Okay, so the Monsters vs. Aliens and My Life in Ruins trailers may have been leaked and subsequently pulled earlier this week, as was the case with certain awards contender Frost/Nixon, but now we can offer up the trailer straight-up, fully legit, by way of Yahoo! Movies.

The incongruous song selections aside (honestly, though: going from "Baba O'Riley" for the sake of nostalgia to Clint Mansell's wondrous score from The Fountain for the sake of drama in a matter of minutes just distracts me), I have little reason to think that this won't deliver on its considerable stage pedigree.

Frank Langella won a Tony Award for his portrayal of disgraced prez Richard Nixon, and as British talk show host David Frost, Michael Sheen looks to tap into that same sense of dignity under pressure that served him so well as Tony Blair in The Queen. It doesn't hurt that both political dramas share the same writer, and it also doesn't hurt that this looks to be the punchiest thing that Ron Howard has directed in quite some time.

Landing smack-dab in the middle of the Oscar drama blitz, Frost/Nixon should open in select cities on December 5th and will expand through Christmas.

Maybe it's because this was my first summer writing for Cinematical, but it's felt like an exceptionally intense movie season: the event movies just kept coming, and many of them wound up having real traction. There was a lot to watch and a lot to talk about. It's barely ended, and in just a couple of weeks, Telluride and Toronto officially kick off the fall -- and "Oscar season". I'll sleep when I'm dead, I guess.

One of awards season's most formidable contenders -- already slated for the familiar December platform release -- is Ron Howard's Frost/Nixon, based on the acclaimed West End and Broadway play about journalist David Frost's famous televised interviews of post-resignation Richard Nixon; the ones where Nixon delivered the infamous line about how "if the President does it, it's not illegal." There's a well-crafted trailer for it over here, (trailer link removed at request of studio) and yep: we're in Oscar mode.

I saw the play with Frank Langella as Nixon and Michael Sheen as Frost, both of whom reprise their roles in the film. The show was great but very much a stage show, deriving a lot of its power from the foreboding set and the hugeness of Langella's Nixon impression which, from the looks of the trailer, remains very much intact. It worked great in the theater, but I'm worried it might overwhelm the film. I liked Anthony Hopkins' take on Nixon in the Oliver Stone film, where he basically said to hell with the impersonation and did his own thing.

I hate to spread totally speculative bad buzz, but if any advance development merits the term "not a good sign," it's a movie getting its release date pushed back seven months to early September, the year's most notorious dumping ground. Yep -- Richard Kelly's The Box is now scheduled to be released by Warner Bros. on September 11, 2009.

Now, to be clear, its original February release date wasn't exactly a plum spot either. But occasionally something sneaks through early in the year -- think Cloverfield. The few weeks around Labor Day are where movies go to die. The only recent exception I can think of is 3:10 to Yuma.

I'm hoping against hope that the switch isn't actually a vote of no confidence, since a Twilight Zone-style sci-fi film from the director of Donnie Darko sounds fantastic. If it is a low-confidence move, I'm hoping it's a case of a studio not knowing a good movie from a hole in the wall. That happens a fair amount, don't you know. Richard Kelly could use a boost after Southland Tales sank last year.

The Box is about a suburban couple who receive a mysterious wooden box with a single button. The box comes with a promise that if one of them presses the button in the next 24 hours, they will get a million dollars -- but somewhere in the world, someone will die. The film stars James Marsden, Cameron Diaz and Frank Langella.

[hat tip: Cinema Blend]

I guess members of Arcade Fire like to keep an eye on their online reputation, because it took a total of eight days for the band to reduce a popular rumor to rubble. A little over a week ago, Richard Kelly (Donnie Darko) had posted that, "a very famous band who is honoring us with being the first filmmakers they've ever scored a film with" had signed up to score his upcoming thriller, The Box. Before you knew it, Pitchfork had picked up the story and was reporting that Arcade Fire was that "famous band".

Cut to one week later and Arcade's co-founder, Win Butler, posted the following message on his blog (through the band's official site): "Arcade Fire is NOT doing the soundtrack to any film. We are all off for the summer, writing songs, reading books and keeping our plants alive" -- although he did concede that he might compose some original music for the film along with band mate Owen Pallet (Final Fantasy).

The Box takes place in 1976, where an unhappily married couple (Cameron Diaz and James Marsden) receive a mysterious box from a stranger (Frank Langella). The box will reward the couple with a massive payday, but only on the condition that a complete stranger dies in return. Erik gave us the heads up on some production photos back in February, but so far there is no release date. Hopefully the 'stink' of Southland Tales has finally worn off, and Kelly will be able to secure an official date soon.

A dedicated contributor to the Ain't it Cool News machine got the chance to catch what they claimed was the final cut of Ron Howard's political drama, Frost/Nixon, and the good news is that it earned a resounding thumbs up (if you make it through the entire review, there is also a little surprise regarding the Arrested Development feature). Frost/Nixon is based on the famous stage play by Peter Morgan, which premiered in 2007 and earned Frank Langella a Tony for Best Performance by a Leading Actor in a Play.

In 1977, Frost, as the host of a popular news show titled Frost on America, conducted a series of hard-hitting interviews with Richard Nixon. Nixon had been interviewed countless times before, but Frost was perhaps the only journalist to ever get him to admit his culpability in the Watergate break-in. Morgan adapted his own play for the screen, and it centers on Frost's team as well as re-enactments of the interviews.

Reprising their roles are Frank Langella as the disgraced former President Nixon, and Michael Sheen as British journalist, David Frost. Joining Langella and Sheen are Kevin Bacon, Oliver Platt, and Sam Rockwell as James Reston Jr. Judging by AICN's tipster, it looks like most of the praise will be directed at Langella's stellar performance as the former president. So for those of you who like to get an early jump on your Oscar pool, you might want to keep Langella in mind. Frost/Nixon goes into limited release on December 5th.

The other day we brought you the first image from Richard Kelly's (Donnie Darko) new film The Box, and now USA Today has a whole slew of images featuring the cast and that darn box. Imagine, if you will, some guy who looked a lot like Frank Langella showed up to your house with a mysterious box, and said that you could push a button on said box and come into great wealth. However, once the button is pressed, someone somewhere will die. What would you do? Well, something tells me we wouldn't have much of a movie if Cameron Diaz and James Marsden (who play the husband and wife who come in possession of the box) didn't go ahead and push the button.

On the film, Diaz says, "This is the most beautiful love story ever. It's so romantic, especially at the end. Other then that, it's a crazy, si-fi psychological thriller with a twist of conscience." The Box is supposed to be Kelly's big commercial film, after the writer-director had a hard time wowing audiences with the experimental Darko and the recent Southland Tales. But if you take a couple and put them into a freaky situation everyone can relate to, I imagine ticket sales will look a tad better this time. So far I'm loving the retro vibe and I truly hope Kelly pulls off a damn good thriller. We could use one of those. Check out one more photo below, then head to USA Today to view the rest.

Riding a wave of near-unanimous praise, Andrew Wagner's Starting Out in the Evening began its box office sojourn at the top, earning an estimated $11,610 per screen at seven theaters, according to Leonard Klady at Movie City News. Wagner previously made the fascinating dysfunctional family comedy drama The Talent Given Us, which starred his own family, but this time performances by non-family members Frank Langella and Lauren Ambrose have been roundly acclaimed. (Check out reviews by Cinematical's James Rocchi and Ryan Stewart.)

Todd Haynes' I'm Not There has received some ecstatic critical response, which translated into "encouraging but less than superlative response," in the words of Mr. Klady. By the numbers, the film made an estimated $5,310 per screen at 130 engagements, which actually sounds pretty good for an unconventional film that even the critics have had difficulty getting a handle on. (Read more: Cinematical reviews by James Rocchi and Jeffrey M. Anderson.)

The third new specialty release, Izuru Narushima's Midnight Eagle, barely opened, earning an estimated $1,630 per screen at two theaters. The action thriller also opened the Tokyo Film Festival but is probably most notable because it's the first time in memory that a Japanese film has opened day and date in Japan and the United States. Sadly, it was slaughtered by the few US critics who saw it, as recorded at Rotten Tomatoes.

Margot at the Wedding expanded from two to 35 theaters and continued to perform well, raking in $11,200 per screen, while No Country for Old Men jumped out into 860 theaters and made an estimated $9,000 per engagement. Mr. Klady pointed to three holdovers: Sean Penn's Into the Wild ($1,920 per screen), Alejandro Monteverde's Bella ($1,970 per screen) and Sidney Lumet's Before the Devil Knows You're Dead ($3,190).

A good indicator of an unnecessary subplot is one that never seems to cross paths with the A-story -- it's a problem that afflicts the new film, Starting out in the Evening, starring Six Feet Under's Lauren Ambrose and film and stage veteran Frank Langella. Ambrose plays Heather, a feisty graduate student obsessed with the works of a minor, undervalued novelist, Leonard Schiller, played by Langella. Schiller is long past the point of imagining that he will be widely recognized in his lifetime for his work, and has settled into the quietude of old age, but Heather is so determined to gain access into his private world that she brazenly positions herself as a sexual thrill for the 70-something man, and he somewhat half-heartedly takes the bait, leading to a believable but half-cocked courtship and an interesting exploration of a completely lop-sided relationship. Good fodder for a feature-length motion picture, but for some reason director Andrew Wagner also shoehorns in an entire relationship drama centered about Lili Taylor, playing the lovesick, 40-something daughter of Schiller.

The notoriously press-shy Lauren Ambrose was not readily available to speak about her role during the film's recent press jaunt, but that's a shame, because her character is far and away the most intriguing aspect of the film. Heather is very believable as one of those early-20s graduate students who seem to have crammed a lifetime's worth of reading into the years when they could have gotten some fun out of life, making for an inherently sad but also clever and resourceful personality, able to stand toe to toe intellectually with someone who has fifty years on her. The best scenes in Starting Out come closer to the beginning of the film than the ending, when Schiller is continually rejecting Heather's entreaties to be his chronicler-muse-companion. Although he keeps telling her no, she keeps coming up with reasons to jam her foot back in the door, like some kind of bookworm stalker who knows exactly how to keep from being confronted with a final, stern rejection. These early scenes are spot-on and very well-executed.

Oh, how I used to wish for a future with funky, memorable, wonderful, and cultish Richard Kelly movies for years to come. Unfortunately, I've lost my faith. I loved Donnie Darko -- it was random, entertaining, and it merged actors from all different periods of my moviegoing life. Then I saw the director's cut, which was too over-explained for me, although I'm still eternally grateful for the Darkomentary. Now Southland Tales. I waited ages for that sucker, checking the ultra-vague website often; waiting. Then it came out to boos, got revamped, and now I'm hearing from some sources that it didn't help.

My future Kelly hopes seem dashed, but even after the flop that was Domino, and the Southland troubles, Kelly is gearing up for his third feature, The Box. Cameron Diaz signed on to star in June, then Frank Langella joined her in October. Now The Hollywood Reporter has posted that James Marsden is in final negotiations to play Diaz's husband in the horror film. The film is about: "an unhappily married couple who receive a box from a stranger (Langella) who tells them that if they push a button on the box, they'll receive a hefty amount of cash -- and someone they don't know will die." If it was as simple as that, there wouldn't be a movie, so I imagine those cash-givers are tricky and will make it someone connected to a future boss, family member, or something to throw a wrench in their already-crappy lives.

When you first movie is a cult sensation and your second movie is ... troubled, it's best to have a third project waiting in the wings. Fortunately for Donnie Darko and Southland Tales director Richard Kelly, that third flick is -- after a long gestation period -- finally coming together. According to Variety, veteran character actor Frank Langella will be joining Cameron Diaz in the horror film The Box. The trade paper says Langella will play "a stranger who presents a mysterious box to a woman." How's that for a killer role?

But Variety also reminds us that The Box is based on an old Richard Matheson story called Button, Button. (The basic premise is this: You're given a magical box and if you press the button, you become rich -- but a total stranger will die. You may remember this story from an episode of the "new" Twilight Zone that ran in the late '80s.) Although Eli Roth used to be connected to this project (as a writer, I believe), it now looks like it's Kelly's show all the way. When Cinematical interviewed Kelly at Fantastic Fest, he had this to say regarding The Box: "But my next movie is a psychological thriller, it's PG-13, has a mainstream concept, and it's something the studio is much more comfortable in committing to right away, telling us they'll put it on 2500 screens." So it's a horror film, but we're talking Vacancy 1408 horror here. In addition to directing, he'll be adapting the Matheson story. Production gets underway in the middle of next month.

And just in case you forgot, another Matheson adaptation -- I Am Legend -- hits theaters in December.