Danny Glover Tagged Articles at Cinematical

Back in January, we all recoiled a little bit at the news that Neil LaBute was remaking Death at a Funeral -- a nice little British movie that only just came out in 2007, making a remake seem even more superfluous than they usually are. The fact that he was making it with Chris Rock made the whole thing seem even more cheesy. (Not that we don't like Rock ... it's just that we like him in original, edgy stuff.)

Well, the remake just got a lot more over the top. The Hollywood Reporter has announced that Martin Lawrence and Tracy Morgan have joined, along with Loretta Devine, Ron Glass, Danny Glover, Regina Hall, James Marsden, Zoe Saldana and Columbus Short. (Who wants to bet money that Marsden is the gay lover? Anyone? Anyone?)

It's keeping the exact same plot of misplaced cadavers, gay blackmail, hallucinogenic drugs, and family secrets, though Rock cowrote the script with Ayesha Carr, so we can expect some changes. It's just not clear yet what they might be ... but at least it probably won't involve bear suits or misogyny. I'm still not convinced this needed to be remade, but I suppose if you're going to do one, it ought to feature Danny Glover. Let's just hope Tyler Perry stays a million miles away from the set.

ETA: Yes, the title originally read Tracy Jordan. I watch way too much 30 Rock.

But was he ever considering it in the first place? Not long ago it seemed a Lethal Weapon 5 was all but a lock, what with Shane Black writing the script and Columbus Short supposedly in talks to play Danny Glover's son -- but now, according to a recent interview with Richard Donner in the LA Times, it looks like the whole thing might just go away. Thank God. That's because, in Donner's world, Mel Gibson has already passed on the project. (And here we thought Glover passed over a year ago.) The director notes, "Mel turned it down. I would like to think that Mel turned it down because I wasn't involved. Knowing Mel, I would like to think that. Would that be the kind of thing he does? It sure would be."

Though "Gibson's people" refused to comment, the LA Times is pretty confident in their findings. Donner, who directed all four previous Lethal Weapon films, seems a bit "I toldja so" in the interview, regarding Warners decision to follow Joel Silver's lead: "It's too bad, actually, because Channing Gibson, who wrote the fourth one, and Mike Riva, a designer on three of them, and myself and Derek [Hoffman, an associate at The Donner Company] had an incredibly strong story for the fifth movie. But we weren't given the opportunity and I think maybe I could have convinced Mel to do it. But Warners chose to go with Joel Silver." He later adds, "Yes, the project is pretty much dead in the water unless someone had the sense to come to me."

Of course, Donner could be talking out his rear end ... though, on the surface, it seems like a reach for both Gibson and Glover to agree to a fifth film, especially one without Donner behind the camera. But what do you think? Would you actually be down for a Lethal Weapin 5? Or are these guys just too old for this sh*t?

She may have been Lost, but it looks like the redheaded Rebecca Mader has found a path and a sexy on-screen husband. The Hollywood Reporter posts that Mader is in final negotiations to play the lead female role in the super-wacky sounding Men Who Stare at Goats. That means she gets to play wife to Ewan McGregor's Bob Wilton -- a reporter in Iraq who meets a man (George Clooney) who says he's a "former secret U.S. military psychic soldier who was reactivated after 9/11." The plot is so very strange, and most likely destined to be awesome. But that's not all -- the film is also getting Stephen Lang, fresh off Avatar and Public Enemies.

In the what-if area of cinematic news: With a Ghostbusters sequel on the way, Bill Murray told MTV that he thinks a woman should be in on the action. That's not a bad idea at all, so the big question is: What funny woman out there can bring on the laughs AND kick ghostly ass? (Editor's interjection: Jenna Fischer.)

Meanwhile, the Fame cast has now come together, according to THR. Unlike star Thomas Dekker, who has made a name for himself through Terminators and Heroes, this is a big cast of unknowns -- Kristy Flores, Paul Iacono, Paul McGill, Naturi Naughton, Kay Panabaker, Kherington Payne, Collins Pennie, Walter Perez and Anna Maria Perez de Tagle. You can hit the link to find out who they're going to play, and in the meantime, wonder who Debbie Allen will be this time around. Rumor has it that she'll pop up in the film, but not as Lydia.

And Danny Glover is getting rusty. THR posts that he's headed to the future and lending his voice to Agent Crush, which you can learn all about at the film's website. He'll be Major Rusty Gibbons. And finally, a last bit of little fluff: Jude Law is growing his 'stache in preparation for Sherlock Holmes!

After years of turning down any and all parties who inquired after the film rights for his novel Blindness, Nobel Prize-winning novelist Jose Saramago finally relented to the director-writer team of Fernando Meirelles and Don McKellar after years of cajoling and convincing. McKellar also has a part in the final film, a sprawling story of ruin and redemption that spanned the globe in its production that's been significantly re-cut -- and significiantly improved -- from the version first unveilled in Cannes in May. McKellar spoke with Cinematical in Toronto about the re-cut version of the film, the secret thread between his brilliant directorial debut Last Night and Blindness (" ... my paranoia about the apocalypse hadn't been resolved yet ..."), how Hurricane Katrina influenced the look of Blindness, the need for humor at the end of the world and much more. ...

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Last night, James and I had tickets to the TIFF premiere of Blindness, adapted from the Nobel Prize-winning book by José Saramago. James reviewed Blindness when we saw the film at Cannes, but I'd heard through the Telluride grapevine that the film had undergone a substantial edit since then. The cut we saw back in May was overlayed with a heavy, expositional voiceover throughout that completely killed the film, which I otherwise had liked quite a bit. So when I heard there was a re-edit playing here at TIFF, I knew we had to see it.

I'm happy to report that the newly edited version of Blindness is a vast improvement over what we saw at Cannes. Not only did director Fernando Meirelles (who also made one of the best films ever, City of God) remove the irritating and distracting voiceover, but as a result of doing so had to significantly re-cut, and in the process ended up with a much, much better film. He's tightened it up a lot, particularly a very troublesome bit concerning a major character arc shift for Julianne Moore's character, The Doctor's Wife, which was one of the parts I most had trouble with at Cannes. And while the film's running time is about the same, it now paces much quicker and thus feels like a tauter, shorter film that's much more engaging.

The franchise reboots may never end. According to ComingSoon.net (who spotted it on TrackingB.com), Shane Black has written a spec script for Lethal Weapon 5 without really telling anyone but Joel Silver.

The story would center around Riggs' impending retirement (and his, undoubtedly, being too old for ... well, you know). But before he leaves the force, he has to tackle one last case, and as there are no other police officers in Los Angeles, he hauls Murtaugh out of retirement to help him. Allegedly, both Mel Gibson and Danny Glover are interested, though no deals have been signed.

Now, I name drop Lethal Weapon enough that you undoubtedly know that the series ranks much higher in my life than it probably should. Watching it in my pre-teens not only taught me a choice vocabulary, it rocked my world with glimpses at a naked Mel Gibson. My problems with men probably stem from the pedestal I have placed Martin Riggs upon.

But, that doesn't mean I want a fifth movie -- I already sat through the fourth installment, and it wasn't that good. Black has penned some fantastic scripts in his time -- and I firmly believe A Long Kiss Goodnight is insanely underrated -- and I'd love to see him churning out action-comedies again. But not ones with Riggs and Murtaugh. Let Lethal Weapon lie, and write a franchise that can give us a new badass or two. Check out the video below of Seth Rogen and James Franco discussing Shane Black's movies from Moviefone's latest Unscripted chat...

UPDATE: Here's the trailer in Quicktime quality.

Of all the films I'm looking forward to this fall, Blindness ranks fairly high up there. Canadian distributor Alliance has just made available a full trailer that proves to be fairly intriguing, as an optometrist (Mark Ruffalo) and his seemingly immune wife (Julianne Moore) cope with an inexplicable epidemic of sight loss.

I'm a sucker for most anything vaguely apocalyptic, and while this very well could turn out to be akin to watching the first act of Children of Men through a milk-filled mask (which I've done, mind you), the prestige behind the project* says otherwise. We have acclaimed screenwriter Don McKellar adapting Nobel-Laureate José Saramago's novel, with Academy Award nominee Fernando Meirelles directing a cast that also includes Danny Glover, Gael Garcia Bernal, Alice Braga, and Sandra Oh.

I must say, going off that taste and last spring's teaser, I still like the look, sound, and feel of this one, especially Moore's little retort (you know the one), and that's not to mention that any trailer which employs John Murphy's underrated score from last year's Sunshine to set a rightfully ominous tone is always fine by me. We'll get to see (sorry) what trials and tribulations await the world on September 19th.

*Not to mention Rocchi's review of the film from its Cannes world premiere.

Cinematical has just received this exclusive poster for Blindness (click to enlarge), which enjoyed its world premiere as the opening night film of this year's Cannes Film Festival back in May. Starring Julianne Moore, Mark Ruffalo, Danny Glover and Gael García Bernal, Blindness tells of a city overcome by a blindness epidemic where its citizens are stricken with instant "white blindness." As folks are quarantined off in an abandoned mental hospital, one woman who remains unaffected pretends to be sick in order to take care of her husband, a doctor, who's now blind. Based on Nobel Prize winner Jose Saramago's novel, and directed by the very talented Fernando Meirelles (The Constant Gardener), Blindness definitely looks to bring the creep factor -- and with this outstanding cast, I'm sure it will claim a spot as this fall's first great flick.

Don't close your eyes for too long, because Blindness hits theaters on September 19.

Considering the critical reception that a Roland Emmerich film usually receives, I am always a little surprised by the actors who are willing to sign on for one of his films. Although to be fair, it wouldn't be the first time that John Cusack had signed on the dotted line for a less-than-stellar project. The Hollywood Reporter has now announced that Thandie Newton, Danny Glover, and Oliver Platt are all in talks to join Cusack in Emmerich's apocalyptic thriller, 2012. According to THR, "Glover is in talks to play the President, with Newton in discussions to play his daughter. Platt is in negotiations to play the president's chief of staff."

Thanks to Erik, we now have a few more details about the story, and that it centers on an academic researcher (Cusack) who "opens a portal into a parallel universe and makes contact with his double in order to prevent an apocalypse predicted by the ancient Mayans." Emmerich co-wrote the script with fellow 10,000 B.C. scribe, Harald Kloser -- which is probably not a great selling point for most audiences. Columbia has projected a budget of $200 million for the end-of-the-world flick -- I guess all that destruction doesn't come cheap. But, Columbia has also stated that they're hoping to bring the thriller in under budget. Emmerich has promised to start production by July, barring any hiccups from a possible SAG strike.

2012 is scheduled to arrive in theaters on July 10, 2009.

I sat in on a roundtable luncheon for the film Blindness the other day; as far as roundtables go, it was a nice affair; there were four tables of journalists, and they rotated the talent through the tables, giving us about 15 minutes with each set. It's always interesting to me to talk to the actors and filmmaker about a film like this; it gives you a different perspective that you have from just watching the film.

A word of caution: There are spoilers in these interviews about certain aspects of the film, but I'm including them because they provide a good deal of context about the film and the motivations of the characters. If you prefer to go into seeing the film blind, as it were, you'll not want to read this until after you've seen it. If you do want to learn more about the film, the interview writeup is after the jump ...