Daniel Craig Tagged Articles at Cinematical

Last summer, it was reported that Columbia was setting up a remake of My Fair Lady and that Keira Knightley was pursuing the iconic, Cockney role of Eliza Doolittle. While Knightley has been "attached" ever since, The Telegraph reports that Scarlett Johansson was also vying for the role. But Knightley won out, and the Telegraph not only confirms that she's got the role, but that Joe Wright will be directing. Emma Thompson is writing the script.

Knightley has been taking singing lessons ever since the possibility came up (and I actually think she proved she had a good voice in The Edge of Love), and I think she'll be absolutely charming as Doolittle. But then I'm biased towards her. Even if you aren't (and I expect many "too skinny!" comments), I think the combination of Wright and Thompson pushes this into very, very promising territory. Thompson can do no wrong by me.

What will really tip the balance is who they cast as the grumpy, misogynist Professor Henry Higgins. The Telegraph reports that Daniel Craig is being considered, and he'd certainly be ideal as the grim Higgins, probably moreso than the dapper Hugh Jackman. I wouldn't mind seeing Patrick Wilson become a contender, and I half wonder if Gerard Butler's vocal chords were trotted out on Saturday Night Live as an audition. Just you wait, and practice your R's, and we'll see whose face Knightley must become accustomed to.

UPDATE: Screenrush caught up with Joe Wright, who says he never signed on, and is uninterested. Given the shakiness of the initial report, it's unclear whether Knightley's casting is official either.

MGM has been plagued by financial woes for much of their long and illustrious career, but their most recent crisis could end up costing them two of their biggest titles. Nikke Finke of Deadline Hollywood Daily is breathlessly reporting that the studio is teetering on the edge of bankruptcy with over $3.5 billion in debt. MGM held a very long conference call with their creditors, pleading with themto waive their interest payments until February 2010, and allow them the cash they need for the rest of the year, particularly to fund its upcoming slate of films. Naturally, some of those are highly anticipated, such as Robocop, The Hobbit, and the latest James Bond installment.

However, MGM's creditors aren't feeling particularly charitable, and may force the studio to file for bankruptcy. If that happens, they could lose James Bond, The Hobbit, and numerous other franchises as MGM would have to sell them to the highest bidder. Right now, they're trying to convince their Scrooges that bankruptcy is the worst possible option, and that Bond and Bilbo are big enough moneymakers to cover their debt. That's where the situation stands now, and it'll certainly be quite the economic spectacle to watch.

I find the news particularly interesting in light of Peter Jackson's remarks on The Hobbit at ComicCon, when he squashed rumors that the film was in the casting stages, and noted that it hadn't even really been green-lit or had its budget approved yet. It was a douse of cold water after a lot of breathless excitement, much of which seemed to come straight from the filmmakers themselves. Could the brakes have been put on because of MGM's financial woes? Possibly.

Continued below the jump

Now that The Road is making its way to audiences -- with a solid review from our Eugene Novikov -- word of future features is starting to pour in, and man, the news is sweet. Variety starts off their post-Road piece with the news that screenwriter Joe Penhall is gearing up to remake the Gallic heist film La Bonne Annee, and wants Daniel Craig to star in it. But the better news follows that. While Road director John Hillcoat always works with Nick Cave (who scored the Viggo Mortensen-starring drama), he is now gearing up for another Cave-penned piece.

This is a fresh breath of cinematic air to anyone who has seen The Proposition -- the film Cave penned in less than a month, and one that single-handedly made me rethink my distaste of westerns. Unfortunately, this is a mixed blessing: The gig in question will be an adaptation of Cave's novel The Death of Bunny Munro, but there's no word on who will adapt this. Considering the achievements Cave made with Proposition, we can only hope that it's him. But just to bring things around full-circle to the first bit of news, Hillcoat is also talking to Daniel Craig for the project. (Not to mention another project between the writer and filmmaker -- a big screen adaptation of Penhall's play, "Landscape with Weapons.")

I've been a bit of a lapsed Bond-ophile as the series has evolved over the years. I grew up with Roger Moore's slightly more campy Bond, and as an adult I worked my way through the Connery years for a little historical perspective...and yes, I even gave Timothy Dalton a try. But by the time Pierce Brosnan had stepped in I had tuned out. The arrival of Daniel Craig as our new Bond was the chance to reignite a franchise, and say what you will about Casino Royale, (and there is plenty to complain about, which for the purposes of time and brevity, I won't get into here) Craig proved that he could hold his ground as 007. But no matter what I may have thought about Royale, by the time the credits rolled on Quantum of Solace, all was forgiven.

So today's Credits Report might be a bit of a cheat because really, it's about two scenes: the opening car chase, and the iconic Bond theme by Alica Keys and Jack White. So first let's get to that car chase. Well, you can't have Bond without a little vehicular mayhem and Forster delivers with expert uses of sound and stunts. We even get Bond delivering a rare moment of cheekiness before those opening chords of Solace's theme.

After the jump; a few words about Keys and White's 'Bond Song' and two worthy additions to Bond's canon of car chases and snazzy credit sequences...

If the true measure of a good trailer is that it makes you want to see the movie that's being advertised, my definition of a terrific trailer is one that makes you want to see a movie again -- after you've already seen it several times. The trailer for Martin Campbell's Casino Royale fits that definition to a "T."

Granted, any trailer for a James Bond movie has the advantage of familiarity. Yet that same familiarity can breed contempt, and the last two Bond flicks with Pierce Brosnan (The World is Not Enough, Die Another Day) had soured me on the spy that I once loved. The casting of blonde, undersized Daniel Craig did not inspire much confidence. But the Casino Royale trailer really raised my expectations, and the movie itself fully delivered on its promise. I've ended up watching the movie multiple times since its release.

In retrospect, the trailer gives away bits and pieces from the entire movie, but it starts smart by spending its first thirty seconds in black and white, then shifting to color and introducing everyone we need to know, squeezing in a bit of cheesecake (Eva Green in an evening gown), a touch of beefcake (Daniel Craig emerging from the ocean), and then revving up to full-tilt action, accompanied by a jazzed-up version of the James Bond theme music. Watching the trailer reminds me of all the high points and makes we want to see it again ... right now!

After the jump: Watch the Casino Royale trailer.

Daniel Craig may have his own limited edition popsicle, but he's having a tough time choosing his next film role. After branching away from Bond with Defiance (a lot less 007 than most people give it credit for) and Munich, his next effort at ducking typecasting might be Jim Sheridan's Dream House. Might.

According to The Hollywood Reporter, Craig is in early talks to star in Sheridan's psychological thriller, which would steer him clear of "Whatever, all he plays are vigilantes" talk. House centers on a family man who moves the wife and kids to an idyllic small town, and obviously the perfect house of the film's title. But you know what happens when you move to those dreamy small towns and those perfect Victorian houses ... they're haunted! Our hapless hero finds himself contending with the former occupants of the house, who hang around thanks to being brutally murdered.

As Craig decides whether Sheridan and Dream House is a proper departure from 007 territory, he'll be appearing on Broadway in A Steady Rain and is rumored to be interested in Kevin MacDonald's Eagle of the Ninth. (Would he be replacing Channing Tatum?) Should any one of these ventures fail, perhaps Craig will sigh, shrug, and just play Steve McQueen already.

If anything can make you forget the disappointment of Quantum of Solace, it's the news that James Bond 23 has taken the first big steps into production. No, that's not casting Bond girls or plotting explosions, but writing the script. Not surprisingly, producers Michael G. Wilson and Barbara Broccoli have looked again to the cream of Britain's film crop and hired a man who's gotten some attention at the Oscars lately: Peter Morgan. Few of his scripts have gone wrong (The Other Boleyn Girl is one mark on an otherwise impeccable record .. and even then, it's not that bad) and he'll definitely lend a lot of gravitas to the project. A lot.

Morgan won't be penning 23 solo, however. He's got some old hands in
Neal Purvis and Robert Wade (the pens behind both Quantum and Casino Royale), who are returning to the franchise ... and well, so long Paul Haggis. I guess he's taking the fall for Quantum.

So, now to find that new director. Rumors swirled that Danny Boyle had been offered the job, but that was quickly shot down by Boyle in an e-mail to EW. While it's always possible he could duck in once the script is done, we need to look to the rest of the United Kingdom ... and possibly to Morgan himself, who is about to make his directorial debut with The Special Relationship.

For all those boys and girls out there who've always wanted to suck on ... um ... Daniel Craig's six-pack abs, we've got great news for you: The food company Del Monte asked 1,000 British women to vote on which celebrity they deem worthy enough to appear as a delicious ice pop, and the current James Bond star won. Thus, for a very limited time (now through June 7), you can pick up one of these limited-edition Daniel Craig pops and do whatever it is you'd like to do to it (we don't want to know). The catch? They're only being sold in England. Sorry ladies (and men) from wherever it is in the world you live that isn't England. Click the image below to view the entire pop.



How creepy is this popsicle, though? I mean, I imagine some ladies (and men) might find some sort of bizarre pleasure in the Daniel Craig pop, even though it sort of looks like they froze the poor actor in carbonite. If these were being sold in America, would any of you buy one? And what if they did this with a popular actress like, say, Megan Fox -- would folks suddenly cry sexism? Would there be marches and protests and round-the-clock CNN coverage? Probably. Guess that's why this publicity stunt remained way on the other side of the Atlantic.

[via The Frisky]

Steven Spielberg's The Adventues of Tintin: Secret of the Unicorn started filming with so little fanfare that I've nearly forgotten all about it ... but I doubt you diehard Herge fans have. Now you'll have a date to circle on the calender as Variety reports that Tintin will be hitting theaters on December 23, 2011, pitting it against Warner Bros Happy Feet 2 and Disney / PIXAR's The Bear and the Bow. (It may be two years away, but you can offer your box office predictions now if you like!)

At least, that's when it'll be hitting theaters on this side of the pond. Paramount and Sony plan to release the film in Europe first, as befitting its heritage and fanbase. There's no specific dates set, but they're eying a fall dates of late October and early November depending on what part of Europe you're in. If you're very wealthy, you could hop on a plane and catch it a few weeks early.

Variety also reports that the film will be released in 3-D. I guess that's a sign I've lost track of this project as I wasn't aware that was ever in doubt, but apparently the two studios have been debating that the past few months. Now after viewing dailies, they've decided that 3-D "would offer the best rendition" for the film ... and frankly the recent ginormous 3-D successes like Monsters Vs. Aliens probably helped convince them of that.

So, there you are, Tintin fans: December 23, 2011 in 3-D. Excited?