In Finishing the Game, director Justin Lin (Better Luck Tomorrow, The Fast and the Furious: Tokyo Drift) went back -- both in time and to his indie roots. Shot in 19 days with begged and borrowed equipment and props, Finishing the Game is a mock-documentary set in a never-was 1973 where, after the tragic early death of Bruce Lee, the producers behind Game of Death go on the hunt for a suitable replacement so they can wrap the film and make a few dollars. Finishing the Game doesn't just look at the representation of Asian Americans in film; it's also a sharp satire of the delusions and denials that come from both sides of the camera in movie making. Lin's no stranger to big-money Hollywood -- he recently signed on to direct a reunited Vin Diesel and Paul Walker in the fourth Fast and the Furious film -- but Finishing the Game is clearly a low-budget labor of love. Lin spoke with Cinematical in San Francisco about bad '70s kung-fu cinema, Vin Diesel's D&D game, how he said 'no' to big-studio backers to keep his vision for Finishing the Game, the pros and cons of studio movie making, why he's looking forward to the fourth Fast and the Furious and Asian representation in mass media from Bruce Lee to the here-and-now. You can download the entire interview right here.

Wes Anderson's The Darjeeling Limited and Ang Lee's Lust, Caution continued to duel one another for the top spot on the indie box office charts. Both expanded from their extremely limited Manhattan engagements last weekend, with The Darjeeling Limited earning $28,950 on average at 19 locations and Lust, Caution pulling in $21,530 at each of 17 locales, according to estimates by Leonard Klady of Movie City News.

The top earners in limited release were Michael Clayton, the heavily-advertised legal thriller starring George Clooney, which averaged $46,130 at 15 locations, and Blade Runner: The Final Cut, which earned $45,600 at just two locations. In his review of Michael Clayton, our own James Rocchi wrote: "I was hoping for a film along the lines of classic '70s Sidney Lumet or Alan J. Pakula; what I got was something more along the lines of an above-average '90s John Grisham adaptation." After a brief theatrical run, Blade Runner: The Final Cut will hit DVD in various incarnations on December 18.

Among new releases, Justin Lin's Finishing the Game scored the highest, bringing in $14,700 at one theater in Manhattan, while widely-discussed documentaries My Kid Could Paint That (average $3,390 on eight screens), Kurt Cobain: About a Son (average $4,700 on two screens) and Lake of Fire ($2,330 at one theater) struggled to find audiences. Jake Paltrow's The Good Night scored $6,250 each at two locations.

Several specialty releases increased their theater counts and at least three held up well. Sean Penn's Into the Wild expanded onto 135 screens and earned $9,410 on average, artful Western The Assassination of Jesse James by the Coward Robert Ford rolled onto 61 screens and made $6,610 per screen, and Julie Taymor's musical Across the Universe played well at 364 theaters, averaging $5,030 per screen.

The premise of Finishing the Game is irresistable for a certain type of film geek: a comedy fictionalization of the search for "the next Bruce Lee." The mockumentary doesn't quite live up to the potential of this premise, but it has enough hilarious moments to distract you from its inconsistencies.

The movie is based on a real-life event: When Bruce Lee died in 1973, he left a significant amount of footage for the film Game of Death -- enough footage that producers wanted to complete the film and promote it heavily as Lee's last movie. But they needed a stand-in who resembled Lee, to finish production on Game of Death. Finishing the Game is an imagining of how the search for Lee's replacement might have gone, filmed in documentary format. The movie focuses on several contenders for Lee's stand-in, most of whom don't look a thing like Lee: a bearded medical doctor named Raja (Mousa Kraish), small-town Alabama actor Cole Kim (Sung Kang), the extremely white Tarrick Tyler (McCaleb Burnett) and my favorite, Z-movie actor Breeze Loo (Roger Fan), star of Fists of Fuehrer, who claims Lee has had no effect on his career. Novice director Ronny Kirschenbaum (Jake Sandvig) and his jaded casting director Eloise Gazdag (Meredith Scott Lynn) have to pick among these and other Lee wanna-bes.

According to The Hollywood Reporter, IFC Films is going to release two new star-driven movies in theaters and On Demand on the same day. The films will be released by First Take, the "day-and-date" division of IFC. Previous attempts at day-and-date films have been extremely controversial with theater owners, who often refuse to book the movies, claiming, perhaps rightfully so, "Why would anyone leave the house and come to our theater if they can get the movie in the comfort of their own home?" Currently, Todd Wagner and Mark Cuban's Landmark Theaters are one of the few chains who will book day-and-date films, and even have their own day-and-date program, Sneak Preview. I'll stop saying day-and-date, I promise. You can read genius Cinematical writer Patrick Walsh's report on Steven Soderbergh's adventures with the distribution practice here, and Ryan's interview with Cuban right here.

What are the two new films? The crime drama Savage Grace, directed by Tom Kalin (his first feature-length film since 1992's Leopold and Loeb story Swoon) stars Julianne Moore and Hugh Dancy. Grace tells the "true story of socialite Barbara Daly Baekeland's 1972 murder," and was a $5 million production. Finishing the Game, a Bruce Lee mockumentary, was directed by Justin Lin (the very cool Better Luck Tomorrow, Fast and the Furious 2: Tokyo Drift). Game features cameos by James Franco and...uh...MC Hammer (how'd they get Hammer to sign on? Offer him a hot meal?), and "imagines the recasting of Lee's final role in Game of Death before filming was completed." You can read Scott's generally positive Sundance review of Death here. Grace will premiere in theaters and on IFC next year; Death next month.

There are a lot of things that will make me want to see a movie. Maybe the effects look cool, it's based on a book I liked or the trailer made me laugh. The films we're talking about today are ones that caught my attention because of a name involved, someone whose presence in front of or behind the camera makes me think this flick might have something going for it. It's Star Power week on Trailer Park.

The Bucket List
Jack Nicholson and Morgan Freeman play terminal cancer patients who create a list of things they want to do in life before they kick the bucket (hence the title). Neither actor seems to be straying far from what we've come to expect of them. Nicholson is blustery but still kind of suave while Freeman is more thoughtful and fatherly, but these are roles they play well. Oddly enough, the dynamic between the two actors reminds me a bit of the one between Bruce Campbell and Ossie Davis in Bubba Ho-tep. Will and Grace's Sean Hayes is here too and Rob Reiner is directing, so I suspect this will be one worth catching. Martha Fischer first blogged about this on Cinematical here.

Finishing the Game
The star in question here is actually the star of the film being made within the film. At the time of Bruce Lee's sudden death in 1973 at the age of thirty-two, his film The Game of Death remained unfinished. Finishing the Game is a comedy about the completion of the film in the wake of Lee's death and finding an actor who can finish the late martial arts star's scenes. Several actors vie for the role, one of them hilariously Caucasian. The costumes and hair styles capture the 70s feel nicely, as do the clips of faux period martial arts flicks, which kind of remind me of the fake trailers in Grindhouse. This looks awesome.

I watched Finishing the Game with an enthusiastic audience as the Asian Film Festival of Dallas (AFFD) got underway last week. As Scott Weinberg pointed out in his Sundance review, the film's humor is scattershot and inconsistent, but overall "delivers a solid parcel of good, goofy chuckles." In the post-screening Q&A, director Justin Lin noted the challenges he's faced in meetings with Hollywood executives as "the only Asian guy in the room." He feels that Asian Americans are underrepresented -- on screen and in the stories told -- not so much due to racial discrimination but because studio execs are not convinced that a market exists that will support them. Lin and two of his superb actors, Roger Fan and Sung Kang, kept the Q&A lively and stayed late to sign posters in the lobby.

My Friday screenings began with The Heavenly Kings, a quasi-mockumentary about the Hong Kong pop music scene. Cinematical's Jeffrey M. Anderson wrote a positive review when it played at the San Francisco Film Festival and the AFFD audience obviously enjoyed it. Personally, I thought the editing was choppy and the tone inconsistent. Still, Daniel Wu has come a long way from the late 90's, when he first started landing roles in Hong Kong after moving there from San Francisco. He was considered a pretty boy who didn't speak Cantonese very well, and some of his work was barely tolerable. He's blossomed into a fine actor and definitely shows promise and ambition in his directorial debut.

The Victim (from Thailand) looked gorgeous but its unimaginative use of horror movie conventions (loud! bang!!) and "twists" that were telegraphed far in advance quickly became tiresome. Happily, Dorm (also from Thailand) was much better. It's immediately captivating, relating the tale of a boy sent away to a private school where things go bump in the night. While the thrills and chills are not entirely original -- the premise is reminiscent of The Devil's Backbone -- the filmmakers do a great job of making you feel for the lost little kid. And there are just enough original touches to keep you off balance. Dorm was a pleasant surprise. Even better if you missed its festival showings: it's available on Region 1 DVD from Tartan Home Video. The Asian Film Festival of Dallas continues through Thursday, August 30.

Once upon a time I encountered a tiny group of people who wanted to see more Asian films on screens in Dallas, Texas. Rather than just belly-aching about the shortage, they put up their own money and mounted the Asian Film Festival of Dallas in 2002. The first festival screened 10 films over a weekend; some of the screenings sold out and others drew just a handful. The organizers bravely pressed on and now the sixth edition of a very fine showcase for Asian films is upon us. The festival gets under way tonight with Justin Lin's Finishing the Game.

Finishing the Game is said to be an affectionate mockumentary about the hilarious search for a stand-in for Bruce Lee after the legendary star died before filming on Game of Death was completed. Cinematical's Scott Weinberg saw it at Sundance and felt it was "a pretty funny little diversion." Check out the film's MySpace page to see more people dressed up in Lee's trademarked yellow track suit., not to mention a plethora of video clips. Lin made the terrific Better Luck Tomorrow before "going Hollywood" and directing Annapolis and The Fast and the Furious: Tokyo Drift, so it's very nice to see him returning to his roots, as it were. Lin and actors Roger Fan and Sung Kang are scheduled to attend. IFC Films will release Finishing the Game in limited engagements in October.

Other highlights include Thai drama Dorm, Japanese "family portrait" The Taste of Tea and Vietnamese comedy-drama Owl and the Sparrow, which our own Kevin Kelly was very glad he saw at the Los Angeles Film Festival, calling it "a wonderful, character-driven story." Director Stephane Gauger will attend the screening. The program continues through next Thursday, August 30; check out the official site for more information. I hope to write more about the films as the fest continues through the week.

When Bruce Lee died, tragically and way too young in 1973, he'd only logged about 20-some minutes of material for his film Game of Death ... so the opportunistic producers opted to hire a stand-in to replace the legendary martial artist in order to complete the film. A tacky move, to be sure, and one that's caused much consternation among Lee's fans for the past several decades. And now comes a mockumentary that takes careful aim on that unseemly decision ... and it makes for a pretty funny little diversion.

A confident and consistently amusing comedy from Justin Lin, who directed the very fine Better Luck Tomorrow before "going Hollywood" with the empty-headed The Fast and the Furious: Tokyo Drift and the nigh-unwatchable Annapolis, Finishing the Game works as sort of a Spinal Tap of the mid-'70s kung fu set. Completely fabricated and admirably on target, Finishing the Game takes square aim at the ways in which Asian performers spent decades pigeonholed into "delivery boy" roles, full-bore "chop socky" caricatures -- and pretty much nothing else, really.

Well, wow. That's pretty disappointing.

I speak of the 2007 Sundance Film Festival "Park City at Midnight" selections. In previous year the PCM program introduced me to the wonderful horrors of The Descent, Hard Candy, High Tension, May, Saw and Three Extremes.... But next year's line-up seems alarmingly short on the scary stuff. Obviously I cannot make any judgments about the program before I see the films, but going only on the genres and the plot synopses, it seems that next January's Midnight picks are much more comedic in nature. Well, comedies and general weird stuff is what it looks like. Here's the breakdown:

Fido -- Andrew Currie's "Romero meets Sirk" farce earned a small amount of positive buzz at Toronto, which is where James and I sat together and had a really good time with the flick. (Kim liked it too!) Lionsgate is currently preparing a release date for the film, but now we know why they were taking their time on that front.

Finishing the Game -- A mockumentary about the guy called in to "replace" the legendary Bruce Lee on Game of Death after the star passed away. From Better Luck Tomorrow (and, ugh, Annapolis) director Justin Lin.

It Is Fine. Everything Is Fine! -- Director Crispin Glover returns with a follow-up to his certifiably insane What Is It?

The Signal -- "A mysterious signal is being transmitted from all media devices in the city of Terminus, provoking murder and madness within the psyches of its inhabitants." Sounds promising. And check out the trailer!

Sk8 Life -- Apparently it's a Can8ian indie about a bunch of sk8ers who band together to save their beloved hangout from dem0lition.

Smiley Face -- Anna Faris stars as a girl who eats some crazy pot brownies and has a day full of wacky Araki misadventures. And check out the cast!

The Ten -- Some of the old State members got together to do a comedy anthology based on The Ten Commandments. Again, the cast is absolutely jam-packed with colorful folks.

We Are the Strange -- Apaprently someone called it "Monsters Inc. meets The Nightmare Before Christmas inside of a retro Japanese video game." Hmm, OK. The trailer certainly promises something ... yeah, strange.

So there's one I've seen already, two promising comedies, an animated brain-twister, an indie that uses 8s instead of As, another piece of brain-rust from Crispin Glover ... and a Gregg Araki ensemble comedy? Which leaves The Signal as my one small beacon of late-night horror. Ah well, a cool-looking line-up all the same, even if it's not as blood-drenched as I'd hoped it would be. (Plus there's always a few genre titles mixed in amidst the more "highbrow" programs.)