Last week, Collider spoke to producers Mark Canton, Gianni Nunnari, and Bernie Goldmann of 300, as well as director Zack Snyder, who all confirmed they were still hoping for a follow-up of some kind to 300. Today, Variety is reporting it as a done deal.

There are so many things wrong with this story that I just don't know where to begin. First, it wasn't cool of Variety to scoop Collider, and not credit them. But honestly, I can't believe the trades even ran this story. I mean no disrespect to Collider, as they ran it in the right context, but Variety is implying that this is on the verge of being filmed. Any 300 spin-off is entirely theoretical at this point, as it depends on a book that Frank Miller is only believed to be writing. No one even knows if he's jotted an outline down, let alone what it will be about. I watched Collider's interview with the aforementioned producers -- and with all due respect, when asked point blank if they had been in contact with Miller, they didn't answer. That doesn't confirm a solid project. I'm going to go out on a limb here, and suggest Miller hasn't given it a second thought since the movie came out.

I'll admit that I've never actually been seduced by a movie poster ... until now. Yahoo has debuted four of the standalone female Spirit posters, two of which (Eva Mendes as Sand Sarif and Scarlett Johansson as Silken Floss) we've already seen. Now, as pictured above, we also get to check out Jaime King as Lorelei Rox (and, yes, she definitely rox) and Sarah Paulson as Ellen Dolan. Oh, but that's not even the best part -- when you head on over to Yahoo and move your cursor over the different posters, you get to hear each girl repeat the line scrolled across her face. Oh yes. It's pretty cool ... and pretty hot.

In addition to the talking posters, director Frank Miller has gone live with another blog post. In it, he talks about CGI and the role it plays in the industry, as well how it fits into The Spirit. Working with Stu Maschwitz, Miller says, "Stu Maschwitz, CGI wizard, helped me understand this. Of all people. Sure, Stu had the entire CGI arsenal at his disposal – but he insisted that THE SPIRIT be true to its soul. Even when I wanted to go for an impossible, across-the-city camera move, he balked, saying it would "look digital. And Stu wouldn't let one damn character turn into a "bendie" or digital in any way. Hence my favorite shot – the Spirit leaps onto a water tower, and stumbles, just for a moment. Pure Eisner." I'm diggin' this one so far, and look forward to seeing a lot more of it at Comic Con later this summer.

The Spirit hits theaters on December 25.

Frank Miller is just blogging like crazy these days. Which is great -- I wish everybody I ever wrote about had a blog, because it would make everything ten times easier and more interesting. No conjecture. Straight from the horse's mouth!

Today, Miller addressed the concerns and criticism directed at the first teaser for The Spirit, mainly centered on its resemblance to the eye-popping Sin City. "It only resembles Sin City in that I am its director, and, well, yes, I have my ways and my proclivities .... No, Sin City, that one's my own baby, folks, and it looks the way it does for its own reasons. The Spirit is, and will always be, Eisner's Spirit .... To drive the point home, The Spirit , despite any accidental impression left by that kickass teaser-trailer, is a full-color movie. Sin City - and I hope to make of it a movie trilogy all its own, come Hell and high water - is, visually, a playhouse for black and white."

This isn't really earth-shattering news on The Spirit, but it is an interesting item nonetheless. Frank Miller has written a blog for Spike all about his experiences at New York Comic Con. (And if you missed it, which I did, he also reminisces fondly about his rocky relationship with Will Eisner over on the movie's official site.)

Miller writes all about his love for New York, admiration for a comic convention that is rivaling San Diego ("San Diego -- New York's hot on your ass!"), and the excitement of debuting the teaser trailer. "It was with provincial pleasure that I got to introduce The Spirit teaser trailer in the city that so wonderfully inspired Will Eisner, and inspires me like a son of a bitch today. It was, to say the least, the perfect setting."

He continues, "The Spirit movie is a love letter to New York, and here we were: Deborah Del Prete, my producer and a behind-the-scenes warrior without whom the movie would've been unachievable, me, Eva Mendes, who brought Sand Saref to unforgettable life, and Mike Uslan, the man who held tight to the license, and the trust Will Eisner extended him, until he was confident Eisner's treasure could be portrayed with the respect it deserved. And right there, filling the hall was a raucous New York crowd, roaring in response to their first glimpse at what, I believe, is a dream come true for all of us. Only two regrets: I'd have happily suffered Eisner's inevitable criticism, and our inevitable argument, were my Mentor alive to see it."

He's one of pop culture's most beloved outer space adventurers, but we sure haven't seen a lot of good ol' Buck Rogers lately. (Then again, Flash Gordon's most recent incarnation was pretty awful, so maybe that's a good thing.) Born in 1928 from the pen of Mr. Philip Nowlan, Buck Rogers was a pilot / astronaut who fell into a five-century coma, only to awaken to find the world all futurized and stuff: robots, laser guns, spaceships, interstellar wars, all that jazz.

On screens of various size, the character has appeared in a 12-part 1939 serial from Universal Pictures, a short-lived 1950 television series, and (of course) a 1979 movie / TV program that starred Gil Gerard and (sigh) Erin Gray. So the big guy is heading back to the cinemas? Yep. According to IGN Movies, it's Avi Lerner's Millennium Films that will resurrect the Buck Rogers character for a whole new generation of sci-fi nerdlings. (I guess Millennium is using their Rambo money on this project.)

But it gets even geekier! Apparently author / artist / filmmaker Frank Miller will be the one in the director's chair! IGN says that the $40 million Buck Rogers project will be Miller's next gig once he's all finished with The Spirit. The screenplay comes from genre veteran Flint Dille, but there's one thing that gives me a little pause, and it's this quote specifically: "The cheapness of the low-budget effects will be a running joke in the movie, which will retain the campiness of the 1980s TV series Buck Rogers in the 25th Century starring Gil Gerard." Whoa, really? That's the direction you want to go in, fellas? Maybe I'm just an old-school Kaelist, but I think BAD things happen when you try to force "campiness." A sense of humor is fine, but let's not make a cheap joke out of good ol' Buck Rogers.

After presenting The Spirit at last month's New York Comic-Con, Lionsgate feels good enough about Frank Miller's solo directorial debut to move it from its January 16th dead zone of a release date to Christmas Day, 2008. So instead of going up against Mall Cop, starring Kevin James as a wacky security guard, and the Notorious B.I.G. biopic, The Spirit will face off against Adam Sandler's Bedtime Stories, the supposedly ultra-heartwarming Marley & Me, The Tale of Despereaux, and the aftershocks of Twilight and The Day the Earth Stood Still.

"Adult" Christmas counterprogramming has not traditionally fared too well. Last year's Aliens vs. Predator: Requiem actually did okay, but remember Black Christmas? No? What about Darkness? The move is indeed a vote of confidence, but it might up throwing the film to the wolves. The key is to position it as a prestige picture rather than a throwaway. There's been enough fanfare around the promotional materials released thus far to make that look like a possibility. If Lionsgate can put it on people's radar in advance as a Christmas Movie to See, rather than have it randomly show up to compete against the holiday heavy-hitters, it could work.

Take a look at the trailer for The Spirit here.

Frank Miller's place in comic book history is already secure, but these days, he's aiming to leave a sizable IMDB entry too. Miller revealed exclusively to MTV Movies that
not only is there renewed interest in a film adaptation of his comic miniseries Hard Boiled, but that he's hoping to direct it himself. "We're talking about [it]. I've got a really unusual way I want to do it."

After co-directing Sin City, and helming The Spirit himself, he's officially caught the bug. "I'm in love with directing. I've found a way to expand my career. Comics and directing are really two sides of the same coin. That's what Robert Rodriguez taught me ... good drama is good drama."

Hard Boiled was originally published in 1990 by Dark Horse, and is one of the few Miller comics out there that the man himself didn't illustrate. It is about a humble insurance investigator named Carl Seitz, who unexpectedly discovers that he's a cyborg assassin named Nixon. Though psychotic, he's also heralded as the savior of the robot race. It was remarkably violent for its day -- and still is. At one point, it was in development to be directed by David Fincher, and starring Nicolas Cage.

People are really hating on Miller for this swerve in his career, but frankly, I think it's pretty cool. I always admire anyone who can transition from one field to another -- and it is always exciting when an author gets to helm their own work. Alan Moore should have totally gone this route.

The first two posters for The Spirit have debuted online shortly before the trailer (which hits today at 4pm). The image above comes to us via AICN and it appears to be the official teaser poster. Included after the jump is the exclusive Comic Con poster for The Spirit (via Yahoo Movies), featuring Eva Mendes as Sand Saref -- bending down, oozing sexy in some tight black outfit. The gal looks pretty damn good, and I love how her character's name is only a few letters off from the name of a font. Fonts are hot! Right off the bat we can see these first two posters have that Sin City vibe Miller and Robert Rodriguez created a few years ago for the live-action version of Miller's other comic. The cold, newspaper-retro style with a splash of bright red.

Personally, I absolutely loved Sin City and so I'm definitely loving what we've seen so far from The Spirit. I do wonder how much Miller (who's directing The Spirit himself) borrowed from his experience with Rodriguez. Will we see an identical vision, or will Miller emerge with his own style, look and feel? What do you think?

Comic Con poster after the jump, or in the gallery below.