DoaDeadOrAlive Tagged Articles at Cinematical

Iron Man opens this week, and thus the summer movie season has officially arrived. I love a good summer movie as much a the next guy, but this morning I found myself looking back at some of the little films that cropped up during the summer; some of them managed to get a "summer" feel on a much lower budget and without all the advertisement and hype. My absolute favorite summer art house movie has to be Tom Tykwer's Run Lola Run (1999). I saw it three times that summer, and each time I clutched my seat, my heart pounding. I was amazed at how brilliantly Tywker had mapped out his three possible storylines and how lovely the small, quiet interludes were. I loved Franka Potente, and I loved his throbbing score, which practically entered into your bloodstream and pumped up your adrenaline by hand. Every color, movement and cut was designed for maximum effect (I've always been puzzled how Tykwer's movies since have seemed so long and sluggish.)

Also that same summer, John Sayles delivered his baffling adventure/suspense film Limbo, which had several people trapped on an island awaiting rescue and stalked by bad guys. The ending had everybody in an uproar and caused the film to die a quick death. The summer before that one, Darren Aronofsky's debut feature Pi gave me a good dose of sci-fi thrills, as well as a few head-scratching puzzles (which were actually real). 2000 was a particularly bad summer, but John Waters' Cecil B. DeMented provided a mischievous little oasis in the middle of it all. In that film, renegade filmmakers kidnap a Hollywood starlet and force her to be in their indie production; each team member has a tattoo of a maverick filmmaker's name. (I've often wondered which filmmaker's name I would pick for a tattoo? Maybe David Cronenberg...)

Those gore-lovin' knuckleheads over at Bloody-Disgusting.com spent a few days on the set of Resident Evil: Extinction (surrounded by women like Milla Jovovich, Sienna Guillory and Ali Larter, those lucky bastards) and while they haven't come back with their full set report (which, frankly, doesn't even interest me all that much), they've gleaned a few choice nuggets from the cast and crew members.

Oded Fehr will be returning for RE3, and he dropped a vague little tidbit regarding a certain looming sequel: "From what I know ... they're writing one that's totally different, in a different time. Brendan (Fraser) and Rachel (Weisz) are in it." Hmph. The Mummy Returns Again? We'll see.

Stopping by to chat with Ms. Larter, the BD.com boys learned that she will not be reprising her role in the upcoming sequel to House on Haunted Hill -- even though she signed on to star in the second sequel to Resident Evil. Oh well, moving on, the gorehounds hit the mother lode when they sat down to chat with producer Jeremy Bolt, a guy who's made a lot of movies with the fanboy-controversial Paul W.S. Anderson. (Anderson directed Mortal Kombat, Event Horizon, Soldier, Resident Evil, and Alien vs. Predator, if you must know.) The partners' next project will be a "less parody, more reality TV" remake of Death Race 2000, an NES-to-celluloid rendition of Castlevania, and a sequel to this movie, which looks so sinfully bad that I can't wait to see it.