ElCantante Tagged Articles at Cinematical

As expected, The Simpsons Movie ruled the box office with a yellow-tinted iron fist, taking in more than the rest of the top five combined, outdoing second place film I Now Pronounce You Chuck and Larry by $55 million and exceeding my personal prediction by almost $7 million. I hadn't expected any of the other new movies to break the top five, but No Reservations pulled in a modestly surprising $11.7 million to grab the number five spot. Here's the final tally:

1. The Simpsons Movie: $71,850,000
2. I Now Pronounce You Chuck and Larry: $19,063,000
3. Harry Potter and the Order of the Phoenix: $17,065,000
4. Hairspray: $15,550,000
5. No Reservations: $11,755,000

This week's new movies involve a flying dog, talking dolls, a klutzy stunt man, a salsa king and Matt Damon. Here's what we've got:

The Bourne Ultimatum
What's It All About: Matt Damon returns in his third outing as rogue agent and amnesiac Jason Bourne, trying to learn his true identity once and for all.
Why It Might Do Well: The first two films in the franchise pulled in $27 million and $52 million respectively on their opening weekends, and since the Bourne Ultimatum is the obvious big gun this week, I suspect the trend will continue.
Why It Might Not Do Well: Could Jason Bourne's luck have finally run out? No, I didn't think so either.
Number of Theaters: 3,500
Prediction: $65 million.

Bratz
What's It All About: In this live action film based on a line of fashion dolls, four girls enter high school and discover the meaning of peer pressure and loyalty.
Why It Might Do Well: Teenage girls looking for more of what Mean Girls had to offer may like this one.
Why It Might Not Do Well: Target demo seems awfully small.
Number of Theaters: 1,700
Prediction: $5.5 million

El Cantante
What's It All About: Biopic of Hector Lavoe, the salsa king. Not a snack food magnate, but a singer of salsa music. Marc Anthony and Jennifer Lopez star.
Why It Might Do Well: Based as it is on true events, El Cantante offers a genuine alternative to what's out there.
Why It Might Not Do Well: The relatively small release combined with the 18% rating over at rottentomatoes.com suggests that this one will not be raking it in.
Number of Theaters: 600
Prediction: $3 million

Hot Rod
What's It All About: Comedy about a motorcycle stunt man wannabe played by Andy Samberg who plans to jump fifteen buses to raise money for an operation that will save the life of his abusive stepfather.
Why It Might Do Well: The adorable Isla Fisher (the crazy one from Wedding Crashers) for one thing, plus there are some genuine laughs in the trailer for those into broad physical comedy.
Why It Might Not Do Well: I believe there was a motorcycle stunt in The Simpsons Movie, so that quota may be filled for this year.
Number of Theaters: 2,500
Prediction: $11 million

Underdog
What's It All About: In this reinvention of the classic cartoon, a dog receives super powers and the ability to talk in a lab accident.
Why It Might Do Well: Jason Lee is the voice of Underdog and a funny guy. Nostalgia appeal will also work in the film's favor.
Why It Might Not Do Well: The aforementioned nostalgia may be tempered by the fact that this new version is pretty far removed from the cartoon's original concept.
Number of Theaters: 2,800
Prediction: $16 million

This week I'm piercing the veil of time by reading tea leaves, or at least that was the original plan. I tossed back several bottles of Snapple before I realized that kind of tea doesn't have leaves, so I just asked my cousin Frank how he thought this weekend's box office might go:
1. The Bourne Ultimatum
2. The Simpsons Movie
3. Underdog
4. Hot Rod
5. I Now Pronounce You Chuck and Larry

Last Week's Prediction Rankings
1. Matt: 13
1. Evan: 13
1. Marc: 13
1. Gian1414: 13
1. Opp-Neg: 13
1. Anna07: 13
2. Bubba8193: 12
3. Jason: 10
4. Ness265: 9
4. ElBoracho: 9
4. Ray: 9
4. Josh: 9
4. JimRM: 9
4. Chris: 9
4. Mario: 9
5. Dustin: 7
5. Rufus: 7
5. Curt: 7
5. Lostpicks: 7
6. Gordy: 6

We had a pretty decent response to last week's box office prediction contest, but I'm hoping for more this time around. Come on, you know you want to. No prizes, of course, but I think that would sully the whole experience, don't you? Don't forget to post your prediction for the top five films in the comments section below. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.

In just a few days, on July 24, the New York International Latino Film Festival will kick off in, obviously, Gotham. The fest has now released its film list, and I wish I could say that it is an amalgam of highly-reviewed fare that is worth giving up spending your summery, July days in the great outdoors. Unfortunately, none of the films listed on indieWIRE seem to be highly-regarded, by either reviewers or IMDb fans. Now, this could mean nothing for the enjoyment of some regular moviegoers, but I don't think we're talking about a "Wild Hogs" sort of scenario.

The fest is opening with Marco Kreuzpaintner's Trade. Cinematical has been covering the film since 2005, when it was called Welcome to America, and Milla Jovovich was co-starring along with Kevin Kline. Since then, Leeloo left the project, and we got posters and a plot. While the film's scenario sounds a bit unbelievable, it looked to be a potentially-decent treatment of the sex trade. However, if Variety's Berlin review is to be believed, it's unfortunately not worth the effort. Even Kline, who I consider to be one of those men who can make the most of anything, was said to have had "possible the most stark miscasting of his career." Ouch!

That being said, I'd probably rather see that than what was selected to wrap the festival -- the Jennifer Lopez and Marc Anthony-starring El Cantante. I will fully admit that I just don't like those two, so putting them as starring vehicles in a film just makes matters all the worse. Fortunately, my predilection to run in the opposite direction when I see them won't keep me from a moving cinematic experience, again, at least if Variety's TIFF review is to be believed. Right at the top, the review describes the movie as "a virtual template for every imaginable cliche of the musical biopic." (Our Kim Voynar will be reviewing it on August 3, when the film opens, so stay tuned for her spin on the music biopic.) But these are reviewers, and many a film foible can be forgiven in the regular movie-going public. Or, at least, by fans of Anthony and Lopez -- which is probably why it's a headlining film. That being said, it's still great to see an increasing selection of Latino cinema, and hopefully next year will have a fest full of raves.

If there is such a thing as a "Hollywood martyr" then Marilyn Monroe is probably the patron saint. She was the ultimate in cautionary tales about the destructive side of fame, but it doesn't always have to end so tragically. Ben Affleck's engagement to Jennifer Lopez and the gossip whirlwind that was "Bennifer" was an example of what happens when the gossip machine looks for fresh meat, and the results weren't pretty -- although, they might have been asking for it after that video. Now, that was brutal.

Affleck has begun to pull himself from the wreckage and is building credibility as an actor again for his work in Hollywoodland and Smokin' Aces. He'll also be making his directing debut with Gone, Baby, Gone. Affleck is steering clear of the high profile celebrity life and seems happier because of it. A profile from The New York Times Syndicate has Affleck musing on his brush with A-list fame: "Nothing is inside doing those things. It doesn't matter. I had to learn that by having my family that's what really matters. I'm lucky I was able to see the hollowness of fame, but I got pretty dinged up over the years." It looks like Affleck might have learned his lesson about keeping his private life out of his professional life, but Lopez certainly hasn't; since she stars opposite husband Marc Anthony in the upcoming biopic of singer Hector Lavoe (El Cantante) -- some people never learn.