Have I ever told you that I'm obsessed with watching Cirque du Soleil shows? I've seen at least 10 live performances in the past few years and highly recommend them to anyone who's never taken the Cirque plunge. In fact, now you have more of a reason to check out a Cirque show because their latest, Delirium, is coming to a theater near you at the end of the month. Sony Pictures Releasing has set up this new programming division called The Hot Ticket, and they specialize in bringing stuff like rock concerts, Broadway shows and premier sporting events to theaters across the United States and Canada. We've talked about this sort of thing a bunch before, and it's definitely a smart move for theaters; one that might eventually become the norm.

So far, The Hot Ticket is bringing Delirium (I'd shell out money to see Delirious on the big screen too, by the way) to theaters for a limited run of four days (August 20, 21, 23 and 24). You can find out where it's playing near you by visiting The Hot Ticket website. Aside from Delirium, they'll also be bringing the show Rent to theaters in September. As far as the viewing experience goes, here's a quote from their website: "Each presentation from The Hot Ticket will be a limited engagement and events will be shown in 2K and 4K digital theaters to ensure the highest quality viewing experience. With the very best in special event programming and state-of-the-art digital projection and sound in theaters, The Hot Ticket will offer the kind of unparalleled access that will make these events memorable viewing experiences."

Sounds like something worth trying out. What do you think? Is this the future of theatrical entertainment? (Check out some really cool images from Delirium in the gallery below.)

There was a time in my life when I spent more of my weekends going to concerts than going to the movies. And many of those concerts were fittingly at a venue that had previously been a movie theater. Back then, though, I never thought about the significance of seeing The Mighty Mighty Bosstones in the same place I once watched A Nightmare on Elm Street 4. There was a fine distinction between live music and cinema.

Unlike now, when there's an ever growing feeling that for the exhibition industry cinema is dead, while live music is, umm, live. The signs have been visible for the past year: Garth Brooks selling out multiplexes; a Hannah Montana/Miley Cyrus concert coming in at #1 at the box office. But nothing made the future seem as clear as last month's news that National Amusements is going into the live entertainment business.

The theater chain, which also technically owns most of Viacom, has apparently seen enough interest in live entertainment through "experiments" at its fancy Cinema De Lux locations that it will begin operating venues strictly for live entertainment, which will be called Showcase Live! (a name similar to the company's Showcase Cinemas brand of multiplexes). The first is set to open this August, and while it's the only one apparently planned out so far, the company expects to open three to five more within the next few years.

With its concentration on the music industry, it's easy to forget that the Grammys have a few movie-related categories. They include best compilation soundtrack album, best score soundtrack album and best song written for motion picture, television or other visual media. One thing that's always odd with the Grammys, though, is how many nominees are so old. Take a look at the score/composer nominees, for example: Babel (Gustavo Santaolalla); Blood Diamond (James Newton Howard); The Departed (Howard Shore); Happy Feet (John Powell); Pan's Labyrinth (Javier Navarrete); Ratatouille (Michael Giacchino). Only the last of those films came out in 2007. But the eligibility period for the Grammys is always October of the previous year until the end of September of the current year. All but Ratatouille's soundtrack were released in October, November and December of 2006. Since the Grammy ceremony is only a couple weeks prior to the Oscars, the ancient films honored are easily seen as that much more old news (Babel won the 2007 Academy Award for score).

Happy Feet was also recognized in the best song category, for "The Song of My Heart" by Prince (who already has the best soundtrack of all time), despite its not having received an Oscar nomination. Same goes for one of its competitors, Casino Royale theme song "You Know My Name", co-written (with David Arnold) and performed by Chris Cornell. Dreamgirls' "Love You I Do", written by Siedah Garrett and Henry Krieger (performed by Jennifer Hudson) is the only overlap from last February's Oscar nominees (it lost to Melissa Etheridge's "I Need to Wake Up" from An Inconvenient Truth). The other recognized tracks, both from 2007 releases, are Eddie Vedder's "Guaranteed" from Into the Wild and Glen Hansard and Markéta Irglová's duet "Falling Slowly" from Once.

Once is also a contender for best compilation soundtrack, though it faces a huge challenger in The Beatles, who are recognized for the album for the Cirque du Soleil show Love (how does that fall into this category and not the one for musical show album?) and indirectly for the soundtrack to the movie Across the Universe, which features covers of the band's tunes performed by the movie's cast. Other soundtrack nominees are retro musicals Dreamgirls and Hairspray. Sorry, fans of High School Musical 2.