Film Festival Tagged Articles at Cinematical

When it comes to film festivals, cinephiles have a lot to choose from. But if you're in Los Angeles from October 30 – November 7, there's only one film festival that will have The Imaginarium of Dr. Parnassus, The Road, The Fantastic Mr. Fox, Werner Herzog's Bad Lieutenant: Port of Call New Orleans, Youth in Revolt, A Single Man, and tons more buzzed-about indie, foreign, and genre gems – ALL FOR FREE. That's right, folks: AFI Fest is giving free admission for every single one of their films this year, so how can you possibly resist?

As Peter Martin wrote back in May, AFI's groundbreaking move to free ticketing is a daring experiment. (Tickets can be reserved online and via phone starting October 16.) I suppose the rationale is that if the cost of a ticket precludes film goers from attending, why not make it even easier to participate? One look at AFI's line-up, released yesterday, pretty much makes the decision for you.

Get the full list of (FREE! ) AFI Fest screenings after the jump.

The complicated story of Roman Polanski and his flight from the US over 30 years ago is starting to get very, very simple – at least when it comes to the law. The NYT reports that Polanski (and his legal representatives) have lost the appeal to have the director released from a Zurich jail following his arrest for a 2005 international warrant. The appeal was rejected by the Swiss Justice Ministry and a spokesperson for the ministry was quoted as saying the reason they rejected the request was that they felt "there is a high risk of flight" -- and it's not like you can blame them, the man does have a habit of disappearing when in the middle of a sticky situation.

That hasn't stopped his legal representatives from asking Switzerland's highest criminal court to free Polanski, but representatives from the Justice Ministry even submitted letters explaining their opposition to freeing the director. However, there is still a chance the director could be freed, and according to the NYT, "The Federal Criminal Court has said it will rule in the case in the "next weeks," and a verdict in either direction can be appealed to the country's highest judicial body, the Federal Tribunal."

You've got to admire a festival that attracts hordes of particularly picky movie fiends with a secret lineup year after year. If you're not aware, Colorado's Telluride Film Festival does things a little differently than the other biggies. Rather than releasing their film list early, and allowing attendees to peruse and ponder the choices, they release it as the fest kicks off, banking on blind faith and great movie taste -- a risk which seems to always pay off.

Telluride runs through Labor Day, and the lineup has finally hit. This year, it's led by John Hillcoat's Proposition follow-up The Road, which Variety just pummeled. Star Viggo Mortensen is being honored with a tribute, and that's only the tip of the iceberg. We've got films that include Werner Herzog's Bad Lieutenant: Port of Call New Orleans, Coco Before Chanel with Audrey Tatou, Todd Solondz's latest -- Life During Wartime, the Red Riding Trilogy (four novels adapted by Julian Jarrold, James Marsh, and Anand Tucker), Jane Campion's Bright Star, and maybe even Jason Reitman's Up in the Air.

How's that for a festival? It's a nice reminder of the worthy fare that exists between the cracks of mainstream mediocrity. Check out the whole lineup over at indieWIRE.

In some opposite-ish corner of the world right now (from me anyway), the New Zealand International Film Festival kicks off today for the rest of the month, before making further provincial rounds through next November. (Damn, now that's a film festival!) It makes all the more sense that people might want to plan ahead for the highlights, and what better way to do that than to bequeath some awards for the films right from the get-go?

Incredibly Strange programmer Ant Timpson (who's perfectly normal himself, I swear it; that's the name of their specifically oddball selections) has rightfully singled out SXSW '09 alums like Best Worst Movie, Drag Me to Hell, Grace, The Horseman and Winnebago Man for particular accolades (i.e. "Best Film to Show Filmmakers That Low-Budget Doesn't Mean Twenty-Somethings Sitting in Cafes Talking About Their Boring Relationships"), not to mention a couple of other picks.

Timpson sums up his mentality thusly: "I already know these films are very special. I don't need a jury to tell me what I already know. I'm giving these films awards in advance because 99% of the public don't care what films win awards AFTER they've screened, they want to know BEFORE they screen..." Believe me you, the man has a point. The real question is, how will such thinking play in the States?

A note to anyone affiliated with a film festival that frequently employs the words scream, fear, horror, fright, dark, or creeeeepy: If you send me a press release, I'll throw you some blog-love. That's what happens when a childish genre nerd gets to work at a slick 'n' popular website like this one. Case in point: A very cool guy called Adam Lopez helps run an event called Toronto After Dark, and he asked if I wouldn't mind spreading the word on their upcoming slate. And since this is a small but reputable festival (and not to be confused with TIFF's own "Midnight Madness" line-up, which is like a mini-fest all by itself), I said "Sure, Adam!" And guess what? I'll do the same for LA Screamfest, UK Frightfest, and New Zealand Gorefest -- even though I just made that last one up.

TADFF (an acronym I also just made up) runs from October 17 to 24. The festival generally plays between 16 to 20 films, and while their final slate hasn't been decided just yet, they have snagged a few juicy titles for their first batch. The Jack Ketchum adaptation Red will be screened, as will Darren Lynn Bousman's Repo! The Genetic Opera and (of course) the stunningly wonderful Swedish import Let the RIght One In. Other titles include Bill Plympton's Idiots and Angels, the action-packed Mirageman, the self-explanatory Tokyo Gore Police, and the recent fest favorite Who is KK Downey?

For more information on Toronto After Dark, you can pick through their website right here. I'll also include a little promo video after the jump -- and here's the best part: You can get a full festival badge for around one hundred bucks Canadian! If they screen 17 movies, that equals out to about ... six bucks a flick! (Less, actually!) Stop back in a week or two and we'll have the full line-up. You Canadians get all the luck.

Somehow, I have remembered to take photos on my vice-filled journey through the CineVegas Film Festival, and while a lot of them didn't come out as I planned, you can see a couple (along with a bunch from Getty Images) in the gallery below. You'll find shots of the parties, of the fest in motion, of fire-breathers in bikinis, of naked women covered in paint (ahem, see above), of singing sensation Bijou Phillips, and even a candid shot of the world beer pong champion (I think you'll be able to figure out which one that is). Wish you were here!

I'm coming to you live from the tenth annual CineVegas Film Festival in the fabulous Palms Casino and Resort. Yes, that's the very same hotel where the Real World Vegas clan turned a hot tub into a simmering cauldron of gonorrhea. Thankfully, I'm staying in a different suite. I arrived late Friday night, was also fortunate enough to attend the now legendary Britney Spears party, and woke up yesterday with a crippling hangover.

The fest is sponsored by Grey Goose, and to quote the greatest songwriter/pants-wetter of our day, Fergie, Grey Goose got this girl feeling loose! I can't seem to turn around without being handed a cocktail. I can certainly see why Nicolas Cage had such a problem with alcohol in that movie about leaving Las Vegas ... strangely, its title escapes me right now.

I don't like the word "awesome" very much. At least, not for the last 10+ years. Every time I hear the frakking word, it sends my brain back to high school and that whole cheerleader chant: "A-W-E-S-O-M-E! Awesome, awesome, to-tal-ly." AH! That being said, the word still means all of that super-cool stuff, so maybe this new festival will help reclaim the word in my tired-of-cheerleader-chants brain. indieWIRE reports that a new fest called "From Here to Awesome" is getting set up as a "New Discovery and Distribution Festival."

Co-founded by Lance Weiler (Head Trauma), Arin Crumley (Four Eyed Monsters), and M dot Strange (We Are the Strange), the new Awesome Fest is now accepting video submissions from filmmakers "explaining why they think their film is 'awesome.'" Through the wonder of the Internet partners MySpace, YouTube, and Current TV, audiences can zip through the submissions and vote on their favorites. In the Spring, the ten top picks will get screened in theaters, on the net, and zoomed onto your portable device of choice.

But here's the kicker -- any and all revenue is going directly to the lucky filmmaker. As if that wasn't enough, the filmmakers keep all of their rights. Weiler says: "Less and less films are getting traditional distribution deals. From Here to Awesome is an attempt to answer some of the largest issues facing filmmakers today -- discovery, distribution, and sustainability by putting the power to distribute in the hands of the filmmakers and their audiences." Good luck, fledgling filmmakers!

What kind of movies will be playing at the brand new Kansai International Film Festival in Osaka, Japan next month? If you're a visual-type person, go to the site, select your language and then allow the neat little embedded Quicktime trailer to tease your eyeballs. The organizers say they wanted to feature "a different spin on Japanese films, mixing both the east and west in cinema." They explain that most people don't realize dozens of independent films focusing on Japanese culture are made by Western directors each year; a few Western directors have even moved to Japan in order to explore the country by cinematic means. Motivated by a desire to highlight these lesser-known films, the small staff will present all 32 selections for free -- no charge, zip, nada -- which sounds like a pretty good deal. Let's see ... how much is air fare to Osaka?

What do you get for nothing? Mostly shorts, conveniently grouped into a variety of themes: experimental, documentary, local filmmakers, comedy, "Dark Side" and "Culture Clash," plus two screenings of "Wabi Sabi" films. That latter section is particularly intriguing for a Westerner; "wabi sabi" has been described as "a comprehensive Japanese world view or aesthetic centered on the acceptance of transience." Several feature-length films are also included. Jellyfish looks at an accordion-loving restaurant worker and his best friend, a constantly-dreaming mathematician. Rock N Tokyo documents Japanese rock and rollers Guitar Wolf (Wild Zero), The 5678's (Kill Bill: Vol. 1), Jet Boys and Nine. Bondi Tsumani "follows the psychedelic adventures of four punked-up manga-inspired Japanese characters ... as they travel up the East Coast of Australia." Biographies of the filmmakers can also be found on the site. The Kansai International Film Festival seizes the heart of Osaka during the weekend of August 24-26.

Paolo Cherchi Usai worked on his film Passio for six years. Scored to Arvo Part's "Passio," the film has been hailed by many as a masterpiece. Documentarian Ken Burns says "It seeks to do what most films and filmmakers shrink from: make a statement about all and everything; about who we are, where we have been, and where we are going." Werner Herzog thinks the film should be sent into space to represent human life, along with Beethoven's "Ode to Joy." And you will likely never get to see it. Usai doesn't want Passio to be in theaters or released on DVD. To make absolutely sure of it, he has destroyed the film's negative. Says Usai: "Film was never meant to be permanent. Film was born as something ephemeral. I consider film more as a performing art than an art of reproduction."

Passio made its U.S. premiere Friday at the Cathedral Church of St. John the Divine in New York City as part of the Tribeca Film Festival. It had only been performed once before - an Australian exhibition. Usai made just seven prints of the film, and will only allow viewings accompanied by a live orchestra and chorus. Says Usai: "This is a different animal. I wanted to make something where every experience will be radically different from another experience." Passio is a silent film full of disturbing, obscure film images such as: "the skull of a black man being measured by white scientists, a woman's seizure, the scraping of an eyeball," etc. The images are allegedly so extreme that a viewer fainted at the Australia screening. The film's mission is to expose "our neglected or repressed collective memory." If Passio sounds like something you might be interested in seeing, well...sorry. You probably won't get the chance.