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Posts with tag CinemaParadiso

Weinsteins Turn All Their Movies Into Broadway Musicals

Filed under: Drama », Foreign Language », Independent », Music & Musicals », Exhibition », The Weinstein Co. », Miramax », Cinematical Indie »

OK, so maybe they aren't turning all their movies into Broadway musicals, but it sure seems like it. According to Variety, The Weinstein Co. is out to produce a number of adaptations for the stage, beginning with Finding Neverland, which is expected to hit the stage in 2010 (or re-hit the stage, since the movie was based on a play by Allan Knee). After that, it's a stage version of Pink Floyd's The Wall (apparently adapted from the album, not Alan Parker's 1982 film). Then, other titles in the pipeline include the Miramax hits Shakespeare in Love, Chocolat, Save the Last Dance and Cinema Paradiso. Wait, a stage musical based on a movie that celebrates moviegoing? That's gotta be one of the dumbest things I've heard.

These certainly aren't the first movies to be exploited adapted for the stage, and they won't even be the first stage productions from the Weinsteins, who also had a hand in Tony-winner "August: Osage County," as well as the hit stage adaptation of The Producers and the soon-to-be-a-film "Frost/Nixon." The Finding Neverland musical is already being written, with book by original playwright Knee and music by "Grey Gardens" composer Scott Frankel and lyricist Michael Korie. The Wall also is in the works under the care of playwright/screenwriter Lee Hall (Billy Elliot).

So far, it appears TWC is only adapting Miramax films, from back when the Weinsteins were in charge there, but maybe one day we'll get to see "Grindhouse: The Musical" or a stage adaptation of Fanboys (maybe it can even hit the stage before theaters, at the rate it's going).

The Exhibitionist: Movie Theater Movies

Filed under: Exhibition », Columns »



Each week, The Exhibitionist comments on the latest news, trends and innovations related to the theater industry, or it discusses long-continuing problems with and complaints against cinemas in general, or it simply relates a specific moviegoing experience of yours truly. But rarely does this column get into the subject of actual movies. Well, seeing as there's not much new in the industry this week, and seeing as I'm fortunately not being dragged to see Sex and the City and therefore have no experience to relate about being a sole male in an auditorium packed with women, I figure this is a perfect time to bring up actual movies. Not just any movies, though: I'm presently only interested in discussing movies about, set in or prominently featuring movie theaters.

The earliest movie that I'm familiar with that significantly involves a theater is Buster Keaton's Sherlock Jr. The silent comedian plays a projectionist who falls asleep on the job then has a dream in which he literally climbs through the movie screen and into a detective film. A similar idea of breaking the boundary between auditorium and screen is used in Woody Allen's The Purple Rose of Cairo and in John McTiernan's The Last Action Hero, both of which involve a movie character who manages to leave his respective film within the film. But nothing tops Keaton's screen-entering stunt, which utilizes special effects that still astonish more than 80 years later.

Review: The Unknown Woman

Filed under: Foreign Language », New Releases », Theatrical Reviews », New in Theaters »



The Italian director Giuseppe Tornatore is best known for sweet, touching art house-friendly movies that send people away feeling gooey and cuddly. It's awfully tough to be a human being and resist his delightful Oscar-winning hit Cinema Paradiso (released in 1990). His film Malena (2000) had more detractors, but I found its images of a beautiful woman walking through the streets (with every eye following her every move) quite powerful and affecting. He once even made a movie with the life-affirming title Everybody's Fine. So when I sat down to Tornatore's new film, The Unknown Woman (his first since Malena), I was ready to be charmed. Instead, the film that actually unfurled was a restless, panicked, devastating emotional roller coaster, meticulously planned and executed like a razor.

Thinking back, I realized that there was more to Tornatore than his reputation suggests. In 2002, Miramax released the much longer director's cut of Cinema Paradiso with its rating tellingly changed from a PG to an R. A few years ago I tracked down an imported DVD of the director's cut of Malena, which was also considerably darker and more pointed; the Weinsteins were really the ones responsible for the softness of those films. I also remembered a movie called A Pure Formality (1994) about a police investigator (Roman Polanski) questioning a mystery man (Gerard Depardieu) found stumbling along the road; most of the film takes place in a damp, sinister police station with flashbacks to what might have happened previously. That tone gets closer to what's going on in The Unknown Woman, which starts with a knockout centerpiece performance by Kseniya Rappoport.

Ennio Morricone Finally Gets an Oscar

Filed under: Action », Classics », Drama », Foreign Language », Music & Musicals », Oscar Watch », Cinematical Indie »

ennioIn the ever-apologetic tradition of honorary and lifetime achievement Oscars, composer Ennio Morricone will receive an Academy Award on February 25. It is hard to believe that one of the most recognized names in film scoring has never been graced with an Oscar before. He's been nominated, sure -- five times to be exact (for Days of Heaven, The Mission, The Untouchables, Bugsy and Malèna) -- but he's never won.

Morricone shouldn't be bitter about losing those five times, especially considering he lost to other greats (Moroder, Hancock, Byrne, Menken and Dun). It should be a big enough lifetime honor for him to know that people around the world regularly hum, whistle or howl along to his theme to The Good, The Bad and the Ugly. But in 2001 the composer told The Guardian, "if it was up to me, every two years I would win an Oscar." In the same interview, Morricone did express some bitterness with not winning for The Mission, stating that Hancock's score for 'Round Midnight was not technically original.

Ennio Morricone has scored more than 350 films and not all of them are masterpieces. He has been nominated twice for Razzie awards (for Butterfly and The Thing) and he even considers his score to A Fistful of Dollars to be his worst. But the 78-year-old is certainly deserving of recognition for his contributions to cinema. Other important scores of his include Cinema Paradiso, The Battle of Algiers and Once Upon a Time in America, which supposedly wasn't considered by the Academy because of an unfulfilled paperwork requirement.

The celebration of Morricone's music on Oscar night should make for an enjoyable program, and not just because his scores will be heard. Morricone seems via interviews to be an honest and, reportedly, grumpy old man, and he will hopefully have some interesting things to say in his acceptance speech.

RIP: Reel Important People -- November 27,2006

Filed under: Obits »

  • Robert Altman (1925-2006) - Read my post on the great director of M*A*S*H and The Player.
  • John Blackburn (1913/14-2006) - Songwriter ("Moonlight in Vermont") and author who wrote the novel of Nothing But the Night. He died November 15.
  • Orin Borsten (1912-2006) - Screenwriter of Angel Baby who also worked as a publicist for Porky's, Texas Across the River, The War Wagon and Topaz. He died of natural causes November 18, in Studio City, California.
  • James Bostwick (1916-2006) - Film producer for General Motors. He died November 22, in Royal Oak, Michigan.
  • Dave Cockrum (1943-2006) - Comic book artist who co-created the characters Storm, Colossus and Nightcrawler, who appear in the X-Men films. He died of complications from diabetes on November 26.
  • Betty Comden (1915-2006) - Oscar-nominated writer and lyricist of musicals, including Singin' in the Rain, On the Town, The Band Wagon It's Always Fair Weather and Auntie Mame, with partner Adolph Green. She also appeared in the film Slaves of New York. She passed away, from heart failure, November 23, in New York City. Check out Jette's tribute to Comden in her Vintage Image of the Day column.
  • William Diehl (1924-2006) - Author who wrote the novels that were adapted into Sharky's Machine and Primal Fear. He also appeared in Sharky's Machine and Baby of the Family. He died of an aortal aneurysm November 24, in Atlanta.
  • Colin Forbes (1923-2006) - Author whose same-titled novel was adapted into Avalance Express. He died of a heart attack August 23, in London.
  • Phyllis Fraser (1911-2006) - Actress who appeared in Little Men, Winds of the Wasteland and Lucky Devils. She died of complications from a fall on November 24, in New York City.

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