EvaMendes Tagged Articles at Cinematical

Shocker! Displaying a positive attitude that should warm the heart of any moviegoer who loves the female form, Eva Mendes declares: "If I feel it's appropriate to show some nudity in the scenes then I go for it." She told Fox News: "As much as I use my sexuality, I have never felt exploited. I feel like it's on my terms and I have no problem with it."

Speaking as someone who first noticed Mendes when Ethan Hawke opened a door in Training Day to reveal her lying naked on a bed, I say: "I have no problem with it, either." The actress is promoting her appearance in Werner Herzog's Bad Lieutenant: Port of Call New Orleans, which opens later this month (and prompted our own Jeffrey D. Anderson to wonder if the remake was a good idea in the first place.) Mendes has been willing to bare portions of her body for several films, but it's not like she's leisurely walking around naked in any of them. Instead, they're more like brief flashes, tantalizing glimpses that are either frankly sexual (We Own the Night) or fanboy flirtatious (The Spirit, pictured).

Mendes was open in talking about 'turning up the heat and turning up the sexuality' when appropriate, admitting that it's "no accident" that she appeared in an "amazing" Calvin Klein advertising campaign that caused American TV censors to tremble badly. I think it's refreshing to hear an actress admit that she uses all of her assets on her terms, rather than feeling ashamed or exploited. Good for her!

It's almost too obvious that this so-called Bad Lieutenant remake from Werner Herzog and Nicolas Cage is destined to become the crack junkie of Netflix a year from now; an instant guilty pleasure -- the sort of film some folks will hate, but some will adore. The original 1992 Bad Lieutenant from Abel Ferrara (and starring Harvey Keitel in the lead) was like a shock to the heart; a gritty, nasty, foul-mouthed dirty cop flick that made you immediately want to take a shower once the end credits began to scroll.

This new version, which carries its own original story and isn't a remake (according to Herzog), definitely looks to keep a lot of the nastiness, but injects it with that odd Cagian humor as well. How can you not laugh at Cage when he spits out sentences like, "What, you don't have a lucky crack pipe?" Eva Mendes (reteaming with her Ghost Rider co-star), Val Kilmer and rapper-actor Xzibit also star. If anything, this looks like a fun film for those old school Nicolas Cage fans desperate to see the guy take on non-commercial fare for a change. Herzog fans? I don't know what to tell you; this looks nothing like a Herzog film -- though this "trailer" does look like a promotional tool used to help sell the film (at Cannes?) and not an official, finished (and polished) piece of marketing.

But you be the judge -- we've included the trailer after the jump because it's definitely NSFW. Be warned.

Cinematical has received three (count 'em three!) exclusive Christmas-related TV spots for The Spirit, directed by Frank Miller (300, Sin City), and starring a whole crop of pretty faces like Gabriel Macht, Eva Mendes, Scarlett Johansson, Sarah Paulson, Jaime King and Samuel L. Jackson. Each of these TV spots look the same, except a different character is featured. One puts Sand Sarif (Mendes) front and center, one focuses more on The Octopus (Jackson), and one teases us with a little Ellen Doran (Paulson). Check out the first spot below, and the other two after the jump.

The Spirit slides its way down your chimney on Christmas Day.

Cinematical has just received this exclusive final poster for The Spirit, which sports Frank Miller's (300, Sin City) solo directorial debut and stars Gabriel Macht, Samuel L. Jackson, Eva Mendes, Scarlett Johansson, Sarah Paulson and our favorite fangirl, Jaime King. Based on Will Eisner's famed comic book series. The Spirit tells of a rookie cop who returns from the dead to fight crime in the shadows of Central City and square off against the villainous Octopus (Jackson), who kills anyone unlucky enough to see his face ... all the while facing a bevy of beautiful women who either want to seduce, love or kill our masked crusader. Check out a larger version of this poster in the gallery below.



The Spirit is due in theaters on Christmas Day.

Gallery: The Spirit

Considering Anne Hathaway in Rachel Getting Married (133 screens), Sally Hawkins in Happy-Go-Lucky (60 screens), Penelope Cruz in Elegy (21 screens) and Vicky Cristina Barcelona (52 screens), Kristin Scott Thomas in I've Loved You So Long (20 screens), Meryl Streep rising above the ineptitude of Mamma Mia! (178 screens), and several others, it has been an exceptionally good year for roles for women -- all except The Women (164 screens). To date, I've spent a good deal of time railing against that movie, without ever asking: what happened to some of those amazing actresses that they should end up here?

Meg Ryan, for example, was once a top star -- one of a trinity of "America's Sweethearts" (with Julia Roberts and Sandra Bullock) -- and a sure thing. She was irresistibly adorable, and she mastered a kind of self-conscious, nervous eye-flick that won over audiences time and again. And she made her debut in the final film by George Cukor, for goodness sake! Her highest point was probably When Harry Met Sally... (1989), where her effortless performance was not as easy as it looked. She had a hard time branching out into serious films, mainly because her cute, sweet, funny quality made it seem as if she had a lack of depth, and she looked out of place in hardcore, delirious movies like The Doors (1991). Her last ten years has given us a string of flops. But I maintain that her best films are the ones that nobody understood.

The gimmick of The Women is that no men appear anywhere in it -- not as background extras, not as voices on the phone, nowhere. It's all women, all the time. Which might sound empowering and feminist, except that the women are all shallow, vain, and petty, and their primary topic of conversation is, you guessed it, men. (Also: shoes, manicures, shopping, facelifts, etc.) If this were any other film, I suspect women would be complaining about Hollywood's sexism and misogyny. But hey, we men had nothing to do with this one. This one is all you.

Written and directed by Murphy Brown creator Diane English as an update of the 1939 George Cukor comedy (itself based on a Clare Boothe Luce play), the film establishes its tone in its first scene, with two women walking their dogs in New York City. The dogs fight, and the women, their faces invisible to us, respond cattily to one another. One remarks that the other's shoes are "last season," then confides to her dog that the other woman is "a word not usually heard outside a kennel." I think that's supposed to be a joke, but if the word she's referring to is "bitch," then I've got news for her about how its usage has spread.

And that's the movie: women harping on and mistreating one another, and cracking jokes that aren't funny.

For those who've always wondered what movie bloggers talk about late on a Sunday night, look no further as last night my buddy Peter over at Slashfilm emailed me a tip on a film featuring Scarlett Johansson at 13. No, we're not pervs, Peter had come across the awful kids flick on TV and thought it would make a fine Stars in Rewind post. I had never heard of My Brother the Pig, and so upon checking out the clip I was (pleasantly?) surprised to not only see Scarlett doing her 13-year-old thing, but also early Eva Mendez before she changed her last name to Mendes. Better yet, she's playing Johansson's nanny Matilda with a thick Spanish accent. Thankfully Mendes eventually grew up and became hot, removing her from a Hollywood life full of playing the nanny for rich white folk.

My Brother the Pig sort of reminds me of Adventures in Babysitting, except one sibling was accidentally turned into a pig and there's no male teenager to crush on Johansson or her almost-but-not-quite-hot-yet nanny Eva Mendes (ie: This isn't the Johansson threesome you want to see). Also making an appearance as the clueless dad? Yup, Judge Reinhold! You know it's bad when the six different pigs used in the film are credited on the movie's IMDb page. Damn, I can probably do another 500-1000 words on this sick flick, but I'd rather stop here and let you enjoy the clip above.

Anyone have fond memories of My Brother the Pig?

So if this was the halfway mark on an E! True Hollywood Story, we'd segue from "Britney's manager accused of drugging her, gets restraining order issued against him" to "Quentin Tarantino offers Spears a role as a lesbian stripper/murderer in a remake of Faster Pussycat! Kill! Kill!" (Boy would I like to be the voiceover guy during that episode!)

Back in January, Variety's Liz Smith reported that Tarantino was interested in Britney Spears for a role in his Pussycat remake, along with Eva Mendes and Kim Kardashian. (Quick, which one of those three never starred in a moronic reality show?) Now, either the Telegraph is re-running a six-month-old rumor in order to grab some traffic, or Tarantino finally made this particular casting choice official. Says the Telegraph: "Spears' character murders the boyfriend with her bare hands before taking the girlfriend hostage. The troubled singer will also have sex scenes with another girl before the drama ends in a blood-bath."

Well, that's one way to get your career back on track.

No word on the other two girls, or whether Mendes and Kardashian are still being considered, but for now we'll assume a club remix of "Baby Hit Me One More Time" will be featured on the soundtrack.

Werner Herzog's Bad Lieutenant cast just became a whole lot crazier. Variety is reporting that Val Kilmer and Xzibit are joining Nicolas Cage and Eva Mendes in the much-maligned remake / re-imagining / re-something of Abel Ferrara's cult classic.

Kilmer will be playing Cage's police partner, presumably the straight arrow to complement Cage's cop-on-the-edge. This comes right on the heels of Kilmer being cast in Silver Cord, so I think it's safe to say someone's trying to make a comeback. (Am I the only one who laments the passing of years, and what it has done to one of my biggest crushes? Has it really been so long since The Saint?)

Xzibit, fresh off The X-Files: I Want to Believe, will be playing their nemesis, Big Fade.
Remember, folks, it's a re-imagining, which is why you don't remember any of these characters from the original.

If there aren't shockingly hilarious tales of egos and fistfights from the Lieutenant set, I'll be among the bitterly disappointed. While I suspect Kilmer has chilled with the passing of years, I'm thinking that combining him with Herzog is bound to be tempestuous. Is it too much to ask that Herzog just goes even further, and hires Sean Young and Gary Busey? Perhaps even Mike Myers? Throw the script out the window, and just film the production. I think it would be far more fun than any re-imagining.