ClorisLeachman Tagged Articles at Cinematical

First we had Sarah Silverman singing about f*cking Matt Damon, then Jimmy Kimmel had his turn with Damon's BFF, Ben Affleck. Now we have something even better: octogenarian actress and Academy Award-winner Cloris Leachman (who still looks damn good, thank you very much) getting all raunchy at a Comedy Central roast for Bob "Full House" Saget, threatening to get it on with "pretty boy" John Stamos on a "filthy bean bag chair" while using her Best Supporting Actress Oscar as a strap-on. There's a mental picture that'll take weeks to get out of your brain cells.

Maybe it's just the hilarity of seeing the stately Leachman talking about going after Stamos -- or perhaps even Jon Lovitz -- and then segueing seamlessly into a bit about performing a "reach-around" on Jack Benny that makes this so funny. I can't imagine it would have the same impact being said by, say, Tilda Swinton or Cate Blanchett. Anyhow, Leachman was way funnier than all the lame jokes about Saget having sex with the Olsen twins. She's still got it -- now, if only Tarantino would cast her in something as an ass-kicking, foul-mouthed granny ...

Thanks to Chris Campbell for blogging about this over on Spout yesterday.

It's only a couple seconds long, but above you get a glimpse of the ongoing Frau Blücher joke from Young Frankenstein. I had always seen it as just a funny joke in that quirky Cloris Leachman and Mel Brooks way, but a story from the San Jose Mercury News has added background to the whole character who brings fear to gentle horses everywhere.

Gene Wilder recently told the publication that the film is his favorite, that it is the "most perfectly realized," and described the creation of Frau Blücher. "When I was writing the first draft, I said, 'I wonder if anybody would get it when someone said "Frau Blücher" and the horses neigh.' Mel (Brooks) said, 'Keep it in.' Well, the audience loved it in the previews. Actually, I chose the name because I wanted an authentic German name. I took out some of the books I had of the letters to and from Sigmund Freud. I saw someone named Blücher had written to him, and I said well that's the name. Later on, I heard from about two or three sources, who said Blücher refers to a horse going to a factory and being turned to glue. I just thought it was a funny name."

So, now you know why those scared horses neigh. Sure, Frau Blücher is a scary old woman, but her name also brings thoughts of factories and glue.

[via Film Stew]

My grandfather was a very sick man. You are talking about the nonsensical ravings of a lunatic mind. Dead is dead. Hearts and kidneys are tinker toys! I'm talking about the central nervous system! I am a scientist, not a philosopher! There's more chance of reanimating this scalpel, then you have of mending a broken nervous system. My grandfather's work was doodoo! I am not interested in death! The only thing that concerns me is the preservation of life! Dr. Frederick Frankenstein

For years, Dr. Frederick Frankenstein (Gene Wilder) has tried to distance himself from the mad science of his grandfather, the original Dr. Frankenstein. He is so desperate not to be linked to it that he swears his name is pronounced "Frankensteen," not "Frankenstein." Yet he is still drawn to the science that his grandfather was enveloped in. The young Frankenstein is also a doctor, and he touts the importance of the central nervous system to fresh medical minds whilst damning the name of the first Dr. Frankenstein. But then he is presented with an ornate box, his grandfather's will, and given the key to understanding his relative's madness.

And this is the brilliance of Mel Brooks' stylish, black and white Young Frankenstein. Based on Mary Shelley's novel, and co-written with star Wilder, the comedy was part of a duo with Blazing Saddles that made 1974 a wonder year for the relatively new director -- one that garnered him five Oscar nominations between the two. The solid source material and stellar writing were only part of the film's success. It boasted one of the best comedic casts to ever hit the screen -- Wilder, Cloris Leachman, and Teri Garr, as well as some of the best faces of comedy who are no longer with us -- the purring and wonderful Madeline Kahn, the world's best monster, Peter Boyle, and the scene-stealing Marty Feldman.