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Toronto in 60 Seconds: Thursday, September 17, 2009

Filed under: Festival Reports », Toronto International Film Festival »



Celeb Sightings: Natalie Portman was spotted about town a little too overdressed (it's not cold yet!) and talking about her love of obscene hip hop. The In-Style bash scaled back this year to only the bare minimum of lavish foods and gifts. At that amfAR benefit, Sarah Maclachlan performed and more than $700,000 CND was raked in. But best of all, the SxSW karaoke party that many film bloggers hit on Tuesday night had a surprise guest: Samantha Morton showed up and belted out Tears for Fears' "Everybody Wants to Rule the World." And did you know Jay Baruchel is Canadian? Not only that, but he refuses to give up his Montreal home.

Our Coverage:
There's one new review to hit the pages of Cinematical in the last 24 hours (but more are on the way!), and that's Todd Gilchrist's view of Michael Moore's Capitalism: A Love Story. He writes: "Capitalism: A Love Story redeems itself because it possesses the same quality that has inspired our country in the last year – hope. In his best moments, Moore is deeply passionate and relentlessly idealistic, but he's an advocate for positivity and redemption, if also for transparency and common decency."

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Review: Marley & Me

Filed under: Comedy », Drama », Theatrical Reviews », 20th Century Fox », Family Films »



I can't vouch for John Grogan's 2005 best-selling memoir, Marley & Me, in which owning a yellow lab helped the journalist (Owen Wilson) and his wife (Jennifer Aniston) tolerate any number of trials and tribulations that came their way -- many of which could be chalked up to the carnage-prone canine himself. I suspect that, unlike their on-screen counterparts, the Grogans actually showed some indications of aging after thirteen years and three kids. I doubt that John had a perpetual bachelor of a best bud (Eric Dane) who lingered around to both knock and envy his marriage with convenient doses of sarcasm and handsomeness. I question that the couple could own a picturesque Pennsylvania estate on just one reporter's salary. But I'm fairly sure that both the book and the film shared a common goal -- to make its audience sit, stay, laugh, cry, and then get on with their lives -- and at those modest aspirations, the movie version pretty much succeeds.

From Page to Screen: 'Marley & Me'

Filed under: Comedy », New Releases », From Page to Screen »



I read the last hundred pages of Marley & Me at the counter of a neighborhood diner. Waiters and busboys and cooks milled around in front of me; fellow customers chomped on burgers to my left and my right. It was with around forty pages to go that I had the mortifying realization that I was crying. Sitting there in full view of what seemed at that moment to be all of San Francisco, reading a bright red book with a Labrador retriever puppy on the cover, tears streamed from my eyes.

Now, I won't try to sell you on the idea that Marley & Me is a great book. I can't even, in good conscience, recommend it as a "good book," which is what makes my teary diner incident so embarrassing. It's a sappy, sometimes shameless, thoroughly unremarkable memoir, consisting mostly of strained attempts to extract life lessons from mischievous-dog anecdotes. But there's something in it that pushes a certain button in those of us who melt at the sight of a grinning, tail-wagging canine. You know who you are. You may have wept watching My Dog Skip.


 
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