FantasticFest Tagged Articles at Cinematical

Just as bad business and worse storytelling conspire to rob us of the physical glory that is Tony Jaa, in steps Indonesia's Iko Uwais, bringing the martial art of silat to the big screen in a big way with Merantau.

Yuda (Uwais) leaves his small farming village on "merantau," a rite of passage meant to demonstrate a young man's independence from his family. However, life is tough once he arrives in Jakarta, and tougher still once he steps in to help Astri (Sisca Jessica) as she's bullied by first her boss, then the head of a European human trafficking ring (Mads Koudal).

Ten years from now, 95% of the human population has been transformed into vampires, with those few uninfected survivors evading capture as best they can and those already captured being farmed for every last drop of their blood. However, supplies are dwindling, substitutes aren't working, and vampires who are driven by starvation to feed on one another tend to mutate for the worse.

This is the world of Daybreakers, a more ambitious and straight-faced follow-up than anyone might've expected from the Spierig Brothers in the wake of their cheeky low-budget aliens-and-zombies debut, Undead; better yet, it's a smarter and more refreshing take on the vampire genre than most of late, and a solid action flick in its own right.

Read the rest at Horror Squad!

Dolph Lundgren isn't the first name that springs to mind when you think "chemical engineer," is it? You might be surprised to know that the guy who has made a career out of playing muscular bad dudes in movies has a masters in that field from the University of Sydney, and he was also a Fulbright scholar to MIT. However, he dropped out after two weeks to pursue acting full time, and that's left us with his performances in everything from Rocky IV to The Punisher to Universal Soldier.

He'll also be going toe to toe with Sylvester Stallone once more in The Expendables, but we found him returning to his Universal Soldier roots at Fantastic Fest in Austin with a sneak peek at Universal Soldier: A New Beginning. Read on beyond the break for the full interview, including an homage to Rocky IV that you'll see in onscreen.

If "The Sopranos" had been cooked up by Mike Leigh instead of David Chase, the result might resemble Down Terrace, an unassuming little dramedy that barely seems to mesh with the genre criteria of most other Fantastic Fest programming and yet managed to take home a handful of awards, and rightfully so.

Karl (Robin Hill) has followed in his father's footsteps, to the extent that they've both just been let out of jail, and Bill (Robert Hill) wonders who may have ratted them out. Karl has more pressing concerns, though -- namely, a girlfriend (Kerry Peacock) whose pregnancy will require more responsibility on Karl's part than he's ever known.

Sure, Bill's not terribly keen on the prospect of becoming a grandfather, just as Maggie (Julia Deakin) is wary of becoming a grandmother, especially with them all already living under one roof. But their top priority is finding the leak and plugging it, because although we're never explicitly told what criminal shenanigans the family is involved in, it quickly becomes apparent that they'll do whatever is necessary to protect their interests, as their paranoia draws them closer -- and downward -- together...

Cory McAbee is not your average indie filmmaker. He's more of a self-taught Renaissance man who paints, writes, composes music, and also directs mind-bending films. At Sundance earlier this year, I had a slot to fill in my schedule and I thought Stingray Sam sounded interesting. Science fiction meets the Western? Sign me up.

What I didn't know was that I would be treated to a bizarre musical that was sliced up into a serialized format, complete with dance numbers, elaborate 60-second long handshakes between partners, and social commentary on everything from the U.S. prison system to tobacco companies. It's great stuff, and the songs will stick with you long after the movie ends.

Cory is no stranger to film festivals, having been at Sundance with three different films. I spoke with Cory at Fantastic Fest, where he was screening Stingray Sam. Check out the full interview after the break.

Last night saw attendees of the Real D-sponsored Fantastic Fest greeted with an extended look at footage from James Cameron's forthcoming Avatar, and with it (for me at least) a more defined shift in expectations for the long-awaited film. The footage -- more often than not composed of extended scenes from Avatar Day -- still looks terrifically realized in 3-D, but the bits and pieces of story filled in by producer Jon Landau between scenes and the voice-over of Sam Worthington's character during them suggest something a little less... rapturous.

One can't ask too much of a film called Ninja Assassin -- that's a given -- but James McTeigue's proper directorial follow-up to V for Vendetta does its damnedest to take that insta-pulp title and weave around it a worn-out tale of forbidden love, family betrayal, and government conspiracy. Complete with some hard-to-see fight scenes and some harder-to-hear dialogue, all delivered with a poker-straight face and capped off with some super-splattery kills, it's like a graphic novel adaptation with comic book punctuation, a film so flagrant in its fakery that it almost forgets to have any fun.

Those lucky ducks at Fantastic Fest got to peep many weird and fabulous films, not the least of which is Gentlemen Broncos. The movie, which is directed by Jared Hess of Napoleon Dynamite fame, stars the always-dreamy Jemaine Clement from Flight of the Concords as an utterly ludicrous author who steals a book manuscript from a dorky teen, played by Michael Angarano. Sam Rockwell has two parts in Broncos -- one as a super-hairy superhero with a bald ladylove and one as a sort of, uh, tranny Captain Kangaroo. In this exclusive clip, Sam, in all his hairy glory, tries to explain why you can't look tough while drinking a smoothie. It's also really hard to drink a smoothie with a giant beard, as you'll see after the jump.

As Peter Hall wrote in his Fantastic Fest review of Broncos, "there is no denying, though, that seeing Sam Rockwell ride a fake deer shooting rockets out of all its orifices is the answer to a dream I never realized I had."

Me too, Peter. Me too.

Watch the video after the jump.

The Fantastic Fest 2009 Awards are out, and as far as awards go, what can top a mug full of beer as the actual award? The mug is what you'll take home and put on your shelf, but an icy, cold beer is the real treat. As an example of how off-kilter Fantastic Fest is, the awards opened with the Best Shakeyface award. These were presented to badgeholders who submitted the best shakeyface photo, a Fantastic Fest staple.

There was much beer drinking, celebrating, and in the end a sword was used to open a bottle of champagne as everyone raised a toast to the 2009 winners. Highlights included Human Centipede as the Best Horror Feature, Down Terrace as the Best Next Wave Feature, and Mandrill as the Best Fantastic Feature, while A Town Called Panic took home the Audience Award for Best Feature. Check out the full list of winners, watch the Shakeyface video and more just beyond the break.

Why review a Japanese-language film without sensational violence, naked ninjas, or giant robots? Because when it's a movie as smartly comic, raggedly rocking, warmly appealing, and richly rewarding as Yoshihiro Nakamura's Fish Story, you want the whole world to know. Or, at least, people who don't happen to be in Austin right now.

Not that Fish Story is the best movie ever made, but it certainly deserves to be seen by a wider audience than will have a chance to see it at special events like Fantastic Fest. And distributors tend to shy away from films that don't have easily marketable elements, like those mentioned in the opening line. In several important ways, this is a rather modest little flick, and I don't want to hype it out of proportion to its relative merits. But I must say: Fish Story engages, delights, and surprises as it criss-crosses wildly through the decades, and I think it's the kind of movie that a broad variety of people would enjoy, if only they had a chance to sample its many pleasures.

Rather than a fish, or fishes, the linchpin of the narrative is a song entitled "Fish Story," recorded by an obscure Japanese punk band in 1975 (one year before the Sex Pistols were formed). Unappreciated in their own time, the band's song takes on a life of its own over the years, still entrancing listeners in a record store in 2012. A comet is about to strike the earth, and mankind only has five hours left to live. With the rest of the populace departed to supposedly safer high ground, three men come together, listening to the record and fantasizing that, somehow, the song will be able to save the world.