The cast and crew of New York, I Love You keeps growing and growing. There's not even enough room on the headline to list all the names that were just added. New York is a collection of short stories, part of a "Cities of Love" anthology that was begun by Paris, je ta'ime. New York will reportedly be followed by Shanghai, and then cities in South America and Africa.

The stories are showcasing an incredible variety of actors and directors. Natalie Portman and Scarlett Johansson are both making their directing debut, there's a good representation of international talent, and Brett Ratner hasn't been driven away by pitchforks and torches. Variety reported that Orlando Bloom, Olivia Thirlby, Hayden Christensen, and Ethan Hawke had climbed aboard the film. No word on who's segments they will appear in yet -- but a far better choice for Bloom's career than Prince of Persia, wouldn't you say?

Two reasons I'm writing this story: 1) I love screenwriter success stories, and 2) I love New York City screenwriting success stories. (No, I'm not very interested in seeing a sequel to New Jack City ... unless, of course, Chris Rock loses fifty pounds and plays another crack addict.) Over at Yahoo, they have a great story about a NYC tollbooth worker who wrote a crime script last year called Brooklyn's Finest. See, his car was totaled in an accident and so he entered this screenwriting competition with hopes the cash prize would help pay for a new ride. While Michael Martin had studied film in college, he had never written a full screenplay before -- and though his script placed second, it attracted attention from all over the place; landing on the steps of a Warner Bros-based producer who was searching for someone gritty enough to write the sequel to New Jack City.

Dude eventually moved to Los Angeles, wrote for the Showtime series Sleeper Cell, but then got homesick and returned to New York -- where, to this day, he works for the Transit Authority (he was just promoted to construction flagger). In between flagging, he still works on the New Jack City 2 script (which will probably go direct to DVD) on break in the subway tunnels, all while Brooklyn's Finest gears up to go into production this May -- in Brookyln -- with Don Cheadle, Ethan Hawke, Richard Gere and Ellen Barkin starring. Training Day's Antoine Fuqua will direct.

Oh, and he has a new car now.

Great story; you can read the entire thing here. And good luck to you Mr. Martin!

Well, with a title like Real Men Cry, I guess it's a relief that this won't be a movie about men taking sensitivity training. The Hollywood Reporter announced that Mark Ruffalo, Amanda Peet and Ethan Hawke have signed for the leads in autobiographical crime drama called Real Men Cry. The film was written by actor-turned-director Brian Goodman, and is his autobiographical story about a local Boston boy who overcomes his criminal past. "Hawke and Ruffalo will play childhood friends Paulie and Brian, respectively, who are forced to survive on the tough streets of South Boston through a life of petty thievery. They join a local gang of criminals, but Brian finds it hard to reconcile his work and friendship with Paulie and his relationship with his wife (Peet) and son."

After years of petty criminal acts and drug and alcohol abuse, Goodman was finally incarcerated and began to turn his life around. Goodman told THR, "I came from a broken home and was living in survival mode. I have three bullets in me, one in the back of my head." Goodman began to score parts in small, local films in the late '90s, and also crossed paths with boy-band veteran Donnie Wahlberg at a high stakes card game in Boston. Wahlberg, another native of Boston's mean streets, even collaborated with Goodman on the script with fellow Boston actor Paul T. Murray. According to THR, the film has been put on the fast track; now that casting is already underway, I wouldn't be surprised if the film is aiming for a 2008 release.

Fall 2007 is shaping up to be the season of illogical movies. First there was the much-praised Gone Baby Gone, which has a third act twist that's logically crazy and impossible in practicality, and now there's Before the Devil Knows You're Dead, a film from the aging non-master Sidney Lumet that twists its narrative into a pointless and annoying timeline-pretzel and in doing so drains every ounce of energy and motivation from the piece, only to arrive at a Greek tragedy climax that has a plot hole so large you could drive a Hummer through it. (Don't worry, I won't spoil it, but I'll just say this -- cops?) That both both films contain performances by Amy Ryan may be their saving grace -- Ryan has a lock on Best Supporting Actress this year that's as tight as Ben Foster's lock on Best Supporting Actor, but that's not enough to push Before the Devil over the line. Nor is its high-grade cast, that includes Philip Seymour Hoffman and Ethan Hawke. Even Marisa Tomei's frequently naked breasts don't get it done.

The plot: two brothers scheme to knock over their parents' jewelry store. Mom and pop will get the insurance money, they'll get the loot, and everyone's rent gets paid. Sounds pretty simple, only -- pause for effect -- something goes wrong. What goes wrong is Rosemary Harris, who re-confirms here what she proved in the Spiderman films -- she can't act worth a lick. Harris plays the boys' mother, who unexpectedly stops the thief they send in to rob her with a handgun and also gets herself shot in the process. 'Big emotion' is not something that should ever be required of Harris, and I felt a tinge of relief when she was dispatched early on in the film -- the less screen time she takes up the better. The boys' father, played by the excellent Albert Finney, sets out to make it his mission in life to find the "guy who did this." And so it begins ... or ends ... or something. The timeline in this film is so herky-jerky that for all I know, my interpretation of its events could be completely wrong.

The Hottest State is one of the most inauthentic films I've seen in a long time. Written and directed by Ethan Hawke, and from his own novel no less, the film plays out like some version of hell where everyone is being forced to perform in an acting class skit that will never end. The story follows William (Mark Webber), a 20-year-old aspiring actor who is hanging around the Manhattan bar scene when he runs into Sarah, the girl of his dreams. The casting of Sarah is the movie's fatal flaw. As written, she's an aspiring singer who is gaga over William, but Catalina Sandino Moreno is an actress who, it's clear from the get-go, can't sing a note and worse, seems ready to climb the walls to get away from her co-star throughout the picture. I've seen more sexual chemistry from two doorknobs. Watching this mess, you have to believe that Ethan Hawke, as talented as he is, must have realized he was making a colossal turkey but was too far into the thing to back out.

And that's only the start of it. The Hottest State is structurally odd -- something that's sometimes a necessity in the case of book adaptations, but especially true in this case, since what begins as a romance ultimately takes on the trappings of a thriller in the third act. I won't go into specifics in case you plan to see it for yourself, but let's just say that if the entire movie were on the same wavelength as the third act, I think we'd actually have an interesting, tough little film here. I also think Hawke must have known this too on some level, because it's only in the third act that his personality as a director begins to shine through -- interesting and creative camera choices, powerful acting moments and an earned level of tension that are present only during this part of the movie. The first two-thirds of the film are a cloying, obnoxious romantic fable about two young people bouncing around in Manhattan and down in Mexico, lounging around and pretending, for our benefit, that they actually love each other.

Not long ago, I had a chance to sit down with Julie Delpy in Manhattan to talk about 2 Days in Paris, her upcoming directorial effort that's bowing on August 10th. (You can check out Erik's glowing Berlinale review here.) As she waited on some black tea to arrive, we quickly got into talking about the film, which is about a native Parisian played by Delpy who brings her American boyfriend home to Paris for a quick visit; the two of them try to survive what the resulting cultural shockwaves do to their relationship. We also got into the subject of her next directorial project -- a biopic of the infamous 16th century 'Blood Countess' Elizabeth Bathory -- and discussed the unconventional arc of her career in general. Delpy has been quite vocal about having grand ambitions as a director -- she dreams of helming major action/sci-fi blockbusters -- but told me with characteristic bluntness that her filmmaking goals wouldn't force her to put acting on the backburner. "I don't have to choose, so I'm not going to," she said, pointedly. Here's the interview.

RS: Have you seen Zoe Cassavetes' Broken English yet?

JD: I didn't see it yet. I want to, though.

RS: The reason I bring it up is because [spoiler warning] they came pretty close to ripping off the ending of Before Sunset.

JD: They did?

RS: Yeah. Girl meets French guy in New York, she chases him to Paris, can't find him, finds him at the very end, they're deciding if they will stay together, and he says something along the lines of 'you're gonna miss that plane,' and that's the end.

JD: No..

RS: Yes. Lots of critics noticed it at the time, not just me.

JD: Really?

RS: Yeah. It was like, why would she do that?

JD: Why would she do that? That's weird. Was it conscious?

RS: I don't know. I thought maybe you two were friends, and it was an homage. Who knows?

JD: Maybe it's an homage.

Yes, I like seeing them on screen together as much as you do, so don't send me hate mail over this one, but it's true. I recently had a chance to sit down with Julie Delpy in Manhattan for a one-on-one interview -- I'll be publishing it soon -- and over the course of our talk, she dropped that bit of unexpected news. Ethan Hawke is no longer expected to appear as Ferenc Nadansky, the husband of Delpy's character, 'Blood Countess' Elizabeth Bathory, in the Delpy-directed film The Countess. "He might do a cameo, but I don't think he will anymore, " Delpy told me with a sad look. "He was going to, and now he's busy with something else. But it was such a small cameo, and it would have jeopardized the dates for other actors, and I felt like it was not right, you know? He agreed to be in it at first, and now he has a play, maybe. But it's okay -- maybe it's not meant to be. I have wonderful people attached, so I'm very happy with that."

Wait, don't jump out of the window yet -- there's a silver lining to this cloud. Delpy seems to be as on board as Hawke is to do another Before Sunrise sequel, although the details have yet to be worked out, of course. "We wanted to do, maybe a third one," she told me. "We might do it. We don't know. We have to come up with the right idea." When I suggested that she wait until they hit 65, 70 before doing part three, she didn't seem to be into that. "Maybe not -- maybe it could be good every ten years, you know, like we did it. Maybe it's good in our early forties." Stay tuned to Cinematical for the full interview, which is coming as soon as I have time to type it out.

Since Ethan Hawke seems to have better luck with movies than he does in the literary world, if anyone was going to make a film from his debut novel, it might as well have been him. ThinkFilm has just released the trailer for the film version of Hawke's book, The Hottest State. Hawke wrote and directed the story about a struggling actor in a tempestuous relationship with a singer -- throw in some parental abandonment issues and you have your typical Generation X love story. The film marks the third directorial effort for Hawke; the last time was back in 2001 with the ensemble piece Chelsea Walls. State stars Mark Webber, Catalina Sandino Moreno, Michelle Williams, Laura Linney, and Hawke even makes an appearance to play Webber's father in flashbacks.

The book was released back in 1996, and while reviews were somewhat harsh -- it doesn't get much worse than, "His callow cynicism about women and his flattened out, '90s rendition of Holden Caulfield grow wearisome". It's hard to say whether it was because critics had their knives out for an actor-turned-author, or maybe the book just wasn't that good. The film premiered at the 2006 Venice Film Festival, but much like the book, reviewers weren't exactly falling over themselves with praise. Hawke seems to be through with directing for now though, and the actor has since signed for double "vampire duty" in the horror flick Daybreakers, and The Countess with Before Sunrise co-star Julie Delpy. The Hottest State is set for a limited release on August 24.

She isn't too well known in America, but Star Wars fans may recognize Claudia Karvan as the actress who played Padmé's elder sister Sola in Revenge of the Sith. Now the Australian actress, who is a popular television star in her native country, has landed herself another Hollywood role sure to make her more familiar to audiences in the States. She has been cast as the female lead in the futuristic vampire movie Daybreakers, in which she'll co-star with Ethan Hawke, Willem Dafoe and fellow Aussie (slash New Zealander) Sam Neill. The casting of an up-and-coming Australian star makes perfect sense since the movie will be shot Down Under by Australian filmmakers the Spierig twins (Undead), who also wrote the screenplay.

According to Moviehole, Karvan will be playing a human love interest for Hawke's vampire character. The movie is set in 2017 when the world is mostly populated by vampires, a race that may become extinct once the blood-supplying humans are also extinct. Hawke is some sort of good guy vampire who is researching a way for his people to survive with a blood substitute. Dafoe plays his rival. Still no word on who or what Neill will be playing. If Karvan's part is correct, I think we can assume that once Hawke falls for her, he begins to think twice about feeding on humans. Of course, he could just turn her into a vampire and then live happily for eternity with her, but narratively that idea lacks conflict. Daybreakers begins filming soon and is set to release next year, which will be long after we've already seen I Am Legend, 30 Days of Night and Bloodrayne II. Hopefully we'll still be interested in vampires by that point.

Before Sunset is probably one of the best examples of a good sequel. Actually, scratch that. A great sequel. It's incredibly rare that you can go into a film expecting goodness, and be completely blown away. I liked Before Sunrise; I watched it any time I was itching to be a conversational voyeur. But I didn't love it. Then Sunset came out, and I don't think six months can go by without me itching to pop it back into my DVD player. When I first saw the film in the theater, I heard the loudest noises from the audience ever. There were groans, ughs, awhs and even some "no!" exclamations coming from every direction. We all want to know what happens as the light dims and Nina Simone croons on.

While it is no secret that the trio of Richard Linklater, Ethan Hawke and Julie Delpy would like to keep revisiting the couple every ten or so years, it seems that we're missing out on a sequel that would've shared the aftermath of Jesse and Celine's walk through Paris. Hawke told MTV News: "If the film had been totally ignored, we probably already would have made a third one. Rick said to me the other day, 'It's that whole thing of people coming up to you at dinner parties and saying [they] know what happened to [Jesse and Celine]. You don't want to deal with it.'" Thanks, guys. You make a great film that we all can't help but love, and that's why we're not getting a third? It seems that this sequel wouldn't have been a feature, but a sort of fan goodie to wrap some things up: "We had an idea but [it's] not going to happen, a pretty good outline of what the next one was going to be. But we would need to be in production right now, because we wanted to pick up right where we left off. Rick wanted to do a short film that was just two weeks later. Time goes by so fast."

The bittersweet edge to this project is just how much we don't see. These characters have a million stories to tell -- from Jesse's relationship with his wife and child to Celine's work and relationships -- but maybe it's better to not know it all. Maybe part of the magic is letting things amplify over the years. But that being said -- please, guys, don't have it be another 'we havent seen each other for years' situation. We've had the 'missed opportunity.' Now we need the relationship actuality.