EdgeOfDarkness Tagged Articles at Cinematical

Counting out Signs and We Were Soldiers, it's been nearly a decade since Mel Gibson's knocked some skulls (if you're willing to factor in 2000's The Patriot; if not, then exactly a decade since 1999's Payback), and in the trailer for Edge of Darkness -- embedded post-jump -- it looks like old habits die hard.

Gibson plays a Boston detective whose daughter is killed in a hit meant for him. Naturally, he starts knocking on doors and following trails to determine if his daughter had actually been the target all along, and why. Writer William Monahan is no stranger to either Beantown (The Departed) or elaborate conspiracies (Body of Lies), and director Martin Campbell (Casino Royale) already made a BBC miniseries out of the material back in 1985. (No wonder it was reminding me of State of Play, title similarities aside.)

I wasn't sure then why a film with such firepower on paper was being relegated to next January, but it seems to be in stride with the turning tide of this past January's strong performance. Just as The Cabin in the Woods 3-D had been pushed back to the same weekend that My Bloody Valentine 3-D had, I believe that Darkness is being positioned on the same weekend that Taken had for a reason. (Even the poster is not far from that of the righteous-father flick.)

Let's hope Mel McKickass has all the right reasons to warm things up next winter.

The last time we got to see Mel Gibson on the big screen, it was in The Singing Detective. Six years, some violent films, and an infamous arrest later, and we're finally getting another dose as he plays a homicide cop in Martin Campbell's Edge of Darkness. The film centers on a cop (Gibson) who watches his daughter (Bojana Novakovic) die, and then sets out to find the people who killed her.

Darkness is slated to hit screens later this year, and to kick off the buzz, an image has been released to Empire, which you can see in its entirety here. The image shows Gibson kneeling over a body, in front of a cop car and parts of what seems to be another totaled car, looking peeved. Try as I might, but I can't view this picture in the proper context. All I can see is a cautionary tale about what could've happened had Gibson not been pulled over by the cops that night in 2006. Cop cars, debris, and dead bodies doesn't seem like the best way to make us forget the past and focus on the present. It'd be like Lindsay Lohan trying to get back into the swing of things by playing a careless, drunken moviestar. Or Robert Downey Jr. cleaning up, and then doing Less Than Zero.

So that leads me to wonder: Can you forget about a star's real-life troubles when you see them on the big screen? Does reality fall away and leave nothing but the story, or do looks, scenarios, and other subtleties pull you out of the plot and right into memories of misconduct? What do you forgive, and what's hard to forget?

Green Lantern fans have had to endure a long and painful slog for their comic to see its way to a big screen adaptation. It's not over quite yet, but we might be inching closer to the finish line.

The latest man to contend for the director's chair is Martin Campbell, who's still coming off Casino Royale and just completed Edge of Darkness, also known as Mel Gibson's acting comeback. The previous candidate for the job was screenwriter Greg Berlanti, but Warner Bros. most likely chickened out of giving a tentpole comic book project to a guy with only The Broken Hearts Club to his name as a director. Berlanti's screenplay is still the one Warners is working with.

Campbell, by the way, is possibly the most inconsistent filmmaker in the business. Not only is he capable of making films that are fantastic (Casino Royale), and mediocre (Vertical Limit), and dreadful (Beyond Borders), but he can go from hugely entertaining to ass-boring within the same franchise. (I'm thinking, of course, of The Mask of Zorro and The Legend of Zorro). At least the anticipation won't bore you: you really don't know what you're gonna get.

Of course, one possibility is that Watchmen comes along and ruins all other superhero movies the way The Wire ruined all other cop shows, and then I'll care about Green Lantern about as much as I care about CSI (uh, not at all).

Here's a round-up of some stuff (and things) currently causing waves online:

-- Moviefone has launched the latest installment of Unscripted, featuring stars Josh Brolin and Elizabeth Banks discussing their new film W. using reader questions and some of their own. Additionally, above you'll find some newly-released art for the film. Heh.

-- After breaking up with Paramount, Dreamworks has officially found a new f*ck buddy in Universal, so says Variety. The two signed a seven-year worldwide distribution deal.

-- Darren Aronofsky's The Fighter looks to be in trouble. Now that the writer-director is working hard on that Robocop remake, seems this other flick is being neglected. Brad Pitt has apparently dropped out, and Mark Wahlberg -- who's been training for the role for over a year -- doesn't seem to know the film's current status. All that being said, Slashfilm claims their scouting locations in Mass.

-- A few photos of Mel Gibson on the set of Edge of Darkness have appeared online, most of which show the man going full-Diddy, forcing some woman to hold an umbrella so the sun doesn't, ya know, shine on the poor man. In case you forgot, this film marks Gibson's return to acting as a homicide detective investigating the death of his daughter. See image to the right, click to see enlarge. [via Crabbies Hollywood]

-- A theme park in the UK is actually moving forward with a ride based on the Saw films, called Saw - The Ride. I bet folks will just kill to get on it. HAR! Apparently, we're looking at a ride with "beyond vertical drop of 100-degree from a height of 100ft, as well as a rather sinister sounding "three inversions" to add to the fun." Who's down? [via IGN]

Guillaume Depardieu, the 37-year-old son of Gerard Depardieu, died today in Paris from a bout of acute pneumonia. Depardieu, who's starred in upwards of 20 films, struggled with drugs and drinking over the years.

A few new images of Samuel L. Jackson and the late Bernie Mac in the new film Soul Men have arrived in the Cinematical inbox. Check them out in the gallery below.

About a week ago, word spread that Robert De Niro had walked off the set of Martin Campbell's Edge of Darkness. A spokesman for De Niro explained it to us like idiots: "Sometimes things don't work out; it's called creative differences." De Niro would have co-starred with Mel Gibson as an agent tasked with cleaning up evidence of a murder Gibson's homicide detective is trying to investigate.

It seems that Campbell has found his replacement: the great Ray Winstone, who is currently in negotiations to step into the role. Winstone obviously doesn't have De Niro's profile, which is a loss for a film that's benefited from a considerable amount of hype before even starting principal photography (most of it having to do with Mel Gibson's return to acting after six years). But he certainly has the chops.

De Niro, meanwhile, faces a test of his drawing power this weekend with the release of Righteous Kill. The marketing campaign has concentrated exclusively on the presence of De Niro and Al Pacino, so the question will be how many people the two of them can get into the theaters. Not that De Niro has anything to prove, as evidenced by his walking off the set of a major film two days into shooting.

The water surrounding Edge of Darkness was already rather tepid -- I'm going by the comments here on Cinematical, and the dutiful, but unenthusiastic reporting it's attracted. Were it 1996, and Mel Gibson was still everyone's favorite action star, the buzz would be something else.

But now, the rumors might really start flying. Variety reports that Robert DeNiro has abruptly left the production, which has been shooting since August 18th, though this was his first week on set. The only word came from his spokesperson, and it was good and curt. "Sometimes things don't work out; it's called creative differences." The Boston Herald has a little gossipy tidbit about DeNiro shooting a golf scene, which hardly seems big enough to have led to such unworkable tension. Was it the delay caused by excavating the sand pit? (I'm being sarcastic, of course, because I hate not knowing the truth behind a dry label like "creative differences.") We can speculate all day as to why -- is it actually worse than Analyze That, or what?

Shooting will continue, obviously filming around scenes of DeNiro's character as they run around recasting. Frankly, this could work out for the best -- many last minute casting changes do. But this film hardly needs the hint of scandal, not when the beleaguered Gibson is involved.

Oh, that pesky Mel Gibson. I have to admit, while I used to be a fan, the last ten years have pulled me out of the Gibson fold. I wasn't planning to see Edge of Darkness, but with this latest casting notice, the pesky buggers have left me no choice.

The Hollywood Reporter posts that the wonderful, needs-to-be-in-more-films Danny Huston is signing on to the cast, along with Shawn Roberts (Diary of the Dead) and Bojana Novakovic (Seven Pounds). The Martin Campbell-helmed feature will focus on a veteran cop played by Gibson, "whose only grown-up child (Novakovic) is murdered on the steps of his home. The cop unearths his daughter's secret life and discovers a world of corporate cover-ups and government collusion." Huston is going to be a shady businessman, I presume somehow entangled in this mess, while Roberts will play the boyfriend of the daughter.

With a little Robert De Niro on board to clean up messes, this could be one interesting film.

If you're going to return to the big screen after a long break and a big scandal, it probably helps to have the biggest co-star you can grab. It looks like Mel Gibson has done exactly that with his upcoming Edge of Darkness, because according to Variety, Robert De Niro is in talks to join the cast.

Edge is a big-screen remake of the 1985 BBC miniseries, and it centers on Thomas Craven, a Boston detective, whose 24-year-old daughter is murdered on the front steps of their home. Assuming he was the target, Craven begins investigating the murder, only to discover a startling conspiracy that reaches into high levels of government. Robert De Niro will play an operative sent to clean up the evidence, which probably means he'll engage in fisticuffs with Gibson at some point. The movie is set to begin filming this month in Massachusetts, and has a SAG waiver to continue if a strike occurs.

As I've stated before, I'm really looking forward to seeing Gibson acting again, and I love the idea of him pairing up with De Niro. It's a casting combination that I'm surprised hasn't happened before. I just hope the film, and its performances, can be judged on its own merit and not condemned because of Gibson's past behavior. And with that, I ask you to try and remain civil in the comments!

When the writers' strike was looming, folks were rushing to get things done. This time around, with SAG, we've got some big-budget films trucking ahead, or scheduling re-shoots, without worry of the actors heading for the picket line. It almost feels like it's just some wild rumor. But it's not, and Variety reports that there is a pretty large "Waiverland" in case things go ahead.

SAG has set up 300 waiver deals with indie producers for post-June 30 production, should the strike go on. Now, Variety also points out that some of the big productions (like Terminator, which seemed surprisingly carefree about the possible strike), have scheduled in a hiatus just in case (hopefully long enough to cover it, should a strike begin), but others are going on the hope that there won't be one, like Angels and Demons and Prince of Persia. Risky business.

So, if you're wondering what some of the films are that got waivers, Variety shared the following: Edge of Darkness, W, My One and Only, Big Eyes, Labor Pains, Pandorum, Bad Lieutenant, Killing Pablo, and Brooklyn's Finest. Plus an earlier waiver list that included The Rebound, Law-Abiding Citizen, and Brothers in Arms.

We're in June now, so we'll know soon enough what will happen. Hopefully this can all be resolved without a big strike, but only time will tell.

24 is ridiculous, repetitive, and morally suspect -- and I love it with all my heart. I'm a card-carrying liberal, but I've offered to surrender my card if it means that I can jump up and down with glee as Jack Bauer yells "There's no time!" and shoots another terrorist in the kneecap. Close friend of Rush Limbaugh or not, then, co-creator Joel Surnow is one of my favorite people in Hollywood (he left the show earlier this year). And that means I'm excited about this announcement that Surnow and 24 co-producer Michael Loceff are collaborating to write and produce a new "contemporary spy thriller" for United Artists.

Surnow and UA have enlisted Casino Royale's Martin Campbell to direct the movie after he finishes the newly announced Mel Gibson thriller Edge of Darkness. The Hollywood Reporter speculates that this project might constitute an attempt by UA to find a viable franchise for part-owner Tom Cruise, though there's no official word that Cruise is going to star in the film.

The bad news, I guess, is that this probably means it'll be a while before we see that 24 movie that's been rumored for years now. (I still fantasize about it being called 2.) But maybe that's an opportunity for the show to get back into everyone's good graces after an unpopular sixth season and a writer's-strike-related delay of season 7. Meanwhile, as Jack Bauer would say, "tell me where the bomb is or I will kill your son." Wait, what? Never mind.