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Posts with tag FrankCapra

Fan Rant: Steve Carell's Maxwell Smart and "The Principle of the Brick"

Filed under: Comedy », Fan Rant »

As a long time fan of the original TV show, and as a grown up version of the kid who used to memorize William Johnston's paperbacks ... as a former elementary school student who went in for as many tedious "Would you believe?" jokes as the legions of film critics writing about this week's box office success ... as all of these things, I'm not expecting anything more heart-breaking this summer than Get Smart. From the under-performing villain (the usually savory Terence Stamp) to the dull direction by Peter Segal, the film was a complete tick-off.

Richard Schickel spelled out his own disappointment in the opening paragraph of his review in Time Magazine:

"A schlemiel may be, must be, grievously acted upon by the always malevolent world. But he can never be permitted to act effectively against that world. At the end of his adventures he must, somehow, triumph over the forces of darkness that surround him - but only accidentally so...In that spirit of genial fantasy, we permit out surrogate that utter self-confidence, that sublime sangfroid, with which with he cheerfully motors his way around and through disaster."

Fan Rant: Adam Sandler, Republican Actor

Filed under: Comedy », New Releases », Sony », RumorMonger », Celebrities and Controversy », Fandom », Exhibition », Politics », Columns »

Adam Sandler's movies haver never represented the apex of cultural awareness, but they do tend to grapple, if somewhat brashly, with the finer points of human relations. In his latest raunchfest, You Don't Mess with the Zohan, the insolent comic creates "his stupidest character ever" (as an audience member muttered five minutes into last night's New York preview screening), but it's also his most symbolic one: Sporting a hyperbolic flair for disco music and using hummus as toothpaste, hardened Israeli soldier Zohan is a bloated creature of Semitic extremes.

Overall, however, the movie uses metaphors more than stereotypes. When Zohan and a furious Palestinian terrorist (John Turturro) use paddles to bat a live grenade back and forth, the result is a lowbrow editorial cartoon.

Retro Cinema: It's a Wonderful Life

Filed under: Classics », Family Films », Home Entertainment », 12 Days of Cinematicalmas », Retro Cinema »



It is easy to dismiss It's a Wonderful Life, and indeed, people have been doing so since the film's release in 1946. Too sentimental, too hokey, too loaded with Frank Capra's hopeful humanism -- all these complaints, and more, have been fired at It's a Wonderful Life over the years. People still watch It's a Wonderful Life, sure, but you have to ask how much of this is based in the two most corrosive reasons to watch a film -- camp and tradition. Watching a film only so you can dissect it with the sharp blades of irony can blind you to its real virtues; you look for stereotypes, not performances; listen for often-quoted lines of dialogue without ever hearing them; see scenes in the context of their pop-culture parodies instead of as what they are.

So, the virtues of It's a Wonderful Life are often ignored by detractors. I'd also put forward that the virtues of It's a Wonderful Life are, in some way, occasionally ignored by the people who love it. It's a Wonderful Life is part of the American film canon, sure, but the canon is a cage -- placing movies on pedestals can put how good they actually are out of our minds. And hurling a film on every year because you're used to doing so can turn it into something seen but unwatched, the cinema equivalent of a nativity crèche or an artificial tree: It gets pulled out every December, put away soon after, forgotten until next year.

RIP: Reel Important People -- December 24, 2007

Filed under: Obits », Cinematical Indie »

  • Frank Capra, Jr. (1934-2007) - Pictured, son of film director Frank Capra (It's a Wonderful Life), with whom he worked as the second assistant director on the 1961 film Pocketful of Miracles. He also served as something of a Capra historian, providing introductions and commentaries on a number of DVD releases of his father's classics. He had his own projects as well, serving as an associate producer on Escape from the Planet of the Apes, Conquest of the Planet of the Apes, Battle for the Planet of the Apes, Play it Again Sam, Marooned and the 1973 musical version of Tom Sawyer. He also produced Firestarter and Chuck Norris' An Eye for an Eye and was in charge of circus operations on the John Wayne movie Circus World, which was originally to be directed by Frank Sr. He died of prostate cancer December 19, in Philadelphia. (Variety)
  • Mark Connolly (c.1962-2007) - Stunt man who was hit by a flying motorbike while working on Mission: Impossible II. He had just won a Supreme Court negligance case against MI2's second unit director Billy Burton when he died of cancer December 14. (Herald Sun)
  • Joel Dorn (1943-2007) - Record producer at Atlantic Records in the 1960s and 1970s who went on to become an esteemed jazz archivist. He also served as music coordinator for John Sayles' Baby It's You. He died of a heart attack December 17, in New York. (Variety)
  • John Harkness (1954-2007) - Toronto-based film critic who wrote for NOW magazine since its inception in 1981, as well as for Sight and Sound, Take One and the Cinemateque Ontario program. He also authored The Academy Awards Handbook. He died December 19 in Toronto. (MovingPictureBlog)
  • Jack Zander (c.1908-2007) - Original animator of the character Jerry from Tom and Jerry; he worked on the Oscar-nominated Tom and Jerry shorts Puss Gets the Boot and The Night Before Christmas. He died December 17, in Pound Ridge, New York. (NY Times)

Unified Pictures Prepares '55 Holly Star'

Filed under: Comedy », Deals », Scripts »

Western flicks aren't the only theme recently jump-started by Hollywood. The Hollywood Reporter has posted that Unified Pictures is gearing up to produce a new "Capra-esque" film called 55 Holly Star. The script was penned, and will be helmed, by Michael A. Nickles -- the actor/writer/director who has popped up in films like License to Drive, and is the man behind other productions like Desert Winds and This Is Not a Film. The movie reportedly focuses on "a down-on-his-luck man who, in a desperate search to decipher the dying words of his grandfather, turns his life upside down." So, probably more in the vein of It's a Wonderful Life, than my favorite dark Capra piece, Arsenic and Old Lace.

Unified founder and producer Keith Kjarval says: "This is a story that has excited us for some time with its unique and fresh slant on a familiar romantic theme." How romance ties into this desperate search is anyone's guess. Does his search help lead him back to a lost love, or help him find a new one? Who knows. We'll have to wait for all those small little bits to come out as each actor is announced and more news is released. In the meantime, Nickles has a variety of films on the way -- he penned Bunyan and Babe, which I previously blogged about here, and the upcoming XII, which he also directed. The former teams John Goodman and Eddie Griffin for a full-scale family film, while the latter is an adult thriller starring Mercedes McNab -- the tow-headed vampire Harmony from Buffy and Angel.

102-Year-Old Movie Character Actor, Survivor of '06 Quake, Dies

Filed under: Classics », Obits »

It must have been impossible to be a scene stealer in Frank Capra's You Can't Take it With You, but Charles Lane comes pretty close. He holds his own against the anarchic stylings of the Sycamore family as a straight IRS agent on a house call, and his inability to be patient with Lionel Barrymore's sweet Grandpa Vanderhof is priceless. Lane himself proved to be a much more patient man, especially where death was concerned. He lived a whopping 102 years before passing away on Monday night. He had lived so long, in fact, that he was reportedly one of the last to have survived the 1906 San Francisco earthquake (he was a year old at the time).

In addition to his short appearance in Capra's 1936 Best Picture-winner, Lane shows up in nine other films by Capra, including Mr. Smith Goes to Washington, Arsenic and Old Lace, Mr. Deeds Goes to Town, and the one you're most likely to have seen him in, It's a Wonderful Life, where he plays a rent collector for mean old Mr. Potter (Barrymore again). According to a letter written to Lane from Capra, the actor was the filmmaker's "No. 1 crutch." Other classic films Lane appears in include Twentieth Century (with Barrymore again), The Music Man, Call Northside 777, Mighty Joe Young and The Ghost and Mr. Chicken. His last big screen role was in that guilty pleasure starring Phoebe Cates and Emmanuel Béart, Date With an Angel. For more than sixty years, Lane was mostly a bit part character actor, usually typecast as some sort of judge, lawyer, salesman, clerk or agent, but he always commanded an audience's attention with his distinct features and speech.

Kevin Costner Vows to Direct Another Western

Filed under: Western »

It might be hard for you young'uns to remember, but Kevin Costner used to be one of the biggest stars in Hollywood. He's become something of a punchline now, but when he finds the right role, there are few actors more charming. He hasn't had a real blockbuster hit in over a decade, but I wouldn't rule out a comeback just yet. He certainly didn't find it with his latest film, Mr. Brooks. Like most people, I missed that one in theaters, but I do like Costner in darker roles. He gave arguably his finest performance in Clint Eastwood's excellent and strangely neglected A Perfect World. Next, Mr. Costner will self-finance Swing Vote, a political comedy with a cool premise that has the presidential election coming down to one man's vote. Costner calls the film "Capra-esque," which is a good thing indeed, but easier said than done. And after that, it sounds like Costner is looking to get back to the genre that brought him the most acclaim -- the western.

"I'm looking to direct a western," says Costner. "They don't like financing them, but I'll figure it out. It's a genre that's really worthy, really entertaining. I think they're hard to pull off, and I like that." I couldn't agree more with him there. I love westerns and they seem to become more and more scarce with each passing year. The ones that do get released -- last year's terrific The Proposition comes to mind -- tend to be smaller films, although the upcoming 3:10 to Yuma and The Assassination of Jesse James By the Coward Robert Ford might help bring some heat to the genre. Costner has directed three movies. Two of them -- Dances With Wolves and Open Range were westerns. The other was The Postman. Wolves was a smash success and won seven Academy Awards, including Best Picture and Best Director. Open Range was really entertaining and made decent money. The Postman was...The Postman. Can you blame Costner for wanting to return to the sweet bosom of the western? Hey, anything that keeps him from making another movie about a mailman attempting to restore civilization in a post-Apocalyptic world sounds like a winner to me!

12 Days of Cinematicalmas: Seven Things You Didn't Know About It's A Wonderful Life

Filed under: Classics », Cinematical Seven », Lists », 12 Days of Cinematicalmas »



It's a Wonderful Life has an odd place in the American canon: Well-known but half-remembered; dismissed as mawkish but revered as moving. It may be one of those dream-films we only recall as images -- the haunted stumble into Pottersville, the exultant return to Bedford Falls, a small, ringing bell -- but it's worth watching with your mind as well as your heart. Here are seven things you may not know about the Frank Capra / Jimmy Stewart classic, from where it began to its reverberations in the here and now.

1) Familiarity Breeds Content

Contrary to popular belief, It's a Wonderful Life didn't enter the public domain in 1974; rather, it fell out of copyright -- a subtle distinction, but regardless, it certainly wasn't expensive to show on TV for a span of several years -- during which it attained cultural ubiquity. (In fact, the legal status of It's a Wonderful Life meant that at one point, a po-mo variation on What's Up Tiger Lilly was planned by The Upright Citizen's Brigade.) A mix of re-asserted copyrights and a weird kind of veneration mean that these days it's only shown on network TV on a limited basis -- but it's made it's way into the Christmastime zeitgeist nonetheless, thanks to years of the kinds of repeat airing where, as a pre-semi-stardom Woody Harrelson put it on Cheers, "From now until Christmas, It's a Wonderful month. ..."

2) The Premise Works

And does it ever -- you can click yourself stupid doing on-line research on pop-culture re-iterations of George's guided tour of a George-less universe. (And researching how George Bailey and Mr. Potter both owe a debt to a Mr. Crachit and a Mr. Scrooge can take the same amount of time.) There's an entire essay in parsing whether the easier question would be 'What bad sitcoms have done It's a Wonderful Life episodes?' or 'What bad sitcoms haven't?" When a movie influences high and low art, that's a kind of eternity in and of itself -- even if one of your standard-bearers is MST3K.

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