Four Christmases Tagged Articles at Cinematical

Angels & Demons
The first was met with much critical disdain, but fought back to earn over $750 million at the worldwide box office. Angels & Demons still managed to make money, but less than $500 million (needing worldwide take to even make up for the budget) as Tom Hanks tries to hunt down a symbol-loving murderer. Eric D. Snider called it: "is as overly serious as its predecessor, and poor Mr. Hanks -- the world's most likable man, for crying out loud! -- is still dour and intense." Skip it. Also on Blu-ray.

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Four Christmases
Just as the title implies, Vince Vaughn and Reese Witherspoon are forced to stop avoiding their crazy families and must hit four households over the holidays. In his review, William Goss wrote: "The rest makes for an occasionally amusing, mostly shrill series of encounters with an ensemble that only encourages misanthropic ideals, and maybe if Four Christmases had decided to extend itself beyond white trash targets and projectile vomiting, we could've found ourselves talking about a new Christmas classic right now." Rent it if you want some uncomfortable holiday humor. Also on Blu-ray.

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Funny People
If ever there was a reason why Adam Sandler has been sticking to the ridiculous fluff, this is it -- a dramedy with a lot of heart that couldn't even make back its budget after worldwide release. In his review, Todd Gilchrist said: "Funny People is one of the summer's, if not the year's best films, because it's a comedy that inverts the medium's typical use – effectively revealing feelings rather than concealing them – and invites the audience to share in that discovery." Buy it and give the film some love. Also on Blu-ray.

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Hit the jump for a peek at Shorts and other new releases...

Holdovers ruled the box office as no one much cared about any of the movies that opened in wide release this weekend. Lexi Alexander's Punisher reboot turned out to be a huge mistake, opening to a fraction of what the original Jonathan Hensleigh/Thomas Jane version did four and a half years ago. $4 million is painful, though not terribly surprising -- the film was marketed as a totally generic action movie, with no stars and no draw except the Punisher trademark. (The most recognizable name in the cast is probably Wayne Knight.)

Even worse off was the Alan Rickman-starring caper comedy Nobel Son. Tossed into 900 screens by indie Freestyle Releasing, the movie grossed all of $371,000, or $415 per screen -- a foregone conclusion. I'm not sure why Freestyle shelled out the money for such a relatively wide release, or what they were hoping for. Maybe a pre-Christmas miracle.

The "winner" among the weekend's new wide releases would have to be Cadillac Records, which managed a respectable $3.5 million on under 700 screens. That was enough for 9th place, just behind Punisher (on 2500 screens).

Leading the holdovers was Four Christmases, which took first place for a second straight weekend; it will have a tough time breaking $100 million, but should squeak to around $95. Twilight bummed around second place, and should be at $150 million by next week. Bolt finally took a hit after its excellent second weekend over Thanksgiving, and should top out around $95 million as well.

The full chart after the jump.

I think critics should start boycotting the yearly Christmas Family Comedy. It's amazing: these movies are never good. I can't think of another distinct subgenre with such a poor track record over the last decade. And of course, I went and saw Four Christmases, of my own free will. I'm an idiot.

In any event, it was silly of me to imply that Four Christmases didn't have the muscle to win the weekend; high-profile Christmas movies almost always do well. The $31.7 million three-day is one of the best openings ever for a movie of this kind; last year's Fred Claus, also starring Vince Vaughn, only managed $18.5 million in early November. Four Christmases even squeaked out Elf. Its five-day gross was an impressive $46.7 million.

Australia, on the other hand: oh boy. Baz Luhrmann's ultra-expensive, ultra-long epic made $20 million over the five days, which is less than inspiring -- especially considering it has now basically exited the Oscar race. Luhrmann's Moulin Rouge! only ended up with around $57 million at the end of its domestic run -- but it didn't cost $130 million, either.

Transporter 3 -- the weekend's best new offering, for my money -- did okay with $12.3 million over three days and $18.5 over five. The three-day is a slight decline from what Transporter 2 did three years ago, but overall I'd put them even. This franchise continues to be profitable.

Twilight fell considerably, which isn't too surprising given the rabid-fan phenomenon that packs theaters opening weekend. Around $160 million is looking like the endgame. Meanwhile, Bolt, facing no new kid-centric competition over the weekend, held up almost miraculously well, actually gaining slightly over the three-day weekend. The folks at Disney have surely turned last weekend's frown upside down.

Slots 10 and 11 on the weekend's chart are occupied by limited releases: Milk and Slumdog Millionaire, on 36 and 49 screens, respectively. Their success bodes well for their Oscar chances.

The full five-day estimates after the jump.

The vampire romance Twilight kicked serious butt with the fifth biggest November opening in history. Last week's other newbie, Bolt, took a somewhat disappointing third place with Quantam of Solace outselling the Disney feature by a mere half million. Here's the top five:

1. Twilight: $69.6 million
2. Quantum of Solace: $26.7 million
3. Bolt: $26.2 million
4. Madagascar: Escape 2 Africa: $15.6 million
5. Role Models: $7.3 million

This week, a historical drama, a holiday-themed comedy and an action sequel are vying for your Thanksgiving weekend box-office dollars.

Australia
What's It All About: Set in the months after Pearl Harbor, Nicole Kidman plays an aristocratic British cattle rancher with Hugh Jackman playing a cattle driver who helps drive her herd across hundreds of miles of Australian outback.
Why It Might Do Well: The cast is definitely a plus and Kidman and Jackman appear to have good chemistry.
Why It Might Not Do Well: 47% rotten at Rottentomatoes.com suggests a less than bright future for this one.
Number of Theaters: 2,600
Prediction: $17 million

Four Christmases
What's It All About: When a couple played by Reese Witherspoon and Vince Vaughn find their vacation flight has been canceled, they are forced to visit all four of their divorced and remarried parents on Christmas Day.
Why It Might Do Well: The holiday season is almost here, so the Christmas angle may appeal to some.
Why It Might Not Do Well: The plot has a been-there-done-that feel, Vaughn appears to be playing the same character we've seen him do countless times before, and Rottentomatoes.com gives it 23%.
Number of Theaters: 3,200
Prediction: $26 million

Last November, Warner Bros. released Fred Claus, a Christmas-set comedy pairing up lead Vince Vaughn with Rachel Weisz.

This November, New Line released Four Christmases, a Christmas-set comedy pairing up lead Vince Vaughn with Reese Witherspoon.

Mere coincidence, you might ask, despite the fact that New Line is owned by Warner Brothers, not to mention the shared initials of both the titles and the actresses playing the love interests? Perhaps, but happenstance loses my vote when the best one can say for Four Christmases is that it's a marginally better holiday romp than the likes of Fred Claus.

What to make of Twilight's $70.5 million bow? Well, it's not quite Harry Potter, whose first-weekend outings have ranged from $77 million to $102. But when you consider that Twilight is basically a niche film -- certainly it has a lot less cross-demographic appeal than Harry Potter -- its success starts to seem pretty remarkable. Are there any teenage girls who didn't see it this weekend? And what will happen to it next weekend? All the fans may have seen Twilight already -- then again, many of the die-hards may grace it with repeat viewings. Given the incessant shrieking at the screening I attended, that wouldn't surprise me.

Disney's Bolt didn't take despite favorable reviews. The studio continues to have trouble getting its non-Pixar animated features off the ground as tentpoles. Its best go was Chicken Little three years ago; Bolt looks to land about on par with Meet the Robinsons. Disappointing.

What else. Quantum of Solace remains on track to be the top-grossing Bond film of all time. Just below the top 10, Slumdog Millionaire is riding a deserved wave of great word-of-mouth to a $31,000 per-screen average on 32 screens. It'll continue to expand in the coming weeks, and should hit the top 10 before long.

The full estimates after the jump.

If there's a number in a film title you've got a sequel, right? Not necessarily, unless Oceans 1 through Oceans 10 came out on some obscure underground label I've never heard of. The trailers are getting all mathematical on our collective ass this week, and each of them (sort of) sports a number in the title.

Four Christmases
It happens every year. The first time I see a sign of the coming holiday season I cringe. I like Christmas fine once it gets here, but being forced to think about it in September is asking too much. Anyway, this is actually a TV spot, which is appropriate since it sounds like the plot was lifted from a sitcom. Vince Vaughn and Reese Witherspoon are playing a couple who, thanks to a canceled flight to Fiji, are forced to visit all four of their divorced parents on Christmas Day. Pretty wacky, huh? This flimsy plot is being held up by an impressive cast which includes Mary Steenburgen, Robert Duval and Sissy Spacek ... but I doubt that will be enough. Note: Link above now pointing to new full-length trailer.

Terminator: Salvation
OK, there's actually no number in this title, but we're all mentally planting a "4" after the word Terminator. After Terminator 3 I really didn't care if the series lived or died. Without James Cameron at the helm and Linda Hamilton in the lead we were left with mindless action and none of the compelling elements from the first two films. This is only a teaser, but with Christian Bale taking over the role of John Connor, I'm thinking there may be hope. We get a glimpse of a post-apocalyptic future, and Connor tells us via narration that this is not the future his mother warned him about. Considering how bleak that future was portrayed in the previous films, it's chilling to imagine how it could get worse.

Feel that chill in the air? That's because you left the kitchen window open -- go on, I'll wait -- but that secondary chill you're feeling would be the multiplex yuletide season turning in our direction, ready and waiting to melt the bleep out of your heart. Last year, it was This Christmas and The Perfect Holiday begging to be mistaken for one another (in title, not in quality).

This year we've got at least two winter-themed family-minded dramedies waiting in the wings. First out the gate is Nothing Like The Holidays (the trailer's now up at Apple), in which a Hispanic-American family gathers for what might be their last Christmas spent together. Sooooo ... it's basically This Christmas, with the casting emphasis on a different minority. However, for all that film's familiar beats, I found myself surprisingly won over, so here's to hoping that something similar might come of Holidays on November 21st.

In the other corner, we have Four Christmases, in which Vince Vaughn and Reese Witherspoon find themselves shuffling off to visit each of their parents on X-Mas Day. If this (embed-less) TV spot on YouTube is any indication, Vaughn's creaky neurotic shtick and infant spewage will be par for the course, not to mention the last thing I might expect to come from the non-doco directorial debut of Seth Gordon (The King of Kong). As the Hollywood gods have decreed it, Christmases is set to open just before Thanksgiving on November 26th. Ah, the smell of leftovers...

It would appear that tensions on the set of Four Christmases are at an all time high, as the off-screen feud between stars Vince Vaughn and Reese Witherspoon continues to heat up. Last month we told you how both actors were a bit peeved over the other's work ethic. Witherspoon didn't like the fact that Vaughn would show up to the set unprepared, laid-back and ready to improv (after a long night at the bar), while Vaughn seemed pissed that Witherspoon refuses to lighten up and go with the flow. Perhaps that's why pal Jon Favreau was brought in for a late inning role, so that he could keep Vaughn in check and not let the guy ruin the entire flick?

Now, Digital Spy tells us that things on set aren't getting any better. Witherspoon apparently has a problem with one of the scripted love scenes between her and Vaughn, and doesn't want to go through with it. Says a spy: "Reese has an issue with the scripted love scene. It is meant to be a funny, American Pie-style romp, full of bumps and laughs, but Reese is of such a prude, she thinks it's just too much." And this is the girl who was just named the most-liked celeb in 2007? Granted, I wouldn't blame Witherspoon for not wanting to get dirty between the sheets if her partner reeks of alcohol and refuses to go strictly by the script. Who knows what he would do once they were in bed together; for all we know, he could go crazy with the improv, whip out his Johnson and start wagging it around. Sheesh, no Oscar winner deserves that sort of disrespect.

Then again, a scene like that would probably go down as one of the funniest of the year. Poor Reese. If you slack off on set, you get reamed, and if you show up every day on time, with your ultra-professional cap on, you still get reamed. I guess you're damned if you do, and you're damned if you don't. Hopefully the film won't suffer because of this feud (though the press junkets should be very interesting).

There may be trouble with the on-set paradise between Reese Witherspoon and Vince Vaughn in Four Christmases, but for the film as a whole, things just got kookier. The Hollywood Reporter says that old Vaughn friend Jon Favreau has joined the mix, along with Tim McGraw and Dwight Yoakam. Yeah, not exactly the two names that I expected to follow. But it gets even better. McGraw and Favreau will play Brad's (Vaughn) brothers called Denver and Dallas. Talk about feeling on the outside -- not getting another Texas name like Austin or something. Anyhow, they're "siblings who delight in tormenting their brother" over the holidays.

As for ol' Yoakam, he'll play "Pastor Phil, the overly zealous partner of Brad's new wife Kate's (Witherspoon) mother (Mary Steenburgen). He persuades the young couple to act in his church's nativity play, one of the many chaotic events during their visits to different sets of parents." Okay, now considering my own history with the holidays, and other people I know, one or two house/party visits makes for a hectic holiday, let alone visiting four different parents and acting in a nativity play. Hopefully all of this craziness stays on the comfortable side of comedy, and doesn't become a Meet the Parents sort of film where stupid character decisions leads to just as much discomfort as laughs. Still, this is sounding like it could actually be some Christmas fare that's worth the time.