If you sat through all of The Mummy: Tomb of the Dragon Emperor (not everyone did), then you saw Jet Li and Michelle Yeoh engage in a deadly sword battle -- Li as the evil resurrected Dragon Emperor and Yeoh as the good guardian of eternal life. Their skirmish was far too brief to understand why these two have enjoyed so much international success. May I invite you to set aside any fear you might have of sub-titles and enjoy the awe, power, and majesty of Li and Yeoh in their prime?

Tai Chi Master, which was released on DVD in a new Special Collector's Edition from Dragon Dynasty this past week, begins with two young monks in training at the famed Shaolin Temple. Jun Bao is younger, shorter, and kinder; Tien Bao is older, taller, and ambitious. Jun Bao grows up to be Jet Li and Tien Bao transforms into Chin Siu Ho. After they are (perhaps wrongfully) expelled from the temple, Tien Bao turns to the dark side and becomes the henchman for a powerful, evil warlord, while Jun Bao joints a group of rebels, led by Michelle Yeoh, before inventing Tai Chi (!).

Yuen Woo Ping is best known in the US as the action choreographer for The Matrix and Crouching Tiger, Hidden Dragon, but in the films he directed on his own (Iron Monkey, Wing Chun), the action is fully integrated into the story. Tai Chi Master is no exception; it's jam-packed with wire-assisted, incredibly intricate movement, sometimes involving dozens of acrobatic martial artists. Some purists despise "wire fu," but I'm not a purist, and Tai Chi Master is dazzling and showcases what Li and Yeoh -- and the oft-spectacular Chin -- could do.

An eclectic group of online film notables, including former Times critic Elvis Mitchell, AICN's Harry Knowles, my colleague Glenn Kenny of Premiere.com, Roger Ebert's sidekick Jim Emerson and Jen Yamato of Rotten Tomatoes have gotten together to have a long, in-depth discussion about one of the year's top awards contenders, No Country for Old Men. A lot of topics are discussed during the free-floating talk, ranging from macro subjects like the film's much talked-about ending and the theme of old vs. young to minutiae like what happened to the coin that the gas station attendant won his life with and the significance of Javier Bardem's Prince Valiant haircut. There's also a lot of talk about the significance of feet in the film -- one character gets wounded in the foot and Bardem's character has a peculiar obsession with keeping his feet clean and there are lots of shots of walking feet in the film. What does it all mean?

It's the controversial ending that prompts the most debate, and Harry Knowles talks at one point about a screening of the film that took place in Austin with Josh Brolin in attendance: "A member of the audience stood up and [said] 'Why did they end it like that?!' and Brolin just looked at the guy and he looked angry." Kenny offers a unique interpretation of the last act, specifically referring to two events that happen in quick succession involving Bardem and another character. He believes Bergman's The Seventh Seal was an influence for the Coen Bros. on that. To hear the whole thing, just download the MP3 off the film's official website and enjoy.