights for $3 million. Late in the festival, buzz and business both assured, An Education became a film to see if only to see if the hum and thrum of the week prior was in fact right.

An Education opens with the sight of young girls balancing books atop their heads to improve their posture, learning ballroom dancing, and taking home economics; since we know that the '60s are coming, and the young women we see don't quite, yet, the vision is like seeing a dinosaur, back straight and eyes front, walk blithely into a tar pit. Jenny (Carey Mulligan) is part of this world, but looking past it -- she's applying to Oxford, making sure her application looks good on paper. Told by her father (Alfred Molina) that she shouldn't be practicing her cello when she should be hitting the books, she's confused: "I thought we agreed cello was my interest or hobby. ..."

A retro film set in 1960s London is interesting. Hearing that Nick Hornby wrote the script makes it intriguing. An awesome cast -- that just makes the upcoming film An Education sound downright tasty. Variety reports that Lone Scherfig, the Danish filmmaker behind Happy-Go-Lucky, is gearing up to helm the feature, and these are the names she'll get to mold with her directorial hands: Peter Sarsgaard, Orlando Bloom, Alfred Molina, Sally Hawkins, Rosamund Pike, Emma Thompson, Olivia Williams, and newcomer Carey Mulligan. (Some of the cast signed on earlier this month.)

While I vowed that I learned my lesson about great actors not necessarily making great movies after Derailed, I so, so, so want to see this. The film will focus on a 17-year-old girl played by Mulligan who lived in the quiet burbs of London. However, it's during the swinging '60s, and she gets pulled into craziness by a 30-something Brit played by Sarsgaard. (Cradle robber.) As THR described it: "He courts her with chic dinners, clubs, and foreign trips, charming her father (Molina) but putting her future at Oxford University in jeopardy." Thompson, meanwhile, plays her school's headmistress.

Dumb joke of the day #2: She should've bought a SarsGuaard.

Production begins in London this March.