Some of cinema's most iconic shots of Chicago appear in Ferris Bueller's Day Off, and the film is certainly Matthew Broderick's most iconic role. So, it's hard to watch the actor in the Chicago-set Diminished Capacity and not ask yourself, "is this what's happened to Ferris?" He is now relatively passive, paunchy and pitiful in the role of Cooper, a newspaper editor who has recently suffered a mildly debilitating concussion. And the character could be classified as yet another sad sack, one of three such parts he can be seen playing at present (Then She Found Me opened in April and is still in theaters; Finding Amanda debuted last week).

But is it fair that we most associate Broderick with Ferris, thereby continuing our disappointment in seeing him play one nebbish nobody after another? Couldn't we redirect our memories and accept that Broderick's modern roles are more like grown-up versions of Eugene Jerome, of Neil Simon's plays Brighton Beach Memoirs and Biloxi Blues, who he portrayed on Broadway as well as in the film adaptation of Biloxi? Were Eugene not the fictional incarnation of Simon and had he not therefore become a famous writer (and were he not from an earlier time period), the character surely could have gone on to be the pathetic teacher of Election or Then She Found Me or the absentminded editor of Diminished Capacity.

After this weekend hits, I wouldn't be surprised if Forgetting Sarah Marshall becomes the quintessential break-up movie. But even if it doesn't, the comedy will go down in the record books for being that romcom about the really heart-broken and pissed off dude whose story lathered ad spaces everywhere with lovely messages like: "You Suck Sarah Marshall," and made Sarah Marshalls across the US wonder what they did to deserve that.

But there's still a ton of other flicks out there that deal with break-ups -- way too many to even begin to name. But while each of them has heartbreak on their sleeve, they all tackle the issue in different ways. In honor of Peter Bretter's broken heart, here are seven other men who have had their hearts broken on-screen, all for the sake of comedy. Check these out and then weigh in with your favorites. Annie Hall? The Break-Up? The Philadelphia Story? Say Anything? Swingers?

The Nasty Letter -- Overnight Delivery

Wyatt Tripps (Paul Rudd) didn't want much in his happy co-ed experience, just Kimberly Jasney (Christine Taylor)... and one more thing: sex. Imagine his surprise when he finds out that while he's been writing Kim romantic notes and thinking about how much he'll miss her on Valentine's Day, she's been humping the Ricker -- a notion that ruins his dream of white picket fences, kids, and maybe even a house. Sure, he ends up on a spastic road trip with Ivy Miller (Reese Witherspoon) to stop the letter with loving phrases like "cellulite-packed cactuses that you call thighs," and finds real love, but before that, he has a good cry in his cocoa and a lot of humiliation.

There are two reasons I find this (as yet unconfirmed) story interesting. One is that I'll soon be writing my review of Brett Morgen's new documentary Chicago 10, which comes out next week. The other is that I've been thinking about the 2009 Oscars (I like to jump ahead), which I presumed would include a number of nominations for Steven Spielberg's next film. For a few months now, we've believed that film would be, like Morgen's, about the trial of the "Chicago 7" and would be fittingly titled The Trial of the Chicago 7. First we heard the director was interested in the script, written by Charlie Wilson's War scribe Aaron Sorkin. Then we got that crazy news that Sacha Baron Cohen would play Abbie Hoffman. Finally we heard more people, specifically Colin Hanks, Jeff Daniels and Philip Seymour Hoffman, were joining the cast. However, now we have word from Collider that Spielberg "has decided to move on and will not be making the movie."

Note: It has since come out that the film has been delayed, not completely dumped.

According to JoBlo, Reese Witherspoon has signed on to produce and star in a film called Nice, which is an adaptation of Jen Sacks' darkly comedic novel. The book itself sounds great, and definitely the kind of material we need to see Witherspoon taking on again. Nice is said to center on a gal who is overly nice. She's so nice, in fact, that she can't even break up with her boyfriend. So, instead, she decides to kill the guy -- and when she gets away with the murder, she decides to keep doing it. Um, nice!

Witherspoon first showed she could really act in the dark comedy Election, which, if you haven't seen, I might need to kill you myself. But ever since she became a household name, the gal has pumped out dull romantic comedy after dull romantic comedy ... with a random drama thrown in to show you she's got the acting chops. Don't get me wrong, people love to see her locking lips with whatever actor is hot at the moment, but I personally have been itching to see her go back to her dark comedy roots and get a little daring with a role. What say you? Anyone read the book?

And for your viewing pleasure ...

Jonathan Kesselman wrote and directed The Hebrew Hammer, a comedy about an Orthodox Jewish Blaxploitation hero (Adam Goldberg) who saves Hanukkah from the evil offspring of Santa Claus (Andy Dick). The film has become a cult favorite, and you should add it to your holiday viewing list this year. In addition to being a successful screenwriter, Jonathan teaches Writing Comedy for Film and Television at Yale University. He has some great tips for aspiring comedy writers.

Cinematical: When did you know you wanted to be a writer?

Jonathan Kesselman: I always loved writing. When I was in the 5th grade, I was pulled out of my class and put onto the 12th grade yearbook staff writing copy. For a while, I thought I wanted to be a journalist. In college, I majored in Psychology -- neuroscience was my field. I realized that I didn't like slicing rat brains. I remember really searching for what it was that I wanted to do with my life. And I had always been obsessed with movies. I remember having this existential crisis pre-graduation, and then seeing a documentary on Your Show of Shows, and it hit me that I was put on this earth to make fun of people.

Cinematical: So you threw the rat in the air triumphantly...

JK: I ate the rat -- tasty! Yeah, I graduated, and decided I wanted to go to film school. I eventually went to graduate school at USC for film production.

Writers' strike got you down? Wondering how to fill those late-night hours now that all the talk shows are on hiatus? I've got just the answer for you: Asian films on DVD! All three of these newly-released films are sure to provoke, though I'm not sure they'll prepare you for sleep as well as Jon Stewart or Craig Ferguson.

Johnny To's Election brilliantly details a clash of triad titans in Hong Kong. Every two years an election is held to determine a crime gang's new boss; both Simon Yam, a suave yet savage family man, and Tony Leung Kar-Fai, a brutal and much feared lieutenant, want the job. Director To generates tension with great subtlety, and the story has several surprises up its sleeve. The DVD includes a "making of" feature and interviews with the director and stars.

Cinematical's Jeffrey M. Anderson wrote a beautiful review of Tsai Ming-liang's latest film, I Don't Want to Sleep Alone, explaining how it fits into the director's ouevre and concluding: "The pleasure here belongs to Tsai's images, which can be both familiar and baffling, or beautiful and humorously deadpan, or realistic and supernatural. It's best to give up ideas of plot, story and characters and just explore these amazing images, one by one." The DVD includes the original theatrical trailer, which can be viewed at Moviefone.

Our friends at Moviefone also have the trailer for Kim Ki-Duk's Time, which in no way prepares you for how infuriating the film proves to be. I agree with Martha Fischer, who wrote: "The problem with Time is that every character in the film is so fundamentally repulsive it's impossible to care about any of them." Still, as I've written before, Kim's films are visually beautiful and told in an indelible narrative style, and that might be enough to justify a rental if you're curious. The DVD includes a "making of" feature and the trailer.

The American Film Market (AFM) got underway in Santa Monica, California yesterday with a small flurry of activity. As our own Eric D. Snider explained last month, AFM "is designed to be a place for film makers and film buyers to come together. Movies are sold, and deals are made for production of new films, too." I've attended AFM a couple of times in the past and I'd describe it as a madhouse of controlled chaos, with hotel suites converted into trade show booths and reams of printed material (posters, flyers and postcards) vying for attention.

Even though it's called the American Film Market and many domestic deals are made, the emphasis is really on international territories. For example, here are three deals making news on ScreenDaily.com, the online arm of UK trade publication Screen International: (1) The Weinstein Co. "closes major AFM pre-sales on Richard Kelly's The Box," with deals covering the UK, Australia, New Zealand and South Korea; (2) Andrew Lau (Infernal Affairs) "to produce trilogy based on Chinese classic" Water Margin, "with directing duties split between Lau and Johnnie To [Election]"; (3) "Korean distributor Showbox has acquired Andrei Konchalovsky's Nutcracker: The True Story."

But AFM wouldn't be AFM if it didn't offer, shall we say, more mainstream movies alongside the foreign and arthouse flicks. What can one make of indie comedy Heavy Petting, whose plot is described in the online AFM catalogue thusly: "When Charlie meets Daphne he never expects he'll have to battle past her dog to woo her. When Charlie begins to fall in love with the dog, he scrambles to keep the relationship going." Wait a minute: he falls in love with the dog?! The film stars Malin Akerman (The Heartbreak Kid). Is Heavy Petting a hidden gem? Or headed straight to video? (Watch the trailer at the official site and decide for yourself.) Look for more coverage from Cinematical on the wild, wacky and completely essential AFM in the next few days.

I was talking with a friend the other day about the shocking decline in the quality of Kevin Spacey's films. It seems as though that Oscar for American Beauty was some sort of horrific curse, sending him into a long run of ill-advised, disastrous movie projects. Look at the man's filmography pre and then post Beauty. It's distressing! But Variety is reporting on a flick that sounds like it might turn things around. HBO Films' Recount will tell the story of the Florida results in the 2000 election, one of the most controversial political events of recent years. As Monika recently told you, Sydney Pollack was supposed to direct but dropped out due to "an undisclosed illness." Jay Roach, a director primarily known for broad comedy (Austin Powers: International Man of Mystery, Meet the Parents, and their lesser sequels), will now direct. Danny Strong wrote the screenplay. The film will document "the legal and political maneuvering from the point of view of both the Bush and Gore camps."

Spacey will star as Ron Klain, "former chief of staff to vice president Al Gore and one of the lead attorneys who challenged the voting results in Florida." In addition to Spacey, Recount has lined up one hell of a supporting cast: Laura Dern will play Katherine Harris, the Florida secretary of state who certified that George W. Bush had won the state. Denis Leary (what went wrong on this season of Rescue Me, DL?) plays Michael Whouley, a Democrat pollster. John Hurt plays Warren Christopher, a key player for Gore. Tom Wilkinson plays James Baker, brought in by the Republicans to see that the disputed results held up. And two Christopher Guest alums will duke it out in the courtroom. Ed Begley, Jr will play David Boies, the lawyer who appealed the results and argued for the Democrats. Bob Balaban plays Ben Ginsberg, head attorney for George W. Bush and Dick Cheney. See what I mean about that supporting cast? You won't have to demand a Recount -- look for the film on HBO during the 2008 presidential election.

My pick of the week is the underseen Cautiva, a drama from Argentina. Cristina's biological parents were "disappeared" during the 1970s, but she knew nothing about it and is none too happy when she is torn away from her comfortable upper class existence to live with them. Cautiva (AKA Captive) does not dig very deeply into the political issues that it raises -- and I kept wishing that Cristina would react to her situation instead of simply slumping her shoulders -- but it is fascinating for its new twists on the old coming of age story.

More fully realized on every level, Away From Her marked the assured directorial debut of actress Sarah Polley. She paints a delicate portrait of a long-time marriage that reaches a breaking point from which it may never recover. In his Sundance review, our own James Rocchi wrote: "Away from Her is a truly romantic film, and it moves us because it knows the cruel, beautiful fact that how much love and life give us is often matched by how much they can cost." Julie Christie and Gordon Pinsent star. The DVD includes an audio commentary with Christie, plus deleted scenes and commentary by Polley.

Triad Election is a riveting drama starring Simon Yam as a Hong Kong mob boss who desperately wants to stay in power. Johnny To masterfully directed. Cinematical's Jeffrey M. Anderson says that "the movie's real strength comes in the performances, the interplay, and the unknown levels of trust." Triad Election is actually the second part of a drama that begins with 2005's Election, which details Yam's rise to power. Unfortunately, Election won't be released on Region 1 DVD until November. Taken together, they are powerful, but even separated like this, Triad Election is well worth a look.

Other indie titles that may deserve a rental include Hungarian sports drama White Palms, character drama Snow Cake (featuring Alan Rickman and Sigourney Weaver), and nightlife comedy The Boys & Girls Guide to Getting Down.

Ah, election years. Everybody's talking about politics instead of Paris Hilton for a change. The Daily Show gets really good. And everyone wants to know who's supporting who. As far as Hollywood is concerned, we have some answers. CNN Political Research Director Robert Yoon has looked at the July presidential fund raising disclosures and pulled out the celebrities to see where they stand. You can read the full list over at Deadline Hollywood Daily, but let's take a look at some of the highlights, shall we?

Tom Hanks, Danny DeVito, and Tobey Maguire are some of the big names who contributed to the Hillary Clinton campaign. Will Smith and Jamie Foxx are all about Barack Obama. Oliver Stone digs John Edwards, (but secretly suspects him of starting the Vietnam War). Bill Richardson must contribute to the Director's Guild, he's got Steven Spielberg, William Friedkin, and James L. Brooks on board, in addition to Michael Douglas and Val Kilmer (no word on how The Ghost and The Darkness voted). Rudy Giuliani got some highly coveted Mafia support from The Sopranos' Tony Sirico. John Lithgow surely made an over-the-top theatrical gesture of placing his check in the mail for Chris Dodd. Dennis Kucinich has the lowest profile group of supporters, with Hector Elizondo probably the biggest star of the bunch. Note: This is the first time Hector Elizondo has been the biggest star in anything, including delicatessens.