Fantastic Fest 2008 Tagged Articles at Cinematical

Since last September, at Fantastic Fest, it became immediately apparent that Repo! The Genetic Opera was due for a cult following, and a successful roadshow run last November and December seemed to confirm as much. I wasn't the biggest fan of Darren Lynn Bousman's goth-rock horror musical at the time, and don't exactly see myself giving it another look any time soon, but when its DVD release hasn't prevented fans from organizing summer screenings with shadow casts far and wide, it's futile to deny that it has at least an audience beyond home video and into the realm of true theatrical cultdom.

Meanwhile, the sheer sloppiness of Tommy Wiseau's infamous The Room has it similarly garnering underground popularity. I settled for seeing it on Cartoon Network when Adult Swim aired it as their idea of an April Fool's joke, and it became much more of a chore to sit through than I could've possibly imagined (and it's not like the constant commercial breaks weren't helping).

Would it have been much better with a crowd? I couldn't say, as the appeal hasn't quite reached Central Florida yet, but I ask: just because a film has reached the ranks of something like The Rocky Horror Picture Show, does that mean it truly deserves to? What are your personal criteria for a proper cult classic? What's your fondest memory of audience partici... pation, and what other films do you feel stand to join the ranks of the modern midnight movie that maybe haven't quite crept up on the ol' cultural radar just yet?

I'll confess to being in the dark as to why certain DVDs don't boast an audio commentary by the filmmakers when they actually want to do one, so while I won't strike out blindly against The Studios for getting in the way, I instead admire those who see fit to give their fans what they want.

Case in point: Following in the footsteps of Darren Aronofsky and The Fountain, director Ben Rock and some of his cast and crew members have come together for a full commentary track, now posted over on Dread Central to accompany this week's release of Alien Raiders. The film -- which, and I think Ben will agree with me, is nothing like The Fountain -- concerns a team of specialists (led by none other than 24's Tony Almeida) who lock down a small-town supermarket for reasons that you may be able to deduce from that title (a title that's frankly more campy than the flick is).

Scott and I both saw this at Fantastic Fest last year, and I don't think it's any great stretch to say that it's probably the best thing put out under the Raw Feed label to date, and given the film's exceedingly tight production schedule, I'm willing to bet that this might make for a pretty informative listen.

(from left to right) Fantastic Fest programmer Zack Carlson, Fantastic Feud co-hosts Devin Steuerwald and Scott Weinberg, and Not Quite Hollywood director Mark Hartley

With the weekend came no sure rest for Fantastic Fest attendees. Saturday kicked off with, among other things: a screening of Conquest of the Planet of the Apes shown from an HD master of a cut unseen in over thirty-five years; initial screenings of the very popular Tiffany stalker doc I Think We're Alone Now and the very anticipated Swedish vampire drama Let the Right One In (which can now fall firmly in the former category); and a boat party held in honor of Donkey Punch, in which several youthful types face some serious consequences after their high behavior on the high seas. Did life end up imitating art on that front...?

I'm just over a week away from experiencing my very first Fantastic Fest at the fairly awesome Alamo Drafthouse in the fairly awesome town of Austin, Texas. Word from attendees of the past couple of years, including our own S. Weinberg, suggests that this year's Fest will itself be -- you guessed it -- fairly awesome.

On the one hand, FF is infamous for selling, and selling out, its badges for the following year during the current year's festivities. On the other, they've teamed up with sponsors AMD and B-Side to offer up five short films and five full features for free upon their website from September 14th through the 20th. You must sign up for the B-Side community in order to partake, but that's easy enough (and similarly free of charge), and then you get to cast a vote for the 'online audience favorite' award to be given out at the formal ceremony come the 22nd.

As far as the features offered go -- Dr. Infierno, I Think We're Alone Now, La Creme, Rule of Three, and South of Heaven -- I've only seen the second one, and when it comes to the shorts, among them is a killer Christmas tree short from the minds behind Hobo with a Shotgun that sounds too tempting to wait a week for. Should any of you indulge in the whole nine well, ten yards, do let us know what you think of which titles.

A few weeks back we learned that flicks such as Jack Brooks: Monster Slayer, Let the Right One In, The Tingler and Eagle Eye would be playing at the fourth annual Fantastic Fest in Austin -- and now we have batch number two! (And if you're wondering why I give a little genre fest so much blog-love, all I'll say is "I guess you had to be there." But that phrase could easily translate into the present-tense "I guess you have to go there," if you catch my meaning.)

If you attend this year's event, you'll not only get to mock me -- to my face! -- at the infamous Fantastic Feud, but you'll also be able to catch movies like Acolytes, Wicked Lake, JCVD, Surveillance, Deadgirl, Santos, and Feast 2: Sloppy Seconds! Plus one of this year's themes is a very fun one: That of indie Australian cinema, especially stuff from the '70s and '80s. Of particular note in this department is the new doco Not Quite Hollywood, which looks to be sixteen flavors of Aussie insanity. Full press release on the newly-added features is available after the jump, but for a lot more information (including all the short films!), check out the Fantastic Fest website.