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FilmBuff Tagged Articles at Cinematical

Exclusive: Chris Smith's 'Collapse' Gets Poster, Release Dates

Filed under: Documentary », Movie Marketing », Posters »


Click image below to view full poster

The scariest movie coming out this year isn't about a murderous psycho or a ghostly demon who terrorizes a couple in their own home. It's Chris Smith's (American Movie, The Yes Men) documentary Collapse, where one man uncannily outlines the dark path our nation and world are heading down. He's no Nostradamus talking about the "great bear from the east" or anything, he's just a normal guy using the same facts and figures available to everyone.

The exclusive poster might only feature the back of his head, but once you hear Michael Ruppert talk (he's a bit like The Smoking Man on The X-Files), you'll realize why the truth is much scarier than fiction. The movie opens in New York on 11/6, Los Angeles on 11/13, and will be released on cable video on demand on the Cinetic FilmBuff channel on 11/15. Bug your provider now if you don't already get it -- this is one you definitely don't want to miss.

Check out the full poster by clicking the image below.

Cinetic Gears Up to Distribute Arthouse Fare Online and On Demand

Filed under: Independent », Distribution », Home Entertainment »

Movie blogging is cool and all, but I would argue that cinema's best use of the Internet is making rare fare available to the audience at large. That's slowly but surely starting to happen, and CRM (Cinetic Rights Management) is adding to the pile with a new arthouse deal. Teaming up with a bunch of arthouse film distributors, CRM will slip content online through their FilmBuff label, hitting desinations like iTunes and Hulu.

The plan is to make "award-winning and critically acclaimed films" available, and they've listed four titles thus far. There's Ti West's Trigger Man (Scott called it a "watchable curiosity"), Olivier Assayas' Demonlover (Jeffrey M. Anderson called it a "hopped-up, arty cover for a standard issue Hollywood thriller"), Mike Akel's Chalk (Jette said it was "a great illustration of how a movie can truly blossom with the right crowd"), and Margaret Brown's doc The Order of Myths (which Jette said "gives us a good feel for the fun and exciting parts of Mobile's Mardi Gras as well as the undercurrent of "traditional" racial segregation that still exists today").

Having grown up in a town that had nothing more than a "Video World" stocked with only the crappiest of B fare and mainstream numbers (I remember driving to the closest city to rent Tromeo and Juliet), I'm always jazzed about more rare fare getting out there. But the best piece of pie will come when anyone, anywhere, can read up on a movie and be watching it in one or two clicks -- no matter how rare it is.

FilmBuff Goes Online! Discover More Gems!

Filed under: Independent », Deals », SXSW », Fandom », Distribution », Exhibition », Newsstand », Quentin Tarantino », Home Entertainment »

Every day seems to bring a new channel for delivering great, unheralded film right to your television or laptop. The latest is Film Buff, a video-on-demand channel run by Cinetic, and overseen by Matt Dentler, former producer of the legend that is Austin's SXSW. Variety has the details great and small.

I can't describe this channel better than Cinetic president John Sloss, who says its "as if your most film-literate friend programmed your Netflix queue and it was immediately available." They plan to offer as many as 15 first run films and classics per month, and the first slate is pretty tasty: The Carter (the Lil Wayne documentary that premiered at Sundance), Enzo Castellari's original The Inglorious Bastards, the 1984 documentary The Times of Harvey Milk, Richard Linklater's Slacker, and Michael Almereyda's New Orleans, Mon Amour. Dentler stresses that they won't be limited to Cinetic repped titles, nor will they only showcase new releases. FilmBuff also aims to champion older films in need of rediscovery, especially if they're tied into a hot trend or remake, such as Quentin Tarantino and his Basterds.


 
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