"She really found me at a point when I needed to be found." -- Jim Sturgess on Julie Taymor:

In 21, which hits theaters tomorrow, Jim Sturgess plays Ben Campbell, an M.I.T. student who's recruited into a group of Vegas card counters by a fellow student. In fact, the entire group is made up of students and its leader, Micky Rosa (Kevin Spacey), also happens to be a professor at the University. The fact-based film was inspired by the book Bringing Down the House by Ben Mezrich, and most of what you will see in 21 really happened -- with certain faces, places, names and events changed to fit a more Hollywood-ized mold. Directed by Robert Luketic, 21 also stars Kate Bosworth, Laurence Fishburne, Aaron Yoo and Liza Lapira.

Sturgess is a relatively new face to Hollywood. His first major film role only came last year, when director Julie Taymor cast the soft-spoken Brit opposite Evan Rachel Wood in Across the Universe. From there, this musician-turned-actor appeared in the recent The Other Boleyn Girl before taking on his first lead role in a major Hollywood film, 21. Upon meeting him, one can immediately tell this boy has the looks and charm to carry him real far. He's already scheduled to appear in the star-studded Crossing Over and the flick Fifty Dead Men Walking. Cinematical sat down with Sturgess in New York recently to talk about 21, as well as his blossoming career.

Having finished the immigration drama Crossing Over, which will come out this December in time for the last-minute Oscar push, Ashley Judd is getting ready to get depressed for her next film. Variety has reported that the actress is going to star in a drama called Helen, which will head into production next month, and is being made by Egoli Tossell Film and Insight Film Studios. Sandra Nettelbeck, who wrote and directed Mostly Martha and Sergeant Pepper, will wear both hats again for this production. The film is about "a music professor and mother who suffers from a deep, debilitating depression. Her family tries to help her, but no one can relate to her pain other than a young female student who knows depression all too well." So, Judd is bummed, but there's no word on who will help her through her struggle.

It's surprising -- as big as Ashley Judd's name is, she's definitely not one of those actresses with oodles of credits to her name. After starting her cinematic career with the terribly (yet pretty enjoyable) Kuffs, you know, that Christian Slater cop movie, she's averaged a few a year, which has slowed down lately. After a busy 2002, she's starred in Twisted and De-Lovely in 2004, Come Early Morning last year, and now Bug and Crossing Over this year. Now if we could only hear more about her Dame Alyce Kyteler adaptation...

The Weinsteins always enjoy a bit of controversy when it comes to their films, which is probably why it seems a little odd to see the larger than life Harvey Weinstein keeping so uncharacteristically quiet this time. The Guardian reports that the Weinsteins have been fielding complaints from the National Iranian American Council (NIAC) over a scene in their upcoming immigration drama, Crossing Over. Resulting in writer/director Wayne Kramer making some changes to the screenplay.

The complaint originated with "an actor of Iranian descent not on the project but who read the screenplay took umbrage over the scene, in which an Iranian-American man kills his sister after discovering she has been having an affair with a Latino man." According to the president of the NIAC, the reason they made a formal complaint was that "Honour killings are accepted in some Middle Eastern cultures but not accepted in Iranian culture," and that, "They sometimes happen in remote areas of Iran, but there are no cases of Iranians doing this in the U.S." So far, no one on the production has commented on the revised screenplay or who the actor in question was.

Crossing has an all-star cast that includes; Harrison Ford, Sean Penn, Ray Liotta and Ashley Judd, and neither they or the Weinsteins have commented on the changes, or what took place during discussions with NIAC. But a spokesperson for The Weinstein Co. was quoted as saying, "While we believe strongly in freedom of expression, we also believe in the importance of constructive dialogue between artists and the communities they seek to portray." Maybe in the end, it's just not that big of a deal. Don't most screenplays go through all sorts of changes before they make it to the screen? I guess we'll never know; that is, unless someone starts talking.

Here are some of the words Harvey Weinstein is using to describe his critics: jealous; disgruntled; has-been. The first two, you may have assumed, refer to the many people criticizing the ability and financial stability of The Weinstein Co. The latter, though, is directed at an internationally respected filmmaker, Luc Besson. The comment was in response to Besson's claim that TWC mishandled the American release of his animated film Arthur and the Invisibles. Weinstein says he'll give the "has-been" $1 million if he can prove that Arthur actually cost $85 million, as Besson claims. So, once again, a film industry dispute turns into a messy blame game, battled with egos rather than brains (and here, I thought Weinstein actually believed Arthur failed because audiences are not used to films that feature both animation and live-action).

But Weinstein could never be personally apologetic for his company's failures. Then he wouldn't be Harvey Weinstein. And it has become a regular thing for him to tell reporters, such as Variety's Anne Thompson, how everyone else is wrong about The Weinstein Co. Despite the obvious, which has been easily noticed by all of us following the film business, Weinstein continues to claim that TWC is doing just fine. Sure, most criticisms are speculative, but mostly they are reasonably so. According to Thompson, rumors are floating around that the Weinstein brothers could lose TWC to its investors; either they will be forced to sell the company or merge with a studio. She also questions TWC's chance for independent success given that even Dreamworks was unable to survive on its own.

Still, Weinstein feels secure in the future of TWC, stating to Thompson that the only thing it's missing is a "glamorous theatrical hit." And he seems hopeful about this summer's release of SiCKO, as well as next year's slate of in-house productions like The Great Debaters, Crossing Over and The No. 1 Ladies Detective Agency. According to Weinstein, anyone who is doubtful about TWC making it is either a jealous competitor, probably some exec just trying to look cool, or a disgruntled former employee. Considering Weinstein has already surprised me once this year, with his almost personally apologetic reaction to the disappointment of Grindhouse ("We obviously didn't do it that well."; "We didn't educate the South or Midwest."; "We missed the boat." -italics mine), I will just have to be open-minded about the possibility of him turning TWC's reputation around.

Don't worry. Ashley Judd hasn't slid into the wide world of Disney talking dogs, even if she has been dealing with some pesky bugs lately. Her border run is of the adult drama variety -- she's in negotiations to sign onto the Crossing Over cast. Earlier this month, Jessica Barnes alerted us to Harrison Ford's casting in the film, and then Patrick Walsh upped the ante with word that Ray Liotta would be playing the villain. Now, with Judd almost on-board, the film might have its immigration defense attorney who is trying to arrange the adoption of a Nigerian girl.

Crossing is an immigration drama set in Los Angeles. It revolves around a number of immigrants from different counties who are trying to gain legal status in the city. The movie will dive into border issues, document fraud, asylum, green cards, work-site enforcement, naturalization, the office of counter terrorism and culture clashing. In other words, the whole immigration kit and caboodle. Writer/director Wayne Kramer is in charge of the feature, and while we already have a handful of big names, Variety says that more are expected to be added since some, like Sean Penn, only have brief roles. I would imagine that this will go into the ensemble Crash route, where there's lots of stories that sort of intertwine, and no main star. (If that's the case, Liotta could be a partial villain, or one of a few.) Whatever the case, Cinematical is sure to have more information soon, since Kramer plans to start filming later this month in the city of angels.

There is probably no movie that is more anxiously awaited than Indiana Jones 4. But, it seems like every couple of weeks, we get word that the project is moving forward and then we get another tidbit that could blow the whole thing out of the water. For example, we're promised a trailer this Thanksgiving, and then we get news of a possible bump in the road -- and it could be a big one. Variety reported that Harrison Ford has signed to star alongside Sean Penn and Ray Liotta in Crossing Over, (No, it's not the John Edward story) an immigration drama. Described as the "Traffic of illegal immigration," the film was written by Wayne Kramer (The Cooler), who is also slated to direct. Maybe Ford hopes that this one will make up for passing on Traffic the first time.

Now here is where the problems could start -- the shooting date for Crossing Over is this month and the start date for Indiana Jones 4 is June. Immediately bringing to mind the possibility of a delayed start date for Jones. Everything seemed to be falling into place, with steady casting announcements -- despite the big question mark hanging over the return of Sean Connery, and a solid start date. I hope Ford is planning on using some serious time management skills to make sure he is ready for filming in June with his fedora in hand.