CarlaGugino Tagged Articles at Cinematical

Did you like Quantum of Solace? Neither did I. Despite all the bombast and the film being billed as "The first direct James Bond sequel EVAR!" I just found myself bored throughout it, except maybe during that opening car chase. Otherwise, it was snoozeville. I lay part of that blame on the fact that we didn't get a decent Bond girl to go with it. Olga Kurylenko bored me to tears with her monotonal portrayal of a daughter seeking revenge, and I would have much rather seen more of the redhead who is all-too-briefly seen as another MI6 agent sent to guard Bond. So, with that in mind, here are seven women who I'd like to see fill the Bond cups, er... shoes.

Alright, this list is partly SXSW-influenced, and that's because of the sheer amount of hotties shown onscreen in Sebastian Gutierrez's Women In Trouble. Carla Gugino spends a good amount of time in nothing more than a bra and panty set, and you could practically see the humidity steaming off the screen because of it. Yes, she's seriously that hot, don't let her middle-aged turn in the recent Watchmen fool you. But lined up right behind her is even more hotness from the film, and you'll have to read on to see how it plays out.

Carla Gugino
I'll be honest here, and Ms. Gugino I sure hope you aren't reading this. But ... I just didn't think you had the chops. However, I loved your powerful (and all-too-brief) turn in Sin City, and enjoyed your portrayal of Vincent Chase's agent Amanda in Entourage, and now I realized that you have the curves a Bond girl needs, but you really deliver on the icy cold ball-busting looks that a Bond villain thrives on. Let's give Bond a good villainess to do battle with, and one that stands on equal footing with him in the smouldering looks department. When you appear as aging boozehound Sally Jupiter and pornstar extraordinaire Elektra Luxx a few weeks apart, it's bound to pop a few eyes out. Thanks for proving to us that you've got both the acting ability and the jigglewatts to pull this off.

I'm wary of movies that try to be instant cult/camp classics, with intentionally overdone dialogue and outrageous costumes and actors who are metaphorically winking or even non-metaphorically mugging for the camera. When the characters are in on the joke, it isn't all that funny. And when I learned that the writer-director of Women in Trouble also co-wrote Snakes on a Plane, I grew even more skeptical. But the actresses who populate Women in Trouble tend to play it straight, even when they're wearing assless spandex pants or smoking invisible cigarettes, and that's what keeps this film fun instead of tiresome.

Women in Trouble has a multi-story, anthology-like structure. Writer/director Sebastian Gutierrez said before the SXSW screening that he originally had one ten-page sequence that he wanted to shoot, then thought it might be easy to shoot several of them, all with different actresses, to make a good movie quickly. Apparently it wasn't all that easy, but the result is a large cast of mostly actresses playing a variety of the traditional exploitation "women in trouble." These include porn stars, tag-team hookers (one in a Catholic school uniform, natch), stewardesses (they're not flight attendants when we're poking fun at the exploitation genre), unmarried-and-pregnant women, and a very understanding masseuse.

In fulfillment of the prophecy that Disney will eventually remake every single one of its live-action movies, here is Race to Witch Mountain. It bears a passing resemblance to 1975's Escape to Witch Mountain, but it's more reminiscent of a tiresome carnival ride whose operator abandoned it and left it to run for 90 minutes. Whatever fun there is in it quickly gives way to tedium.

Appropriately, it's set in loud, gaudy Las Vegas, where Jack Bruno (Dwayne Johnson) works as a cab driver. In the past he has freelanced his services for one Mr. Wolf, a shady underworld figure whose goons regularly visit Jack trying to re-enlist him. Maybe I shouldn't bother mentioning that, though, because it ultimately has nothing to do with the story. For that reason, I'm also not going to mention Jack's lifelong desire to own a particular Ford Mustang, since that detail was clearly added only after someone read a screenwriting book and paused at the chapter that talked about giving your characters hopes and dreams. It's extraneous.

But back to the actual story. Jack encounters two strange preteens, a brother and sister named Seth (Alexander Ludwig) and Sara (AnnaSophia Robb). They are extraterrestrials whose spaceship crashed in the desert when they came to Earth in search of a MacGuffin, and now they must get the item and return to the ship -- which is problematic, because the U.S. government, led by heartless Henry Burke (Ciarán Hinds), has recovered the craft and hidden it away somewhere. There's also an alien assassin pursuing the kids, though that's another thing that's ultimately not particularly relevant.

Prepare to be bludgeoned. Watchmen is sledgehammer entertainment, an action epic with tremendous production values that acknowledges good and evil but is much more interested in things that go boom.

As director Zack Snyder amply demonstrated in his previous adaptations of other people's strikingly original source material (Dawn of the Dead and 300), he is more than up to the task of creating a multitude of dynamic, viscerally-exciting action sequences. As a bonus, there are small moments in Watchmen that prompt warm, unexpected laughter, skillfully-recreated scenes that inspire pure fanboy bliss, and one lengthy flashback segment that is entirely transcendent, as dazzling, thoughtful, and emotionally-stirring as anything I've seen in recent years.

And then there's the rest of the movie, which crams in a remarkably high percentage of the plot points from the original Watchmen series of comic books by Alan Moore and Dave Gibbons and faithfully includes tiny details, classic panels and a checklist of characters. Yet it skims over deeper reflections about masked crime fighters, superheroes, the essential nature of man, and the future of the world. It's like someone decided the alphabet was too long: most of the consonants are still there, but Watchmen is missing a couple of vowels.

The film features a bewildering assemblage of performances, with juicy turns by Jeffrey Dean Morgan and Jackie Earle Haley, wildly uneven, uncertain performances by Malin Akerman and Patrick Wilson, and sleepy monotone pronouncements by Billy Crudup and Matthew Goode. Some of the actors sound as though they're delivering their lines for the first time, reading off cue cards.

Any movie that begins with a dog wearing a human mask is in serious trouble. If it wants to use that kind of dream snippet as a launch pad for exploring a demented and increasingly bizarre world, if it wants to embrace a loony aesthetic and milk it for all it's worth, wonderful. Deliver a solid, jolting, dazzling, surprising thriller, and all will be forgiven.

On the other hand, if it desperately wants to be taken seriously, if it proceeds in a very measured and sober manner, if it becomes increasingly sedate as it calmly plods through tedious exposition, then you have a mess on your hands.

The Unborn looks like a ghost story, feels like a ghost story, and kinda sounds like a ghost story, but it's dead on arrival. Because writer/director David S. Goyer has been associated with a host of projects with which I have a natural affinity, I was cautiously optimistic that his fourth directorial outing (after ZigZag, Blade: Trinity, and The Invisible) might reflect more of the pulpy, noirish mood and momentum that are evident in some of the best scripts for which he's been credited in part or in whole (Dark City, Blade II, Batman Begins).

Instead, all the juice has been drained from The Unborn. Not even the sight of the lovely, lean and fit Odette Yustman, whose last name became Yowza! when the trailer and pics first hit the net, can salvage the film from mediocrity.

I don't know a guy or a girl who doesn't have a crush on Carla Gugino. Somehow the Top Whatever Sexiest of Whatever Lists have all passed her up in favor of, like, that girl from 7th Heaven, but she'll always have a spot toward the top of my sexy list. Gugino will take on the legendary (and original) Silk Spectre in Watchmen this spring, and a couple of months ago she played one of them rough-sex types in Righteous Kill -- but now ... well, now she's taking sexy one step further in the form of a porn star. Wait, strike that ... a pregnant porn star! Hot!

Variety reports that Gugino will star in Elektra Luxx, which -- get this -- is a sequel to an ensemble comedy called Women in Trouble, which never found distribution. Yeah, so why not make the sequel when the original never had a chance to fail? As previously mentioned, Gugino will play a porn star whose life gets turned upside down when she discovers a bun in the oven. Joining her in the cast are Tim Olyphant, Alicia Silverstone and Justin Kirk. Oh, but writer-director Sebastian Gutierrez isn't stopping there, and although filming on the second film is now underway, plans are already in place for a third installment tentatively called Women in Ecstasy. Unfortunately, we may never have a chance to see it ... or its previous two installments.

That brings up a good question: Has a sequel ever hit theaters before (or instead of) the original?

Update: Check out two images of Carla Gugino as Elektra Luxx after the jump.

From the star, director and studio behind The Game Plan comes... another movie pairing up Dwayne "The Rock" Johnson with kids! Okay, this one -- Race to Witch Mountain, a remake of Disney's own Escape to Witch Mountain from 1975 -- seems a fair bit more tolerable than that one was, as cab driver Johnson is forced to team up with UFO expert Carla Gugino on an unexpected mission to get two unique children (AnnaSophia Robb and Alexander Ludwig) to the above-mentioned location of their spaceship.

A couple of things should be said for the trailer, which we've included after the jump.

1. There is an unavoidable watermark on it, but other than that, it seems to be a fully digital trailer and not bootlegged from sneaks of Bolt this past Saturday. (Okay, I get it: Star Trek is Star Trek... and you know who else pulls a very similar 'letting a vehicle crumple around you' trick? Bolt does.)
2. Said watermark and the YouTube premiere suggests that this hasn't been officially released by the studio yet, so I'd be willing to bet that this trailer gets taken down by the end of the day. Good luck!
3. More power to Johnson for throwing himself wholly into work like this, even if we can already see his character growing out of skepticism and towards accountability over the course of these two minutes. (Besides, Brendan Fraser can't hold a monopoly on all the family adventure hero roles.)

With that said, thanks to Roger Moore of the Orlando Sentinel for digging this up, and onto the trailer! Race to Witch Mountain opens next March.

It's the 6th of November, and that means we get a brand new Watchmen video. This one comes embedded courtesy of MySpace, and hopefully it will be working better by the time you read this, as I still haven't gotten to watch the whole thing without a glitch. No, the thorny question of "Did you change the ending?!" is not addressed ... come on, they do these too far in advance to cater to our whims. No, this one is all about the girls of Watchmen -- because despite the masculine sounding title, there's girls in this story, and they kick some major butt. Watch as Zack Snyder introduce you to Silk Spectre the First and Second, as played by Carla Gugino and Malin Akerman.

The girls aren't the only Watchmen characters you can meet this week -- be sure to pop onto the official site and be properly introduced to the Comedian. He's front and center, impossible to miss, and would make a charming addition to your desktop.

It's online already -- and a good thing too, because I'm sure everyone forgot to set their DVR/TIVO for Spike TV's Scream Awards. While a lot of this is footage recycled from the trailer, there are some new scenes that should make you squee in excitement, clips that weren't even glimpsed at San Diego Comic Con. Admittedly, that footage is beginning to fade from my memory, but the only scene I recognize having seen before is Nite Owl and Silk Spectre kissing before a mushroom cloud. Oh, it all looks so good. I will continue to hold out hope -- after all, the the test audiences did say the film as a whole was excellent.

Additionally, teasers for Friday the 13th and Twilight screened -- both we've collected and pasted after the jump.

From one sexy role to another: Carla Gugino will soon (hopefully) be on the big screen as Sally Jupiter, hero and pin-up girl of Watchmen, and now she's taking on another seductive role. Variety reports the gal will be the last point in the romantic love triangle called Every Day, which got cooking earlier this month. Liev Schreiber plays a guy who writes for a "semi-pornographic TV show" (that wasn't in the earlier news release!) that gets propositioned by his colleague (Gugino). But the man already has wife Helen Hunt at home, and this "strains his marriage to the breaking point." Could you resist if Gugino was tempting you?

Meanwhile, we've got Rachael Harris, who stood her own against mockumentary heavyweights in For Your Consideration (she played Mary Pat Hooligan, the actress who played the lesbian coming out to her family in Home for Purim). Variety reports that she's going to nurse Todd Phillips' The Hangover with the likes of Bradley Cooper, Heather Graham, and more. Graham is already playing a Vegas local, so maybe Harris will play the bride who might get left at the altar. But the actress isn't all laughs -- one of her upcoming films is The Soloist.

Lastly, we've got a cute, Korean hip-hop dancer on the way -- Som Dam-bi has signed onto Hype Nation. But this isn't just a tale of dancing: "An American dance crew goes head to head with a crew from South Korea," one that mixes hip-hop moves with at least one gun-toter. Oooh, it's like You've Been Served International!