FourChristmases Tagged Articles at Cinematical

Holdovers ruled the box office as no one much cared about any of the movies that opened in wide release this weekend. Lexi Alexander's Punisher reboot turned out to be a huge mistake, opening to a fraction of what the original Jonathan Hensleigh/Thomas Jane version did four and a half years ago. $4 million is painful, though not terribly surprising -- the film was marketed as a totally generic action movie, with no stars and no draw except the Punisher trademark. (The most recognizable name in the cast is probably Wayne Knight.)

Even worse off was the Alan Rickman-starring caper comedy Nobel Son. Tossed into 900 screens by indie Freestyle Releasing, the movie grossed all of $371,000, or $415 per screen -- a foregone conclusion. I'm not sure why Freestyle shelled out the money for such a relatively wide release, or what they were hoping for. Maybe a pre-Christmas miracle.

The "winner" among the weekend's new wide releases would have to be Cadillac Records, which managed a respectable $3.5 million on under 700 screens. That was enough for 9th place, just behind Punisher (on 2500 screens).

Leading the holdovers was Four Christmases, which took first place for a second straight weekend; it will have a tough time breaking $100 million, but should squeak to around $95. Twilight bummed around second place, and should be at $150 million by next week. Bolt finally took a hit after its excellent second weekend over Thanksgiving, and should top out around $95 million as well.

The full chart after the jump.

I think critics should start boycotting the yearly Christmas Family Comedy. It's amazing: these movies are never good. I can't think of another distinct subgenre with such a poor track record over the last decade. And of course, I went and saw Four Christmases, of my own free will. I'm an idiot.

In any event, it was silly of me to imply that Four Christmases didn't have the muscle to win the weekend; high-profile Christmas movies almost always do well. The $31.7 million three-day is one of the best openings ever for a movie of this kind; last year's Fred Claus, also starring Vince Vaughn, only managed $18.5 million in early November. Four Christmases even squeaked out Elf. Its five-day gross was an impressive $46.7 million.

Australia, on the other hand: oh boy. Baz Luhrmann's ultra-expensive, ultra-long epic made $20 million over the five days, which is less than inspiring -- especially considering it has now basically exited the Oscar race. Luhrmann's Moulin Rouge! only ended up with around $57 million at the end of its domestic run -- but it didn't cost $130 million, either.

Transporter 3 -- the weekend's best new offering, for my money -- did okay with $12.3 million over three days and $18.5 over five. The three-day is a slight decline from what Transporter 2 did three years ago, but overall I'd put them even. This franchise continues to be profitable.

Twilight fell considerably, which isn't too surprising given the rabid-fan phenomenon that packs theaters opening weekend. Around $160 million is looking like the endgame. Meanwhile, Bolt, facing no new kid-centric competition over the weekend, held up almost miraculously well, actually gaining slightly over the three-day weekend. The folks at Disney have surely turned last weekend's frown upside down.

Slots 10 and 11 on the weekend's chart are occupied by limited releases: Milk and Slumdog Millionaire, on 36 and 49 screens, respectively. Their success bodes well for their Oscar chances.

The full five-day estimates after the jump.

The vampire romance Twilight kicked serious butt with the fifth biggest November opening in history. Last week's other newbie, Bolt, took a somewhat disappointing third place with Quantam of Solace outselling the Disney feature by a mere half million. Here's the top five:

1. Twilight: $69.6 million
2. Quantum of Solace: $26.7 million
3. Bolt: $26.2 million
4. Madagascar: Escape 2 Africa: $15.6 million
5. Role Models: $7.3 million

This week, a historical drama, a holiday-themed comedy and an action sequel are vying for your Thanksgiving weekend box-office dollars.

Australia
What's It All About: Set in the months after Pearl Harbor, Nicole Kidman plays an aristocratic British cattle rancher with Hugh Jackman playing a cattle driver who helps drive her herd across hundreds of miles of Australian outback.
Why It Might Do Well: The cast is definitely a plus and Kidman and Jackman appear to have good chemistry.
Why It Might Not Do Well: 47% rotten at Rottentomatoes.com suggests a less than bright future for this one.
Number of Theaters: 2,600
Prediction: $17 million

Four Christmases
What's It All About: When a couple played by Reese Witherspoon and Vince Vaughn find their vacation flight has been canceled, they are forced to visit all four of their divorced and remarried parents on Christmas Day.
Why It Might Do Well: The holiday season is almost here, so the Christmas angle may appeal to some.
Why It Might Not Do Well: The plot has a been-there-done-that feel, Vaughn appears to be playing the same character we've seen him do countless times before, and Rottentomatoes.com gives it 23%.
Number of Theaters: 3,200
Prediction: $26 million

Last November, Warner Bros. released Fred Claus, a Christmas-set comedy pairing up lead Vince Vaughn with Rachel Weisz.

This November, New Line released Four Christmases, a Christmas-set comedy pairing up lead Vince Vaughn with Reese Witherspoon.

Mere coincidence, you might ask, despite the fact that New Line is owned by Warner Brothers, not to mention the shared initials of both the titles and the actresses playing the love interests? Perhaps, but happenstance loses my vote when the best one can say for Four Christmases is that it's a marginally better holiday romp than the likes of Fred Claus.

What to make of Twilight's $70.5 million bow? Well, it's not quite Harry Potter, whose first-weekend outings have ranged from $77 million to $102. But when you consider that Twilight is basically a niche film -- certainly it has a lot less cross-demographic appeal than Harry Potter -- its success starts to seem pretty remarkable. Are there any teenage girls who didn't see it this weekend? And what will happen to it next weekend? All the fans may have seen Twilight already -- then again, many of the die-hards may grace it with repeat viewings. Given the incessant shrieking at the screening I attended, that wouldn't surprise me.

Disney's Bolt didn't take despite favorable reviews. The studio continues to have trouble getting its non-Pixar animated features off the ground as tentpoles. Its best go was Chicken Little three years ago; Bolt looks to land about on par with Meet the Robinsons. Disappointing.

What else. Quantum of Solace remains on track to be the top-grossing Bond film of all time. Just below the top 10, Slumdog Millionaire is riding a deserved wave of great word-of-mouth to a $31,000 per-screen average on 32 screens. It'll continue to expand in the coming weeks, and should hit the top 10 before long.

The full estimates after the jump.

If there's a number in a film title you've got a sequel, right? Not necessarily, unless Oceans 1 through Oceans 10 came out on some obscure underground label I've never heard of. The trailers are getting all mathematical on our collective ass this week, and each of them (sort of) sports a number in the title.

Four Christmases
It happens every year. The first time I see a sign of the coming holiday season I cringe. I like Christmas fine once it gets here, but being forced to think about it in September is asking too much. Anyway, this is actually a TV spot, which is appropriate since it sounds like the plot was lifted from a sitcom. Vince Vaughn and Reese Witherspoon are playing a couple who, thanks to a canceled flight to Fiji, are forced to visit all four of their divorced parents on Christmas Day. Pretty wacky, huh? This flimsy plot is being held up by an impressive cast which includes Mary Steenburgen, Robert Duval and Sissy Spacek ... but I doubt that will be enough. Note: Link above now pointing to new full-length trailer.

Terminator: Salvation
OK, there's actually no number in this title, but we're all mentally planting a "4" after the word Terminator. After Terminator 3 I really didn't care if the series lived or died. Without James Cameron at the helm and Linda Hamilton in the lead we were left with mindless action and none of the compelling elements from the first two films. This is only a teaser, but with Christian Bale taking over the role of John Connor, I'm thinking there may be hope. We get a glimpse of a post-apocalyptic future, and Connor tells us via narration that this is not the future his mother warned him about. Considering how bleak that future was portrayed in the previous films, it's chilling to imagine how it could get worse.

Feel that chill in the air? That's because you left the kitchen window open -- go on, I'll wait -- but that secondary chill you're feeling would be the multiplex yuletide season turning in our direction, ready and waiting to melt the bleep out of your heart. Last year, it was This Christmas and The Perfect Holiday begging to be mistaken for one another (in title, not in quality).

This year we've got at least two winter-themed family-minded dramedies waiting in the wings. First out the gate is Nothing Like The Holidays (the trailer's now up at Apple), in which a Hispanic-American family gathers for what might be their last Christmas spent together. Sooooo ... it's basically This Christmas, with the casting emphasis on a different minority. However, for all that film's familiar beats, I found myself surprisingly won over, so here's to hoping that something similar might come of Holidays on November 21st.

In the other corner, we have Four Christmases, in which Vince Vaughn and Reese Witherspoon find themselves shuffling off to visit each of their parents on X-Mas Day. If this (embed-less) TV spot on YouTube is any indication, Vaughn's creaky neurotic shtick and infant spewage will be par for the course, not to mention the last thing I might expect to come from the non-doco directorial debut of Seth Gordon (The King of Kong). As the Hollywood gods have decreed it, Christmases is set to open just before Thanksgiving on November 26th. Ah, the smell of leftovers...

There may be trouble with the on-set paradise between Reese Witherspoon and Vince Vaughn in Four Christmases, but for the film as a whole, things just got kookier. The Hollywood Reporter says that old Vaughn friend Jon Favreau has joined the mix, along with Tim McGraw and Dwight Yoakam. Yeah, not exactly the two names that I expected to follow. But it gets even better. McGraw and Favreau will play Brad's (Vaughn) brothers called Denver and Dallas. Talk about feeling on the outside -- not getting another Texas name like Austin or something. Anyhow, they're "siblings who delight in tormenting their brother" over the holidays.

As for ol' Yoakam, he'll play "Pastor Phil, the overly zealous partner of Brad's new wife Kate's (Witherspoon) mother (Mary Steenburgen). He persuades the young couple to act in his church's nativity play, one of the many chaotic events during their visits to different sets of parents." Okay, now considering my own history with the holidays, and other people I know, one or two house/party visits makes for a hectic holiday, let alone visiting four different parents and acting in a nativity play. Hopefully all of this craziness stays on the comfortable side of comedy, and doesn't become a Meet the Parents sort of film where stupid character decisions leads to just as much discomfort as laughs. Still, this is sounding like it could actually be some Christmas fare that's worth the time.

Just the other day, Christopher Campbell posted that Mary Steenburgen and Sissy Spacek had signed on to play two of the moms in next year's holiday pic, Four Christmases. The movie stars Reese Witherspoon and Vince Vaughn as a couple who try to see their four divorced parents on Christmas day. This latest piece of news isn't who the other father is (Robert Duvall is playing Vaughn's dad), but rather some rumored trouble on the set between the two stars -- who play the couple that's supposed to be sticking together.

According to the Daily News' Gatecrasher, the screen couple definitely haven't been getting along, and won't be the follow-up to Vince's romance with past co-star Jennifer Aniston. Just like her production company's moniker (Type A Films), Reese is coming to set ready to put in lots of work, while Vaughn wants to be laid-back. "Vince rolls onto set in the morning looking like he just came in from a night out, while Reese will arrive early, looking camera-ready. Then, Reese tries to force Vince into blocking out each scene and running through their lines as Vince tries to convince her that he's an ad-libber and wants to play around and see where the scene goes."

So far, however, this clash hasn't stopped production, but the source also says that Vaughn sometimes looks like "he just wants to kill her." Honestly, I can see both of their points. I'm sure it must be aggravating for Reese to have to fight to get cooperation in how she prepares, just as it's probably infuriating to Vaughn to deal with a Tracy Flick-type and not be able to just go along as he wants. Hopefully it won't lead him to the fate of Matthew Broderick in Election. We'll have to wait 12 months and see whether we can spot all that anger in their characters; if the rumors are true, we'll see just how good the two actors really are.

[via AOL]

It must be a lot of fun casting veteran actors as parents of current stars. Thanks to past casting decisions we got to see Sean Connery play Harrison Ford's father, Barbara Streisand and Dustin Hoffman play Ben Stiller's mom and dad, and Keith Richards (wait, he's not a veteran actor) as Johnny Depp's pirate papa. Now, somewhat similar to the parental stunt-casting of the Meet the Parents movies, we're getting some interesting casting choices for the roles of both Reese Witherspoon and Vince Vaughn's parents in next holiday season's Four Christmases. It's a comedy about a married couple attempting to visit with all four of their parents -- who are all divorced and live in four different locations -- on Christmas Day.

We've already learned Robert Duvall is one of the fathers (now we find out he's playing Vaughn's). Now, according to the Hollywood Reporter, Oscar-winning actresses Sissy Spacek and Mary Steenburgen are hopping on board as the moms. Can you imagine which one goes with which of the movie's leads? Immediately I thought "Loretta Lynn" should be mom to "June Carter" and tall(er) "Clara Clayton" should be mom to super-tall "Fred Claus". Alas, the casting went the other way: "Carrie" is the mother of "Norman Bates" and "Hannah Nixon" is the mother of "Tracy Flick". To be more specific, "Spacek will play the slightly spacey, New Age mother of Brad (Vaughn). Steenburgen will play the chameleonlike mother of Kate (Witherspoon), whose personality changes depending on whom she's married to or dating." We still don't know which Academy Award winning actor (he has to have an Oscar, like the other parents) will play Witherspoon's dad -- may I suggest Chris Cooper? or Alan Arkin? The only other role cast is the part of Witherspoon's "controlling, type-A sister", to be played by Kristen Chenoweth.