Frank Darabont Tagged Articles at Cinematical

A new adaptation (I refuse to use the word remake here) of Fahrenheit 451 has been in the works for ten years now. I was very excited by the news that Mel Gibson was planning it as a Braveheart follow-up, as it seemed like that would mark a new and serious phase of his directing career. I wish that was something I could have been right about.

Frank Darabont was the next one to take it on, and he's been attached to it since 2001, rewriting Terry Hayes' script and being delayed by everything from Indiana Jones IV, Mission Impossible III, The Mist, and Law Abiding Citizen. SciFi Wire caught up with Darabont at the Saturn Awards, and the director / writer declared that it was really time to get on with it already ... and that it might actually get underway this time, depending on whether or not the Big Name Actor he wants signs on.

"Fahrenheit is the thing I'm trying to get up next, which is casting-dependent, so it's one of those. I'm out to somebody at the moment, fingers crossed, because, boy, do I want to make that movie. I'm not giving up. I'll die in the traces before I don't make that movie ... It's not one of those movies that are vastly expensive by any contemporary standard, but money is still money, and it's of a price that requires somebody that will justify that investment. This is definitely going to be more than The Mist, so those other considerations do come into play."

You can go crazy wondering just who that Big Actor who can pull in the money and box office might be. Could it be someone that rumors have long attached, like Tom Hanks (Darabont's pick for years), Brad Pitt, or Tom Cruise? Or could we be looking at someone newly bankable, like Johnny Depp?

When's the last time a short story scared the crap out of you? Japanese author Kôji Suzuki (of the original Dark Water and The Ring) seems to be aiming for as much. According to Dread Central, he has written "Drop," a setting-suitable novella that comes printed on rolls of toilet paper. Each roll comes with multiple copies of the story, so no need for cries of anguish when the tee-pee runs out before the twist is revealed.

But seriously, folks, before this metaphor gets too corny and starts to stink, what are some of your favorite short stories that were adapted successfully to the big screen? Can you name any that you think are ripe for a film version? I'm not sure if it's short enough to count, but I'm still waiting on Frank Darabont to give us Richard Bachman's Stephen King's The Long Walk, after doing a bang-up job on both The Mist and The Shawshank Redemption (and I guess The Green Mile counts too, being a serial and all).

Last week, the upcoming thriller Law Abiding Citizen was embroiled in a bit of drama when its director, Frank Darabont, unexpectedly dropped out seemingly just after it had managed to cast Jamie Foxx. Rumors still abound that the split wasn't a friendly one -- and given that there's been a storyline switch-a-roo, we're not even sure what we'll see onscreen.

Well, happily for Citizen, they landed themselves a new director. Variety reports that F. Gary Gray has signed for the enviable job of directing Foxx and Gerard Butler (who is also producing). And while the story still focuses on a vigilante hounding a city and its assistant D.A., the roles have now switched. Foxx is now playing the assistant D.A., and Butler the vigilante, with the film set to shoot in December.

And for a movie about a vigilante, it's leaving an appropriate amount of bodies in its wake. Thanks to the shift in directors, now Eric Bana has been left job less. Gray was all set to direct Armored, the heist thriller that had chased Bana around Star Trek before finally landing him. Oddly, Armored doesn't even get the luxury of a replacement director -- Millenium Films is reporting that Gray's departure has left it dead in the water, a mere week after it had appeared in the trades.

I have an idea! Cast Bana in Law Abiding Citizen as the serial killer who controls the city and Butler's vigilante, combining both script ideas into one film of crazy, blood-splattered fun questioning the nature of justice ... or at least just ending violently in an abandoned warehouse. (By the way, if they need someone to die violently at the hands of justice-dealing Butler, I'm available. Call me!)

This is a follow-up of sorts to my piece on Mikael Hafstrøm's adaptation of Stephen King's 1408. If you're interested, you should check that out. There, I half-marveled at and half-lamented the fact that the film managed to transform 1408 from a spectacularly scary, quasi-Lovecraftian horror tale into a personal, abstract meditation on grief and loss. In effect, the movie transplanted the story from the conceptual, hard-horror half of King's ouvre (think Cell and From a Buick 8) to the character-driven half (Lisey's Story, Bag of Bones). It was still a good film, but it needed someone who understood the existential terror that King is so good at evoking: a glimpse of something so alien, so divorced from the world we know, that it is simply beyond our comprehension. That's scary. Give me a movie like that.

At the time I wrote that post, such a film already existed. I suspected that this was the case, but I hadn't read the source material, and so couldn't validly make the comparison. Now I can: Frank Darabont's The Mist understands the sort of paralyzing, staring-into-the-abyss horror that King does so well. Even more impressive: not only does it brilliantly translate that aspect of the novella to the screen, it – like 1408 – fleshes out dimensions that the author barely implied. I knew I loved the film when I saw it, but only now do I understand how accomplished it really is.

Just three days ago, when we told you that Jamie Foxx was joining Gerard Butler for vigilante thriller Law Abiding Citizen, we were all still under the impression that Frank Darabont remained in the director's seat for the project. Unfortunately, AICN has confirmed word that Darabont has indeed stepped away from the film, for reasons unknown, and I for one share the sentiment that this is a distinctly less exciting prospect now.

What's curious is how descriptions of the film's plot have varied. Our post on Darabont's hiring and the film's IMDb page (at the moment) both shared a synopsis that involved an elaborate scheme by an incarcerated criminal mastermind to control the city. Last week's Hollywood Reporter piece on Foxx coming aboard took it back to an reportedly original, comparably simpler tale of injustice and revenge, which screenwriter Kurt Wimmer (Street Kings) may still be able to spin into something special.

Just not, y'know, Darabont special. (Maybe he could return to Stephen King country and finally bring "The Long Walk" to the screen; one can hope...).

Gerard Butler's RocknRolla week has gone rather sour, poor lad. (And I do mean that.) But maybe he can keep cheerful at the idea that Law Abiding Citizen is finally moving forward again. If you remember, this is the first film Butler will be producing under his Evil Twins shingle, and he snagged Frank Darabont for the director's chair.

Now, according to The Hollywood Reporter, Mr. Butler has snagged himself a pretty big costar: Jamie Foxx. Butler will play a successful assistant D.A., who finds himself in the middle of a vigilante plot hatched by Foxx, who has been screwed over by the legal system and discovers that one of the men responsible for killing his wife and daughter is about to be set free. All who participated in the deal and the killings are fair game for his revenge. It's going to be a lot of fun watching Butler and Foxx square off.

Possibly better than Foxx's casting is that they seem to be keeping the original plot. When Darabont became attached to the film, the press release suggested that the story was revamped to center around a criminal mastermind rather than vigilante justice. Who wants to see a Hannibal Lecter knockoff over a Harvey Dent clone? Not I, I like my moral ambiguity and Batman style justice. No word on when this starts shooting, but let's hope it's soon. I think Butler could use some good news -- and a safer outlet for his own vigilante justice.

I don't ask for autographs, I don't send fan letters, and I certainly don't wait around in front of hotels or press lines -- but I do get to attend some verrrrry geeky movie events, I do have a few very cool friends, and (get this) I'm a pretty friendly and sincere guy. So sometimes I get cool snapshots. Call it a hobby inspired by the time I did a (very brief) Sundance interview with the monolithic James Woods and walked away without a photo with one of my actor-heroes. (Despite the fact that I had a perfectly good camera in my pocket.) Plus I work for a cool movie blog, which means I can get photos like these and actually call it ... work! (muffled giggles)

My gracious thanks to everyone in and behind the photos. And my apologies to everyone else for my always looking so bald, sweaty, and tired. (You only see pictures of me when I'm exhausted. Plus I'm just plain old goofy looking, so save your comments.)

I've mentioned this before, but it's worth reiterating here: I don't really enjoy doing interviews with filmmakers and celebrities. I fancy myself a somewhat "creative" writer (not necessarily a good writer, but hopefully a creative one), and the interview format doesn't really leave all that much room for creativity. If I gave you a list of all the famous people I PASSED on interviewing, you'd probably call me a clueless buffoon. And you may be right.

But one thing I do enjoy is doing a casual interview with a filmmaker who doesn't really have a current project to "push." This way we can just talk about movies in general, and I don't have to feel the pressure of "focus on his NEW movie!" So when Erik sent me a list of five or six people that I could talk to from Genius Products (the home video distributor of Harvey Weinstein's films), I told him "Nah, thanks, unless you desperately want coverage of someone." But then I looked a little closer: Um, Frank Darabont was there to do some chatting? Uh, yes please. Anyone who's ever seen The Shawshank Redemption, The Green Mile, or The Mist knows that Mr. Darabont is one hell of a good filmmaker -- but anyone who's ever listened to one of his audio commentaries also knows that the guy is one of the most articulate, passionate, and well-prepared directors under the sun.

What can I say about our first full day at San Diego Comic Con? First off, there are people everywhere -- I'm absolutely starving (because lines to get any sort of food are tremendous) and everywhere I look someone has fake blood on their body. It's the most surreal experience ever -- sort of like attending a Woodstock-like concert in Fantasyland. But I dig it, and we're trying to do as much as we can, see as much as we can, and bring it all back to you without absolutely losing our minds.

Below is a collection of costumes from the first day of San Diego Comic Con '08. (I don't think I have to tell you which one is my favorite ...)

More coming ... including word from Max Payne, The Day the Earth Stood Still, Red Sonja, Frank Darabont, Twilight and, well, more, more, more ...

Cinematical's Official Comic Con '08 Hub

Were you in The Shawshank Redemption? Did you work on set? Were you otherwise involved in the production? If so, you're invited to a 15-year reunion this August in Ohio. Someone having something to do with the 1994 Oscar-nominated film has put together a weekend-long event and a really snazzy website providing details. Oh, and if you're merely a fan of the movie but had nothing at all to do with its making, you can attend as well. A few of the things on the itinerary do cost an admission fee, but only because there are prison and museum tours involved, plus a concert featuring a southern rock band.

Many people consider The Shawshank Redemption one of the best films of the '90s, maybe even of all time, so there are likely plenty of people who'd be interested in a little trip to see the film's shooting locations and meet with extras and crew members who helped create the film. Apparently there aren't many people on board just yet, but if the word gets out to enough people, there's a chance of making this a huge deal. Maybe principal talent like Tim Robbins, Morgan Freeman, Stephen King and/or Frank Darabont could even make room in their schedules to make an appearance. And then, perhaps this can be a yearly thing, like Star Wars conventions and Lebowski Fest.

[via Pop Candy]