ColinFirth Tagged Articles at Cinematical

Ack! Where has this movie been all my life? St. Trinian's is the tall tale of a bevy of badass school girls who plot to steal the famous Vermeer painting "Girl with a Pearl Earring" so they can save their bankrupt school. Meanwhile, the Minister of Education, played by Colin Firth, is determined to make St. Trinian's over into a real school for young ladies. His former paramour is the headmistress Miss Fritton, played by Rupert Everett in drag. (Everett also exec produces.) And Russell Brand is, of course, a mad fellow in a bowler hat named Flash who enables the girls' shenanigans, like boozing and gambling. I'm digging the mischievous twins and the overall take no prisoners 'tude, but not so much the sexy high schoolers in stockings bit with model Lily Cole. Bond Girl Gemma Arterton stars as the lead gal Kelly, and Talulah Riley from The Boat That Rocked plays newcomer Annabelle Fritton.

St. Trinian's, which is based on the comics by Ronald Searle, has been out in the UK since 2007. There were also five previous iterations of St. Trinian's movies: The Belles of St. Trinian's, Blue Murder at St. Trinian's, The Great St. Trinian's Train Robbery, The Pure Hell of St. Trinian's, and The Wildcats of St. Trinian's.

A sequel, St Trinian's: The Legend of Fritton's Gold, is already in pre-production. St. Trinian's is slated to hit North American shores August 28th.

Check out the official website for the high-res trailer, a music video from Girls Aloud, and other goodies. A trailer from YouTube.com is after the jump.

(Thanks to Anne Thompson for the lead!)

Usually when I write about my surprise over a piece of news, it's in exasperation. You know -- writing about the umpteenth adaptation, remake, or reimagining. But could the movie industry finally be getting the hint? We've got Papa Hemingway on the way a few times (not to mention that yet-to-be-released Garden of Eden), Coriolanus, and now ...

Variety reports that Hugh Hudson is directing Bob Ellis' adaptation of George Orwell's Homage to Catalonia (simply titled Catalonia), with Colin Firth and Kevin Spacey starring. Yes folks -- Orwell did write more than 1984 and Animal Farm. In fact, the books inspired by his own life are some of his best work. This account focuses on his move to Catalonia (Barcelona) with his wife in the late 1930s to fight Stalinism*, where he joined the Anarchist brigade and fought in the Spanish Civil War -- which almost killed him. But rather than focus squarely on Orwell, the film will spotlight his friendship with Georges Kopp, the commander of the brigade.

I imagine that Firth will play Orwell (due to the Englishness), while Spacey takes on the Belgian Kopp. But it will take a while to learn much more -- production isn't scheduled to begin until the first half of 2010.

Now we just need more Henry Miller. A Devil in Paradise, anyone?

*Correction made thanks to Mattl

Coming up on the new year, it's interesting to see which films we had thought would've been released by this point. In the summer of 2007, I recall myself and several colleagues showing up for a press screening of Jonathan Levine's lauded slasher, All the Boys Love Mandy Lane, only to discover it was canceled just that morning and the film had been sold from the Weinstein Company to Senator that afternoon. (The film has since landed at Sony, whose indie arm, Sony Classics, already saw Levine's follow-up, The Wackness, to a proper theatrical reception.)

At least the Weinsteins gave something up for a change. The oft-shuffled Killshot and Fanboys are tentative January and February releases at the moment, respectively, and I just want to see for myself if The Poughkeepsie Tapes has been worthy of its modest reputation following a BNAT '07 screening -- the same BNAT that featured the reportedly sweet Trick 'r Treat that WB continues to hoard.

A perhaps more morbid curiosity has me keeping an eye on Paramount's Case 39, just to see if it's really that bad, and who knows what similar straits Assassination of a High School President, The Accidental Husband (originally last March), and Possession (originally last February) are in following Yari Film Group's bankruptcy -- not that I have much invested in the last two, but Assassination is a perfectly release-worthy noir take-off that deserves a home.

So what do you guys and girls think? Which of these are you most dying to see? What was the longest you ever waited to catch something, and were you ultimately disappointed or satisfied by the time it came your way?

Being the replaced man in Imagine Me & You, Matthew Goode (soon-to-be Watchmen) managed to balance the anger and loneliness of being second place while his wife found true love with their wedding florist. Now The Hollywood Reporter posts that he gets to be the dead remembrance of A Single Man along with Colin Firth and Julianne Moore.

This is Tom Ford's adaptation of Christopher Isherwood's 1964 novel about a gay Englishman and professor named George (Firth). Over the course of one day, the story follows George as he tries to continue his normal life and routine after the death of his partner Jim (Goode). Moore will play one of his fellow professors.

It'll be nice to see Firth take on an entirely different romantic role, in the wake of his many typical romances. As for the story, being "one of the first and best novels of the modern gay liberation movement," it should come as no surprise that the book was dedicated to friend and fellow writer Gore Vidal. So perhaps Vidal can play an educated cameo once again? We'll know soon enough -- the project is about to head into production.

A highbrow festival like Toronto doesn't offer many opportunities to laugh, and I was grateful for this one. Easy Virtue, an adaptation of an early Noël Coward play, is a droll and witty delight, a superb showcase for its cast, and a return to fine form for The Adventures of Priscilla, Queen of the Desert director Stephan Elliott, who last turned in the unsettling but incomprehensible Eye of the Beholder nearly 10 years ago. Where most TIFF films seemed to glower at me from the screen, this one winked and smiled.

Noël Coward may seem a strange choice for Elliott, whose films have favored the bizarre and the obscure. I don't know what attracted the filmmaker to this project, but I'm glad that something did. The material may seem almost purely verbal, all clever turns of phrase and sardonic interjections (what Americans think of as "Britishness"), but Elliott is constantly concerned with how the movie looks and sounds. Fittingly, he manages to give it a curious, otherworldly feel. This is most pronounced in the opening sequence, which marries choppy black-and-white footage, odd angles, and a jazzy soundtrack to introduce us to the characters and transport us to a universe that is ever so slightly off-kilter. It's a welcome recognition that these hyper-literate, impeccably constructed old comedies – Coward, Wilde, etc. – don't take place in a world quite like ours.

Here's a movie that deals with death and grief without hysterics, dramatic speeches or showy, Oscar-grubbing performances. Michael Winterbottom's Genova has a logline that sounds maudlin and turgid – after she inadvertently causes a car accident that kills her mother, a young girl starts seeing mom's ghost – but the movie turns out to be understated, down-to-earth, quietly sad. This is Winterbottom's most intimate film since 9 Songs, and one of the highlights of his career.

Genova has the wherewithal to show its characters dealing with loss in ways that aren't inherently cinematic. It would have been very striking, for example, to have the newly motherless children – the teenage Kelly (Willa Holland) and the preteen Mary (Perla Haney-Jardine) – scream, rage at the world, and slam doors in the face of their well-intentioned father Joe (Colin Firth) before concluding that Family Sticks Together. And in a film like this, I would have guessed that Joe would spiral into an alcoholic depression, or perhaps start a tumultuous, guilt-ridden affair with the old college friend (Catherine Keener) who comes back into his life.

Those are the arcs I would have expected to see. But though a couple doors do get slammed, Winterbottom's characters aren't here to amuse us or push our buttons. Their reactions to the tragedy and their ways of adjusting to a new life in the titular city all paint a much more nuanced picture – and the effect is more heartbreaking than any number of manipulative stunts could have achieved.

While it stars some great names in the world of film, we haven't heard too much about Easy Virtue. But now, as it gears up for that spanky Canadian festival known as TIFF, CinEmpire has published a whole slew of pictures -- a retro Jessica Biel, Colin Firth, Ben Barnes, Kristin Scott Thomas, and more.

The film focuses on an American divorcee (Biel) who has to meet the parents (but hopefully without the cat milking). But unlike Stiller's version, she's already tied the knot with a sexy young Englishman (Barnes), so Mom (Scott Thomas) and Dad (Firth) can't stop the wedding. But I'm sure there'll be lots of dirty looks, and more than one smirk, like the one above.

Virtue is yet another romcom, but at least it heads back in time a little, and originally comes from a Noel Coward play that Alfred Hitchcock adapted years ago as a dramatic silent film. Good or bad, we'll find out soon enough.

[via The Bad and Ugly]

Colin Firth and Ben Barnes alone do not an Oscar Wilde adaptation make -- and with filming on Dorian Gray having already started (more on that in a moment), it's a good thing they filled out the rest of the cast! Variety reports that just about every British actor not working on Harry Potter or The Tudors has signed on.

Rebecca Hall is probably the most notable addition -- IMDB claims she's playing Emily Wooten, a character which doesn't seem to exist in the original book. But she's no stranger to gloomy Victorian stories, as she's probably best known to American audiences as Christian Bale's tormented wife in The Prestige. The key female role appears to have gone to Rachel Hurd-Wood, who will be playing Sibyl Vane, the actress Gray falls in love with. Emilia Fox is playing Lady Victoria Wooten, wife of Firth's character.

Completing the cast are: Ben Chaplin, Fiona Shaw, Maryam D'Abo, Pip Torrens, Douglas Henshall, Caroline Goodall, Michael Culkin, Johnny Harris and newcomer Max Irons, son of Jeremy Irons. This is going to be a real film of young up and comers, isn't it? Barnes, Hall, Hurd-Wood, Irons ... it should be quite interesting to see who might take off from this.

And I wasn't wrong when I said a photo of Firth and Barnes in cravats would be forthcoming. Variety has one accompanying their article -- and it's a nice official still, not a grainy one from the British paparazzi as I was expecting. You can already sense the debauchery, can't you?

At last, there's a delightful cast addition to The Picture of Dorian Gray. In all the excitement of summer, this film undoubtedly dropped off your radar. But back in May, Ben Barnes (otherwise known as Prince Caspian) was cast as the eternally beautiful lead. (I know some of you haven't forgotten, I get comments praising Barnes about once a week. He's got quite a following!)

Now, the god of lushly wet shirts (otherwise known as Colin Firth ) has joined the cast. According to The Hollywood Reporter, he'll be playing the witty Lord Henry Wotton, the aristocrat who corrupts young Gray with his hedonistic pursuits and outlook. And yes, there's a good dash of homoeroticism inherent in their relationship as well. It has the potential to be deliciously dark and twisted onscreen.

Firth is, obviously, no stranger to costume pieces or Oscar Wilde. He co-starred in the delightful The Importance of Being Earnest, which was also directed by Wilde aficionado Oliver Parker. As they're selling this as a "visceral, dark horror story," I'm really excited to see Firth in it. He seems to be the go-to guy for American romantic comedies lately, and it will be fun to see him be villainous again. Filming begins this week, and I bet there will be photos of both men in cravats and poet shirts in London's Metro paper by the end of August.