DylanWalsh Tagged Articles at Cinematical

Indifference is, perhaps, one of the most frustrating attitudes one can have towards a film. If you love a film, singing its praises is a natural by-product. Hating a film can often times be an even more cathartic experience than loving a film, as vitriol is always easily on tap. But not particularly caring one way or the other? That's oddly frustrating for me.

The Stepfather, the most recent collaboration between producer J.S. Cardone and director Nelson McCormick (the last being their remake of Prom Night, a project I feel safe calling the most annoying horror film of 2008, and even that's being diplomatic), is another entry to a new Hollywood tradition of finding vaguely recognizable films from the 1980s and remaking them on the cheap. Now, I'm not one to bemoan this business model; it's fine if the end result has enough originality to it that there is at least the illusion that the film is something more than a commodity to draw in a big opening weekend.

Fortunately The Stepfather does have enough airiness to it and enough interesting performers in it to convince even a hardened cynic that money wasn't the only motivation for all involved, that creatively the team behind it did want to deliver to new audiences a story of the reverse-black widow, of a man who lulls vulnerable single-mothers into thinking he wants to join their family, only to bite their heads off (figuratively, there's no actual cannibalism involved) when their back is turned.

Read the rest at Horror Squad!

Get ready for the sports waterworks, folks. Back in June, Jenni Miller wrote about the latest horse racing drama to cook up -- Secretariat, with Diane Lane attached to play the thoroughbred's owner, Penny Chenery. Now the major players are in place, and there's no doubt that Disney is prepping this is a big sports drama. The Hollywood Reporter posts that Dylan Walsh, John Malkovich, and Scott Glenn have joined the production, which began shooting this week.

Secretariat was the horse that broke a 25-year Triple Crown dry spell, setting world records and winning the final Belmont Stakes with an eye-goggling 31-length win (in other words, so far ahead that the horses behind look teeny). He's pretty much the horse amongst race fans, and is known for having the biggest recorded heart (22 lbs). But it all started with a coin toss.

THR says Glenn will play "a southern-bred aristocrat who loses the horse in a coin toss," although that's not quite how it plays out. Glenn must be Ogden Phipps, and as the story goes, there were coin tosses to discern who would get what horse. Phipps won the toss, but Penny Chenery scored an unborn foal in the deal who turned out to be Secretariat. Walsh will play Penny's husband, "a successful attorney who is accustomed to his wife being at his beck and call," and who is, undoubtedly, in line for a wake-up call. Finally, John Malkovich will play a trainer who underestimates the horse's power (Lucien Laurin?).

And they're off!

A few months back, Chris let you know that the remake of The Stepfather was most definitely moving forward with Dylan Walsh (Nip/Tuck) in the title role, Nelson McCormick (Prom Night) in the director's chair, and J.S. Cardone (The Covenant) on adaptation duty. (Also previously announced was the involvement of actors Sela Ward, Penn Badgley and Adrienne Palicki.) And to those who might not remember the 1987 Joseph Ruben thriller, here's a recap: There's this crazy guy who likes to kill families, and ... oh, you should probably just rent it. It stars another currently-popular TV actor in a very entertaining performance.

So now comes word from Bloody-Disgusting.com that two more familiar faces have joined the fray. For your nine bucks you'll not only get Walsh and Ward, but also the ever-cool Christopher Meloni and the always-adorable Sherry Stringfield. (The actors are best known for a pair of TV series with two-letter titles. Can you name them?) Production on the Stepfather remake begins in late March ... which means the flick should arrive just in time to snag that early January horror spot that somehow seems to gush money every damn year.

Plus it's a Sony remake. And that means PG-13 all the way.

The original was Terry O'Quinn's shining moment before he became John Locke on Lost. Now, in the previously announced remake of The Stepfather, O'Quinn's role will be refilled by Dylan Walsh. According to Variety, the Nip/Tuck star will play the homicidal "daddy" who marries Sela Ward and provokes the suspicions of her kid. This time around, though, the kid is a boy rather than a girl, and cast in the role is Penn Badgley (John Tucker Must Die). Rounding out the cast may be Adrianne Palicki (TV's Friday Night Lights), who is in negotiations to play the son's girlfriend.

The original, which came out in 1987 and later spawned a sequel, was pretty cheap and cheesy, but it was a neat horror interpretation of the usual fears of step-children, that the guy who married mommy is a really terrible man. Of course, in the movie, the stepfather turns out to be a serial killer who has slashed his former families to bits due to a psychological issue stemming from his childhood. According to Variety, Screen Gems is hoping to make the redo a more-Hitchcockian thriller. Somehow I doubt it will be anywhere near as good as one of old Alfred's classics.

The Stepfather also now has a script, which was written by J.S. Cardone (The Covenant), and a director, Nelson McCormick, who previously worked with Walsh on four Nip/Tuck episodes. Cardone and McCormick were also both involved with Screen Gems' remake of Prom Night, which hits theaters in April. About the same time as that release, The Stepfather will probably be just starting filming.

Writer/director/actor Hart Bochner (best-known, if he's know at all, as the director of PCU), who last stepped behind the camera ten years ago, is returning to direction with an indie comedy called One Part Sugar. The film focuses on a trio of characters, to be played by Danny DeVito, Justin Long, and Nip/Tuck's Dylan Walsh. (Now remember when you read the summary, that in the movie, it's going to be funny. Try not to get depressed about it like I did.) Walsh's character has lived in his small hometown his whole life, apparently entirely because he thinks that, by staying there, he will have a chance of "reuniting with an unrequited love from his childhood." (Remember -- funny! Not really, really sad.) Long, meanwhile, plays the town's drug lord/real estate mogul who finds his gig(s) threatened when a mysterious stranger (DeVito) shows up "with hopes of revitalizing the town." Hmm. Does that last bit sound Music Man-ish to anyone else?