Remember Broken Lizard's Beerfest? Whatever you thought of that 2006 comedy, it's difficult to dispute how incredibly astute the filmmakers were with rattling genre expectations in just a single scene. See, the American team's greatest beer guzzler, "Landfill", has passed away under shady circumstances, and right when everyone's ready to throw in the towel, in walks Landfill's identical twin brother, who they knew nothing about but who happens to have been told everything about each of them. Better yet, he's more than willing to even adopt Landfill's name, in an effort to bypass that whole awkward 'getting-to-know-you' stage.

It's every end-of-second-act "what do we do now, coach?" dilemma from an inspirational sports movie mercifully condensed to a couple of rapid-fire beats, and even if the rest of the film otherwise adheres to said sports movie formula, it's nice knowing that audience and actors alike were not going through the paces entirely unaware of how clichéd the entire narrative was.

One of the more interesting comic book projects in the pipeline is an adaptation of Mark Millar's Kick-Ass (title likely to be changed?), directed by Matthew Vaughn. We previously covered the action comedy -- about a high school dork who decides to become a superhero despite not possessing any of the gifts normally associated with superherodom -- here and here.

Perhaps hinting at the tone of the eventual film, the first bit of casting was Superbad's Christopher Mintz-Plasse. Though he may seem like the perfect choice to play a dweeb with delusions of grandeur, Mintz-Plasse was cast in a supporting role. A week later, they've cast the lead: it'll be 18 year-old Aaron Johnson, whom you may remember as little Ed Norton in The Illusionist. Joining him will be Nicolas Cage and TV vet Lyndsy Fonseca. Fonseca will play the love interest, while Cage will play the father of Elizabeth Rappe's future daughter, "a vicious, foul-mouthed 11-year-old who chops down criminals with a katana." Apparently he's trained her to do that as part of his quest to take down a druglord.

Mark Millar, by the way, is the dude behind Wanted, a comic that was about 250 times crazier than this summer's movie adaptation. I'd like to see Shoot 'Em Up's Michael Davis get a crack at a Millar project, but I'll settle for the ultra-talented Vaughn, who can do both over-the-top violence (see Layer Cake) and elegant movie versions of difficult source material (see Stardust).

Matthew Vaughn is set to direct an adaptation of Mark Millar's comic Kick-Ass -- and part of the cast he was hinting at back in June has been announced: Christopher Mintz-Plasse (McLovin, as predicted in the comments two months ago) and Chloe Moretz are joining the production.

Kick-Ass is the ultra-violent (surprise, it's Millar) story of a high school dork, Dave Lizewski, who reinvents himself as a superhero named Kick-Ass. Unfortunately, he's pretty bad at it, until he's forced to face real bad guys, who pack real weapons.

Surprisingly, Mintz-Plasse will not be playing the lead -- he's playing the Red Mist, the angry teenage spawn of a mob family, who tries to uncover the Kick-Ass' real life identity. Moretz will be playing a vicious, foul-mouthed 11-year-old who chops down criminals with a katana. (In other words, she's playing my future daughter. What can I say, I'm going to raise her right.) The lead has yet to be cast, and Vaughn is courting several big names to play parents and mobsters.

It's taken a few years and a few name changes, but Role Models -aka- Big Brothers -aka- Little Big Men is on its way, and MTV has posted the first series of shots (one of which you can see above), as well as the brand new trailer (see below). The film, which has slowly come together over the last few years, focuses on two partiers who get court-appointed community service which they have to complete as, fittingly, Big Brothers. You know, being a role model can help them get back on track themselves.

Paul Rudd and Seann William Scott are the men, while McLovin/Christopher Mintz-Plasse and Bobb'e J. Thompson are the lucky recipients of Rudd and Scott's efforts. Is it just me, or does McLovin look ridiculsouly young in the other images? Maybe it's the cape... I've little doubt that Rudd will be awesome, and this movie could be great. But what about Scott? Will this help refocus and fire up his career?

With five nominations, it looks like Superbad will be the star of the 2008 MTV Movie Awards, and its three jubilant male leads -- Michael Cera, Jonah Hill, and Christopher Mintz-Plasse -- deserve the kudos. But one major talent behind the whole affair has stayed relatively anonymous while these young up-and-comers bathe in the spotlight: Director Greg Mottola. The erstwhile independent filmmaker, responsible for some of the best installments of Arrested Developed and Undeclared, launched his career a solid decade before the rise of Judd Apatow with a charming little low budget comedy called The Daytrippers. Starring Stanley Tucci, Hope Davis, Liev Schreiber, Parker Posey and a host of other fantastic character actors, the film follows a wildly dysfunctional family over the course of a single day, as Davis, playing a worrisome housewife, tries to track down her unfaithful husband (Tucci).

Mixing warm humanity with pitch-perfect screwball timing, Daytrippers marked the sort of debut that told you a filmmaker had a big career ahead of him. After a modest premiere at the Slamdance Film Festival, it landed at Cannes, barely got a theatrical release and promptly vanished thereafter. Mottola turned to TV work, and slipped out of the film scene for a good ten years. These days, it's no easy task to track down Daytrippers on DVD -- you can nab second-hand copies on Amazon for decent rates, but not a single retail outlet carries it. Aside from the occasionally airings on cable, the movie has vanished.

Though he still hasn't lined up his next directing gig, Judd Apatow is slowly creating a comedic empire. His latest producing effort, Year One, has added five new faces to its cast -- and The Hollywood Reporter tells us one of those faces just happens to be McLovin himself, Christopher Mintz-Plasse. Joining Mintz-Plasse in the comedy will be Oliver Platt, David Cross, Vinnie Jones and Juno Temple. Production on the film is set to begin this January in Louisiana and New Mexico, with Harold Ramis onboard to direct off a script written by Ramis, Gene Stupnitsky and Lee Eisenberg (both of whom have written several episodes of The Office). Jack Black and Michael Cera also star.

All we know about the story at this point is that it's a comedy set in biblical times. HR says Platt is in talks to play a platform-shoe-wearing high priest (love that description!), while Jones will tackle the role of a head palace guard named Sargon. No word on who Cross, Temple and Mintz-Plasse will play, though I assume the latter will take on the role of biblical geek? So far Apatow has found success with comedies set in today's world, around characters we can all relate to. It should be interesting to see his group take on a project set in biblical times, though anything with Jack Black and Michael Cera in the lead automatically garners my interest. But here's the big question: Who will Will Ferrell play in a cameo role?

Big Brother was supposed to start production in January of this year, at least, according to early reports when Seann William Scott was cast. But what movie ever sticks to a schedule? When Paul Rudd joined in December, production was pushed back to April. But as of September, McLovin -aka- Christopher Mintz-Plasse signed on and production still hadn't started. Now, according to The Hollywood Reporter, Elizabeth Banks has also signed on, to play Rudd's girlfriend who gets him into the Big Brother program -- and, it's finally into production.

Unfortunately, it's still having name issues. First, it was Big Brother; then, it became Little Big Men, which wasn't so good as it sounds like some sort of orphan drama or something; now, it's currently an "untitled mentor project." I have to admit, I'm pretty psyched about this flick, mainly because it was written by The Ten's David Wain (who is also directing) and Ken Marino, along with Rudd. Between Marino's work as Vinnie Van Lowe, Rudd's involvement, and James Rocchi's great interview with Wain and Marino back in August, you couldn't keep me away from this picture. Now that they've finally begun shooting, maybe we can see this sucker some time in the new year.

He will always be "McLovin", but at least newcomer Christopher Mintz-Plasse has found another role to follow-up his hilarious debut in Superbad. The actor told Moviehole in an interview hat he has been cast in Little Big Men alongside comedy vets Paul Rudd and Sean William Scott. This is apparently the movie formerly known as Big Brothers, which was written by Timothy Dowling (George Lucas in Love) and which was to be directed by Luke Greenfield (The Girl Next Door). According to Mintz-Plasse, though, Little Big Men will now be helmed by Wet Hot American Summer and The Ten director David Wain. The movie's plot involves two wild and crazy guys who end up sentenced to community service in the form of the Big Brothers mentoring program. Why a judge would think a couple of party boys would be suitable mentors to kids is beyond me (the program does have very strict guidelines against drug users, and I'm sure these guys are probably potheads), but it should at least make for some funny situations.

It isn't clear what kind of role Mintz-Plasse will have (the mentored kid, perhaps?), but I see him having difficulty shedding his persona as Fogel/McLovin, which was so perfect I almost found the guy funnier than Michael Cera. The actor may end up like Napoleon Dynamite's Jon Heder, who similarly came on the scene with a quirky, imitable character and has had trouble finding another movie that audiences accept him in (he succeeded marginally by co-starring with Will Ferrell in Blades of Glory). Interestingly enough, Heder even played a Big Brother in School for Scoundrels -- at least, his character was in the program until being let go for being too much of a loser. If Mintz-Plasse can join the ranks of Wain's usual crop of collaborators -- which spans the State/Stella/Reno 911! crowd and the Apatow/Stiller "Frat Pack" group -- then he should be able to make a decent career for himself.

In a day and age where comedy has suffered numerous hours in PG-13 detention, it's unbelievably refreshing to see what Judd Apatow and his merry gang of misfits have been able to do with the genre. On the surface, Superbad sounds like the many teen sex comedies that have come before it: Three horny geeks desperately want to lose their virginity before heading off to college. But instead of providing us with a Xerox copy full of old, repetitive jokes, the film takes a bunch of familiar scenarios and updates them for a generation (and a decade) in need of its own classic.

Whereas the 80's were filled to the brim with raunchy teen-related comedies like Animal House, Fast Times at Ridgemont High, The Last American Virgin, Porky's (I can go on ...), Hollywood doesn't seem to have the balls anymore to tell it like it is. To show us what it's really like to be a kid graduating high school in the year 2007. Superbad isn't just designed to appeal to today's current crop of sex-obsessed teenagers -- it's for anyone who's ever found themselves at a point where your friends are your entire world. Not only are they there to help score you a six-pack, but it's your friends who help define your experiences and create new, long-lasting memories. That's really what Superbad is about -- and if anyone disagrees, they can (quite frankly) f*ck off.