Demi Moore Tagged Articles at Cinematical

I love image editors like Photoshop. They've allowed me to make boring pictures funky, wipe the years off old and worn memories, and even get rid of the errant hair or blemish to make that nice photo truly shine. But I would give it all up and wipe my hands of them if it meant that the programs would be pulled out of the hands of Hollywood and the image-fixing machine.

We're getting bombarded by all sides. It's bad enough that lazy frakking poster creators actually shovel out horse poop like the embarrassingly terrible poster for The Takers, one that doesn't even bother trying to match the skin tones of the stars' heads with the stunt bodies, or thinks Paul Walker has massive Science of Sleep-like hands.

But we're also getting a never-ending onslaught of body de-hancements. I really can think of no better word for the folks like Ralph Lauren who are Photoshopping their models into sick, skeletal bodies. Adding to the pack is W Magazine, as BoingBoing shares. They scored an interview with Demi Moore and threw her up on the cover. While she may have discussed her dislike of being called a cougar, methinks she'd have more of an issue with what they did to her body. She's already ridiculously thin, but still, they edit. It looks like they tried to give her an "hourglass" shape (I use that term begrudgingly because it really doesn't apply when we're talking about skinny women who are Photoshopped to look curvy.), but worst of all -- they wiped out part of her already pencil-thin legs and were too lazy to make sure it matched. You can see part in the image above, look at the hip on the right, or in its full glory after the jump.

I never claimed to have the most refined taste when it comes to movies (and if you need proof, take a look). Sometimes my taste is downright mind-boggling, and no amount of public scorn can stop me from sitting down for multiple viewings of flicks that most of you out there wouldn't touch with a ten foot pole. So, on that note, today I'm going to tell you about a movie I love that usually earns me my fair share of some blank stares: About Last Night.

This '80s 'classic' was directed by Edward Zwick (a far cry from his war epics, I know) and was based on the David Mamet play, Sexual Perversion in Chicago. The film starred 80's wunderkinds Demi Moore, Rob Lowe, Jim Belushi and Elizabeth Perkins (providing most of the comic relief) in a tale of romantic misadventures among young professionals in Chicago. The film was my first exposure to 'serious' romantic drama, and when I first watched it as an 11-year-old girl, I felt like I was quite the grown-up -- mainly because for once, I understood most of the dirty jokes.

The film may have blunted some of the edge of Mamet's play and provided a happy ending that didn't exist in the original, but as a time piece of pre-AIDS sexual politics, this movie can't be beat. About Last Night was the perfect antidote to the easy and simple romance I had seen up on the big screen, and no matter the time or the place, if I catch this movie on TV, I'm hanging in until the very end.

After the jump: in defense of bad taste, and one of the many reasons I love this movie: obscure 80's love songs....

Over the weekend Ashton Kutcher posted a photo of his wife Demi Moore's backside on Twitter while she was bending down in a bikini. Said image spread to various news outlets, and it was interesting to watch because it didn't originate on Perez Hilton or on People.com -- Kutcher posted the photo himself. For once, the celebrity controlled the buzz, instead of, say, TMZ.

Kutcher's not alone -- in the past month or so, a slew of actors, actresses, filmmakers, screenwriters and industry buffs have jumped onboard the Twitter ship, with some using the insta-update social network more than others. But Kutcher and Moore were the first to really embrace the site, stealing a little thunder from folks like US Weekly and People magazine by posting their own intimate photos and updates -- the kind of stuff that may have eventually leaked to a TMZ if the stars hadn't placed themselves in the driver's seat instead.

As Kutcher and Moore use Twitter to give fans a closer look at their day-to-day lives out of the spotlight, others -- like, say, Jon Favreau -- are using it to also provide updates and images from the set of their new films. Not only did Favreau control the release of the first behind-the-scenes image from Iron Man 2, but he also levels with fans by talking about how scary and stressful the filmmaking process is. It's real and raw, and to be honest it's quite fascinating to watch these folks bypass the publicists and the studios and simply take control of it all from their very own desktop. (Check out WeFollow for a pretty comprehensive list of celeb Twitter accounts -- and click here for a list of all Cinematical Twitter accounts.)

So does this kind of stuff just feed our celebrity-obsessed addictions, or does the honesty and intimacy of a Twitter feed help bring them down off their magical pedestal to a point where their personal updates are way more interesting than that blurry beach bikini shot stuck on page 47 of this week's issue of People?

Looks like it's time for me to brush up on my French. The first trailer for the Coco Chanel biopic, Coco, Avant Chanel (or Coco, Before Chanel) has just hit the web, but the bad news is: the trailer is in French. But even if you don't speak French, you aren't missing too much; between my high school French and the helpful folks at Popwatch, I can tell you that there is talk of destiny, love, and a little pouting, but, c'mon, this is a movie about Chanel; isn't it all about the clothes anyway?

Audrey Tautou stars as the fashion icon (and say what you want, the lady certainly has that Coco 'ennui' down pat in the poster), and the film was loosely based on Edmonde Charles-Roux's book, L'Irrégulière: Ou, Mon Itinéraire Chanel. The book was adapted for the screen by Christopher Hampton (Dangerous Liaisons) and Anne Fontaine (who also directs). Joining in on all that fabulousness are Alessandro Nivola as Arthur "Boy" Capel and Benoît Poelvoorde as one of Chanel's lovers, Balsan. Nivola is an American born actor who had to learn French to play the dashing polo player who was said to have inspired Chanel's 'menswear look'.

Watch the trailer after the jump...

Vanity Fair is known for their ambitious (and sometimes controversial) photo spreads, and whenever one pops up online -- with the exception of those ultra funky Hitchcock recreations -- the name most likely associated with them is Annie Leibovitz. She's worked as the featured portrait photographer for VF since 1983, and some of her most buzzed-about photos include the very pregnant (and very naked) Demi Moore Vanity Fair cover, as well as the sexed-up Miley Cyrus photo that caused quite the stir last year. Some of the more geeky Leibovitz images can be found in her series of Disney photographs featuring celebs recreating classic scenes from our favorite Walt Disney movies (read more about that here and here).

This time around, Leibovitz's Something Just Clicked collection for Vanity Fair features 10 partnerships that helped generate more than four dozen Oscar nods this year. The image above, featuring Christopher Nolan and Heath Ledger (The Risktakers), is of course a composite, but it's one of my favorites -- especially the way they position both Nolan and Ledger, with the former quietly sneaking off to the corner away from the spotlight. Other partnerships photographed include Woody Allen and Penelope Cruz (The Odd Couple), Nicole Kidman and Baz Luhrmann (The Colonists), Gus Van Sant and Sean Penn (The Milk Men), Sam Mendes and Kate Winslet (The Partnership) and Darren Aronofsky and Mickey Rourke (The Ringers), among others. Check out a few of our favorites below, then swing over to Vanity Fair to see the rest.

In the midst of battling Coco Chanel biopics, the first image of Audrey Tautou (Amelie) as the legendary fashion figure has just emerged over at Vanity Fair. I'll admit that after getting my first look at Tautou in that famous 'Coco recline', it is starting to make perfect sense that an entire biopic was shaped around the French actress. If nothing else, you have to admit the the lady is a dead ringer for the style icon.

Coco Avant Chanel was partly based on Edmonde Charles-Roux's book, L'Irrégulière: Ou, Mon Itinéraire Chanel, and was adapted for the screen by Christopher Hampton (Dangerous Liaisons) and Anne Fontaine, who is also directing. The film will not attempt to tell the entire life story of Chanel, probably because it would be impossible to contain that much fabulousness in one film. Instead, Fontaine will be focusing on some of the highlights of Chanel's youth, and what would any biopic be without a little dirt? Some of the juicier bits in the story will include Chanel's time as a cabaret singer, and her love affairs with the influential and powerful men that helped her break into the fashion world.

After a long delay, the project finally kicked into high gear last summer, and shooting began back in September. Now that Tautou is officially the first Chanel we have seen, you can't help but wonder if the rest are going to suffer by comparison -- I mean, I still haven't gotten my head around the casting of Demi Moore. So much like the label that shares the lady's name, it looks like Fontaine and company are also going to have to put up with their fair share of 'knock-offs'.

Coco Avant Chanel should arrive in theaters later this year.

For a while now, Glamour has been pulling various actresses into the directorial fold with their Reel Moments series. Last year brought the likes of Kirsten Dunst and Jennifer Aniston, and this year, Demi Moore. Now Demi's short is online, along with shorts from Courteney Cox and Kirsten Smith (writer of films like Legally Blonde and The House Bunny).

This has been a pretty kickass project, one that will hopefully get more women behind the camera and making names for themselves. As for the latest bash of shorts -- one is uplifting, one is plain wacky, and the last is a good kick in the shins to the overly weight-conscious. Check them out here for yourself, and keep reading for a rundown of the latest three.

The Monday Before Thanksgiving -- Courteney Cox's short casts her alongside Laura Dern and Rosemary Harris in the story of a woman who loses her mother right before Thanksgiving. But rather than focus on grief and loss, the short focuses on the the insistance to be coupled and being happy single.

The Spleenectomy -- In a role that only Anna Faris could pull off, Smith's short follows a terrible aspiring actress who gets mistaken for her doctor twin sister at the hospital and has to pull off an emergency spleenectomy. Oh, only in the movies.

Streak -- Demi's short, which features daughter Rumer, focuses on comfort zones and college girls strapped and tied down to the worries of weight, fat, and (omg) calories and cankles -- until it's time to streak.

We've had superheroes who actually hold some sort of power, and we've had normal folks pretending their super, but how about possible delusion, or secret superhero traits that lead you to spell poorly? As The Hollywood Reporter posts, Woody Harrelson and Sandra Oh are starring in a new film called Defendor, and Playlist-loving Kat Dennings is looking to join in on the fun. Woody will play a man who thinks he has a secret superhero identity, while Oh plays his shrink and Dennings would play a teen he becomes friends with. As a superhero, what sort of powers would suit Woody best? Leaping over buildings in a single bound? Tingling Spider sense? Stay tuned!

In the rumor realm, we've got buzz bubbling about a third Coco Chanel project (like two aren't enough). Beyond the TV movie with Shirley MacLaine and the feature with Audrey Tatou, The Guardian posts that there might be a third starring, believe it or not, Demi Moore. I guess the look is right, but could Mrs. Kutcher pull off a period piece -- one focused on an icon no less? (And just in case Coco isn't enough for you, the report also states that there are rumors about Vivienne Westwood and Kate Moss heading to the big screen.) *UPDATE: Westwood is on her way, with Kate Winslet signed to play the icon.

Now this next bit isn't exactly casting news, but it could become that -- Variety reports that Kevin Bacon is executive producing a new series for Showtime that dips into the life of Honest Abe's infamous assassin, John Wilkes Booth. Considering how well John Adams did, I wouldn't be surprised if Bacon grabs Booth's role for himself. There's a fair likeness.

Plus: Ex-Boston Legal star Rhona Mitra is heading to Separation City, and the ever lovely Beth Grant is dabbing in Extract.

Prior to our interview with Anna Faris earlier today, Cinematical managed to spend some time with three of her co-stars in The House Bunny, namely Rumer Willis, Emma Stone and Katharine McPhee (who's recording an album now for a Spring '09 release, in case you happen to be a die hard McPhee nerd). And, yes, it's true what they say about sitting next to an American Idol finalist -- those butterflies in your stomach are real and they desperately want (and need) to hear a Whitney Houston cover for some odd reason.

In speaking with Rumer Willis about her upcoming projects, she mentioned that her mother, Demi Moore, had just finished work on her directorial debut -- a short film for Glamour Reel Moments called Streak. While Willis was tight-lipped on the film's plot, she did say it starred herself, Brittany Snow and Sarah Wright (who also has a role in The House Bunny). Other women who've directed shorts for GRM include Jennifer Aniston, Bryce Dallas Howard and Gwyneth Paltrow. You can find out more about the program over on its official website, and one imagines we'll catch Streak a little later this year.

Upon first hearing Josh Hartnett mention his starring role in the fantasy action flick Bunraku, I had a hard time believing the film was ever going to happen. It's not every day a movie has paper mache puppets, origami, comic books, video games AND German expressionism. Plus, Hartnett was comparing the look of the film to everything from Hitchcock to Michel Gondry. To be honest, the whole thing sounded like a mess. But, I guess it was all sorted out because The Hollywood Reporter announced that Demi Moore has just signed to star in the role of a captive courtesan to an evil warlord.

Guy Moshe (who also wrote the script) will direct the story of a lone drifter (Hartnett) who blows into town with revenge on his mind, but is soon faced with even bigger problems than he started with. Woody Harrelson also signed to play 'The Bartender' (in a bar where everyone knows your name?) and Japanese actor Shun Sugata (Kill Bill) has been cast in the role of 'Uncle'.