Ethan Hawke Tagged Articles at Cinematical

Ten years from now, 95% of the human population has been transformed into vampires, with those few uninfected survivors evading capture as best they can and those already captured being farmed for every last drop of their blood. However, supplies are dwindling, substitutes aren't working, and vampires who are driven by starvation to feed on one another tend to mutate for the worse.

This is the world of Daybreakers, a more ambitious and straight-faced follow-up than anyone might've expected from the Spierig Brothers in the wake of their cheeky low-budget aliens-and-zombies debut, Undead; better yet, it's a smarter and more refreshing take on the vampire genre than most of late, and a solid action flick in its own right.

Read the rest at Horror Squad!

Over two years ago, Ethan Hawke decided to change things up and go for some vampiric fare by grabbing Daybreakers -- a vampire movie set in the future, and not exactly his normal genre. Now, finally, Yahoo has the trailer, which you can watch after the jump (or right here).

Hawke plays a researcher in 2019 named Edward Dalton. Some pesky plague has turned most of the world's population into vampires, and humans are at the edge of extinction. But seeing that vamps sort of rely on human blood, they've got to farm the remaining humans to keep up their food source, or find a blood substitute. But it isn't a wasteland of chaos -- the vamps are leaders, cops, you name it. As the supply decreases, a rogue crew finds a way to cure vampirism and possibly save the human race, and they enlist Dalton to help.

The trailer has its goofy moments, and I really don't get Hawke's hat-topped getup, but dare I say: this movie looks fun. It's got the teeth and the usual vampiric snarling, but even better -- it's got a twist that hasn't been overused to the point of insanity. There's no teen romance, no vamp/wolf combo. It even plays on our expectations -- this future isn't a post-apocalyptic wasteland of blood, but one that continues societal structures. And best of all, we've got Willem Dafoe getting creepy again as one of the rogues. That's enough for me. You? The film will hit screens on January 8, 2010.

If there is one film that proves that romance doesn't have to be a gender-specific feeling, that it can merge the brain and the heart, and can wade through all the many shades of grey, it's Before Sunset. Every piece fits together to make one of the best romances to grace the big screen, from the clocking pressure of real time, to the undeniable chemistry between Julie Delpy and Ethan Hawke, to, most importantly, the finely crafted script.

The words of Sunset play like water from a pitcher -- the slow, tentative pour making sure that it is hitting the right spot, the increased flow letting way to the large gush of water bred from impatience, to the final empty gasps of complete release and surrender. As much as I love Sideways, Before Sunset is the film that should've won the Academy Award for Best Writing.

I wanted to share the final moment, the one that left the most alluring limbo, and elicited audible gasps from practically everyone who saw it. Unfortunately, the sound has been removed from the clips online, so instead, you can see their final release of cautiousness and entry into total truth. Jesse and Celine's reunion morphed slowly, through catch-up, tentative admissions, and then this torrent where the pair reveal the unabashed truth they've been hiding from one another.

And I can only hope that we're moving towards Part 3.

Cinematical spoke with Brooklyn's Finest director Antoine Fuqua on a sunny Saturday afternoon; within hours, Fuqua's gritty police drama would have sold to Senator Entertainment, the first distribution deal made at the 2009 Sundance Film Festival. Of course, as Fuqua talked with Cinematical about his exemplary cast, how exactly you make a cops-and-crooks film in the wake of The Wire and the challenges of shooting in New York, the film's sale was in the future. Fuqua also defended the film's controversial final shot, even as he noted he was willing to entertain discussions about changing it; "The whole point of the movie is that they don't have the proper help in the police force, and there's a huge piece in The New York Times about more police killing themselves than dying in the line of duty that just came out a few months ago ... and when you read that, it's so sad and heartbreaking, and you go "You gotta show that. ..."

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Embedded above is the trailer for New York, I Love You, an anthology of shorts from the producers of the similar Paris, Je T'aime, and going off this taste alone, I'd be willing to say that this might turn out to be just as winsome as that film was.

Several directors -- among them: Mira Nair, Scarlett Johansson, Natalie Portman, and, um, Brett Ratner -- and even more actors -- including Bradley Cooper, Chris Cooper, Julie Christie, John Hurt, Ethan Hawke, Orlando Bloom, Shia LaBeouf, Kevin Bacon, Maggie Q, and again, Portman -- come together with tales of love and life in the various neighborhoods of NYC.

The film is scheduled to make its world premiere at the fast approaching Toronto International Film Festival next month, and if IMDb is to be believed, it'll open in the States next February and eventually be followed by the likes of Shanghai...

These days, genre has been boiled down into such simplistic forms that it becomes a buzz-worthy feat when a film manages to pull off more than just a basic premise. A superhero film becomes wow-worthy if time was taken to perfect the story and actors. A comedy becomes rare if it includes a lot of smarts with the slapstick. A romance becomes one of a kind if its characters don't fit into the almost-always-used conventions.

This latter one is a true sore spot of mine. For the most part, romance and relationships have been boiled down to such ridiculous stereotypes that all romcoms sound ridiculous and anything with romance gets the "chick flick" badge. But romance isn't all that stereotypes would have you believe. It's not all clutzy or irrational women, fashion, game playing, and vast gender divides. Sometimes, the romance is even infused with smarts, success, and tangible connection. In praise of my favorite romances, I give you: Before Sunrise and Before Sunset.

The cast and crew of New York, I Love You keeps growing and growing. There's not even enough room on the headline to list all the names that were just added. New York is a collection of short stories, part of a "Cities of Love" anthology that was begun by Paris, je ta'ime. New York will reportedly be followed by Shanghai, and then cities in South America and Africa.

The stories are showcasing an incredible variety of actors and directors. Natalie Portman and Scarlett Johansson are both making their directing debut, there's a good representation of international talent, and Brett Ratner hasn't been driven away by pitchforks and torches. Variety reported that Orlando Bloom, Olivia Thirlby, Hayden Christensen, and Ethan Hawke had climbed aboard the film. No word on who's segments they will appear in yet -- but a far better choice for Bloom's career than Prince of Persia, wouldn't you say?

Two reasons I'm writing this story: 1) I love screenwriter success stories, and 2) I love New York City screenwriting success stories. (No, I'm not very interested in seeing a sequel to New Jack City ... unless, of course, Chris Rock loses fifty pounds and plays another crack addict.) Over at Yahoo, they have a great story about a NYC tollbooth worker who wrote a crime script last year called Brooklyn's Finest. See, his car was totaled in an accident and so he entered this screenwriting competition with hopes the cash prize would help pay for a new ride. While Michael Martin had studied film in college, he had never written a full screenplay before -- and though his script placed second, it attracted attention from all over the place; landing on the steps of a Warner Bros-based producer who was searching for someone gritty enough to write the sequel to New Jack City.

Dude eventually moved to Los Angeles, wrote for the Showtime series Sleeper Cell, but then got homesick and returned to New York -- where, to this day, he works for the Transit Authority (he was just promoted to construction flagger). In between flagging, he still works on the New Jack City 2 script (which will probably go direct to DVD) on break in the subway tunnels, all while Brooklyn's Finest gears up to go into production this May -- in Brookyln -- with Don Cheadle, Ethan Hawke, Richard Gere and Ellen Barkin starring. Training Day's Antoine Fuqua will direct.

Oh, and he has a new car now.

Great story; you can read the entire thing here. And good luck to you Mr. Martin!

My pick of the week comes from Brazil: Antonia. Directed by Tata Amaral, Antonia is an engaging, low-key pleasure about four women that live in a poor, crime-ridden neighborhood in São Paolo but have dreams of fame and fortune. As I've written before, "the beauty of Antonia is its down-to-earth nature. These women are not super-heroines, nor do they expect any special treatment just because they can sing like angels. They just want a fair shake." The DVD includes a behind the scenes feature and a music video.

From the Eastern European front, both Czech Dream and The Way I Spent the End of the World have received good critical notices. Czech Dream is perhaps best described as a subversive, activist documentary look at the dangers of rampant consumerism, while End of the World is a "tragic-comic coming-of-age tale." DVD details on both titles are scarce.

An early, entirely distasteful scene in Drama/Mex soured me on the film, yet others have been won over by its stylish excess and primal urgency in telling three related stories in a seaside town. DVD details are not available. Cinematical's Jette Kernion called The Girl Next Door "nightmare-inducing," and not in a good way; it's a family drama set in the 1950s featuring physical torture. The DVD includes two audio commentaries, interviews with the cast and crew, and a "making of" feature.

Ryan Stewart had many things to say about The Hottest State, none of them good, so you may want to check out his review before renting this drama featuring Laura Linney and directed by Ethan Hawke. The DVD includes a commentary with Hawke and the crew and a short film by Hawke. The latest version of Lady Chatterley generated highly enthusiastic early reviews, which did not impress Nick Schager, who said the film "shouldn't be associated with the term 'cinematic' in almost any way, shape or form." The DVD includes trailers and a photo gallery.

Well, with a title like Real Men Cry, I guess it's a relief that this won't be a movie about men taking sensitivity training. The Hollywood Reporter announced that Mark Ruffalo, Amanda Peet and Ethan Hawke have signed for the leads in autobiographical crime drama called Real Men Cry. The film was written by actor-turned-director Brian Goodman, and is his autobiographical story about a local Boston boy who overcomes his criminal past. "Hawke and Ruffalo will play childhood friends Paulie and Brian, respectively, who are forced to survive on the tough streets of South Boston through a life of petty thievery. They join a local gang of criminals, but Brian finds it hard to reconcile his work and friendship with Paulie and his relationship with his wife (Peet) and son."

After years of petty criminal acts and drug and alcohol abuse, Goodman was finally incarcerated and began to turn his life around. Goodman told THR, "I came from a broken home and was living in survival mode. I have three bullets in me, one in the back of my head." Goodman began to score parts in small, local films in the late '90s, and also crossed paths with boy-band veteran Donnie Wahlberg at a high stakes card game in Boston. Wahlberg, another native of Boston's mean streets, even collaborated with Goodman on the script with fellow Boston actor Paul T. Murray. According to THR, the film has been put on the fast track; now that casting is already underway, I wouldn't be surprised if the film is aiming for a 2008 release.