UPDATE: Here's the trailer in Quicktime quality.

Of all the films I'm looking forward to this fall, Blindness ranks fairly high up there. Canadian distributor Alliance has just made available a full trailer that proves to be fairly intriguing, as an optometrist (Mark Ruffalo) and his seemingly immune wife (Julianne Moore) cope with an inexplicable epidemic of sight loss.

I'm a sucker for most anything vaguely apocalyptic, and while this very well could turn out to be akin to watching the first act of Children of Men through a milk-filled mask (which I've done, mind you), the prestige behind the project* says otherwise. We have acclaimed screenwriter Don McKellar adapting Nobel-Laureate José Saramago's novel, with Academy Award nominee Fernando Meirelles directing a cast that also includes Danny Glover, Gael Garcia Bernal, Alice Braga, and Sandra Oh.

I must say, going off that taste and last spring's teaser, I still like the look, sound, and feel of this one, especially Moore's little retort (you know the one), and that's not to mention that any trailer which employs John Murphy's underrated score from last year's Sunshine to set a rightfully ominous tone is always fine by me. We'll get to see (sorry) what trials and tribulations await the world on September 19th.

*Not to mention Rocchi's review of the film from its Cannes world premiere.

Cinematical has just received this exclusive poster for Blindness (click to enlarge), which enjoyed its world premiere as the opening night film of this year's Cannes Film Festival back in May. Starring Julianne Moore, Mark Ruffalo, Danny Glover and Gael García Bernal, Blindness tells of a city overcome by a blindness epidemic where its citizens are stricken with instant "white blindness." As folks are quarantined off in an abandoned mental hospital, one woman who remains unaffected pretends to be sick in order to take care of her husband, a doctor, who's now blind. Based on Nobel Prize winner Jose Saramago's novel, and directed by the very talented Fernando Meirelles (The Constant Gardener), Blindness definitely looks to bring the creep factor -- and with this outstanding cast, I'm sure it will claim a spot as this fall's first great flick.

Don't close your eyes for too long, because Blindness hits theaters on September 19.

Considering the critical reception that a Roland Emmerich film usually receives, I am always a little surprised by the actors who are willing to sign on for one of his films. Although to be fair, it wouldn't be the first time that John Cusack had signed on the dotted line for a less-than-stellar project. The Hollywood Reporter has now announced that Thandie Newton, Danny Glover, and Oliver Platt are all in talks to join Cusack in Emmerich's apocalyptic thriller, 2012. According to THR, "Glover is in talks to play the President, with Newton in discussions to play his daughter. Platt is in negotiations to play the president's chief of staff."

Thanks to Erik, we now have a few more details about the story, and that it centers on an academic researcher (Cusack) who "opens a portal into a parallel universe and makes contact with his double in order to prevent an apocalypse predicted by the ancient Mayans." Emmerich co-wrote the script with fellow 10,000 B.C. scribe, Harald Kloser -- which is probably not a great selling point for most audiences. Columbia has projected a budget of $200 million for the end-of-the-world flick -- I guess all that destruction doesn't come cheap. But, Columbia has also stated that they're hoping to bring the thriller in under budget. Emmerich has promised to start production by July, barring any hiccups from a possible SAG strike.

2012 is scheduled to arrive in theaters on July 10, 2009.

I sat in on a roundtable luncheon for the film Blindness the other day; as far as roundtables go, it was a nice affair; there were four tables of journalists, and they rotated the talent through the tables, giving us about 15 minutes with each set. It's always interesting to me to talk to the actors and filmmaker about a film like this; it gives you a different perspective that you have from just watching the film.

A word of caution: There are spoilers in these interviews about certain aspects of the film, but I'm including them because they provide a good deal of context about the film and the motivations of the characters. If you prefer to go into seeing the film blind, as it were, you'll not want to read this until after you've seen it. If you do want to learn more about the film, the interview writeup is after the jump ...

This morning James and I and a couple thousand other press folks took in a screening of the Opening Film at Cannes 2008, Fernando Meirelles's Blindness, starring Julianne Moore, Mark Ruffalo, Danny Glover and Gael Garcia Bernal. You can check out James' review here, and tomorrow I'll be attending a luncheon/roundtable for the film. And in related Cannes news, Jack Black arrived at the 2008 Festival de Cannes in style. He's here to promote Kung Fu Panda, which premieres later in the week. Check out our gallery of Black and tons of panda bears down below.

Meantime, though, my take on Blindness is that it's ambitious and good, but falls short of being great. In part, I think, this is because the source material was challenging to adapt to a visual experience, but it's also due to some clunky expositional voiceover that detracts from the experience more than it adds. I don't want to be told how this or that person feels or reacts, I want to see it.

Fernando Meirelles's new film Blindness begins with the rush and push of urban life; traffic, crowds, activity, purpose. And then, one man cries out: "I'm blind." He eventually makes it to an ophthalmologist, but there's nothing physically wrong with his eyes; he simply can't see. "It feels like I'm swimming in milk," he explains, and we see, through his eyes, the blank, empty swirl of what used to be the world. And then another person says they are blind, and then another, and soon those few, frightened voices form a chorus of chaos as "the White Sickness" spreads like wildfire and leaves a ruined world in its wake.

Adapting Nobel Prize winner Jose Saramago's novel, Blindness feels like a curious mix of highbrow literary aspirations and lowbrow genre fiction; as the White Sickness spreads from person to person in a clear chain of connection and things fall apart, it'd be easy to dismiss Blindness as Dawn of the Dead for NPR listeners or Outbreak for grad students. Meirreles has taken a similar two-pronged approach before -- The Constant Gardener is an excellent critique of the failings of modern capitalism that also works as a strong, suspenseful thriller -- and while Blindness may not work as well as that film, it's also a clear case of a film, and filmmaker, failing to hit the mark occasionally only because they've set the bar so high for themselves.

In our animated future, we can not only anticipate Wall-E robots, Tintin, and dragon taming, but also the fuzzy and dangerous world of wolves. The Hollywood Reporter posts that we're getting a new animated film called Alpha and Omega, and it's got a whole roster of recognizable names attached -- Justin Long, Hayden Panettiere, Christina Ricci, Danny Glover, Larry Miller, and Dennis Hopper.

Alpha and Omega focuses on "two bickering wolves -- one a disciplined, Alpha-bred wolf (Panettiere), and the other a fun-loving, comical Omega wolf (Long) -- who are captured and taken thousands of miles from their home. Determined to rejoin their pack, the two mismatched wolves begin a dangerous trek across unfamiliar terrain, battling the odds, the elements, the bears, and one another -- and finding love along the way." Look out, Milo & Otis! There's a new sheriff in town. It's too soon to tell what this will all shape up like, but at least they cast the leads pretty well. Panettiere is good at being terse and Alpha, while Long is pretty much Omega in human form.

No Christmas is complete without at least one viewing of the opening scene of Lethal Weapon, in which the happy melody of Jingle Bell Rock fades into the vision of a coked-out, topless Amanda Hunsaker preparing to pay for all the sins of 80s excess with one perfectly executed swan-dive off a high-rise balcony and onto the waiting windshield of a car below. I won't be so brash as to call it the best scene in the entire Lethal canon -- the 'death by surfboard' sequence in Lethal Weapon 2 is tough to beat -- but it's certainly up there, and fun for the whole family. It's also one of several Christmas-focused scenes throughout the film, another favorite of which would be the coke-deal gone bad in the Christmas tree lot, with Martin Riggs unwisely revealing himself as a cop to the bad guys before he has the drop on them -- what is he, suicidal or something? -- and then getting into a full-blown gunfight with several hoods amongst all those pine needles.

Lethal Weapon has some similarities with another Christmas classic, Gremlins, in that it draws a lot of its negative energy from the idea that if your life sucks, it's going to suck a lot worse during the holidays. The film's most resonating scene -- the one for which a set trailer reportedly had to be ready-made at all times for whenever Mel Gibson felt like he could act the scene -- comes with Riggs being overcome by the absence of his recently-deceased wife (those South African bastards) and putting a hollow-point bullet into his 9mm and putting the 9mm in his mouth. Just as he's about to depress the trigger, you can hear Bugs Bunny shouting Christmas tidings on the television opposite, and it looks like it's all over. It's easy to overlook how good the acting is here -- Mel is really firing on all cylinders in the scene. I have no idea if he's ever done a DVD commentary for the film, but if he has I'd probably want to listen to hear what he has to say about that scene.

Project Greenlight producer Chris Moore is already busy with his directorial debut, Killers, but now The Hollywood Reporter posts that he's also executive producing a miniseries and feature-length documentary based on A People's History of the United States by Howard Zinn. First published in 1980, the book follows the history of the United States from Columbus and Native Americans right through the twentieth century. However, instead of your ordinary historical book, Zinn critically looked at both the triumphs and tyranny of the country.

The project is titled The People Speak, and it's looking like it could be a pretty successful documentary, if the collaborators are any indication. The history will be brought together by music and readings that focus on the country's war, class, race, and women's rights struggles. Actors like Matt Damon, Viggo Mortensen, Marisa Tomei, Danny Glover, David Strathairn, Kerry Washington, and Josh Brolin will perform, while the likes of Eddie Vedder and John Legend will add some music into the mix. This collaboration will be topped off by Zinn himself, who will give introductions and historical contest to the pieces of the film.

As Moore describes it: "It's going to be a great piece of entertainment, but more importantly, something people can watch and learn and remember how great this country has been and how individual people have changed the course of history. It's going to make them think, laugh, and cry and be proud to be American." Yet the cynic in me is waiting for those people who will say all of this is anti-American. Hopefully, it will just be a well-received, good, accurate film that teaches as well as entertains. But what do you think?

When it comes to Michel Gondry films, I guess the wackiness just never stops. Cinemablend is now hosting the first poster for the comedy fantasy Be Kind Rewind and it's everything you would expect from the director who seems to have 'whimsy' as a middle name. Starring Jack Black and Mos Def, the film centers on two local video store employees who have to re-create an entire video store worth of films when Black accidentally erases all the tapes after a bout of 'personal magnetization'. Rounding out the cast is Mia Farrow as one of the store's most dedicated customers and Danny Glover as the owner of the struggling shop.

The first trailer for the flick arrived in August, and so far most of the marketing for the film has been stressing that same message of a fantastical 'DIY culture'. I guess in the end that is what I've always thought Gondry's movies were about; if you aren't happy with the way things are then create your own reality until you are. The official site for the film even gives you the opportunity to cut and paste your own face into some famous movie art. Ever wanted to be on the cover of Die Hard? Well, here is your chance. There is even a pretty elaborate gag involving a "homemade Internet". The poster for the film seems to keep the same feel as the website and even looks like it was made on the cheap with markers and pencil crayons -- but as anyone in the design business knows, sometimes it's the 'cheap' look that costs you the most. Be Kind Rewind opens in theaters on January 25th, 2008.

Check out the full-sized poster after the jump ...