Funny People Tagged Articles at Cinematical
'Funny People' Star Aziz Ansari Getting His Own 'Randy' Spin-off
Filed under: Comedy », Scripts », New on DVD », Newsstand », Home Entertainment »
If the sound of the name "Ruh-Ruh-Ruh-Raaaaaaaandy!" partnered with a few DJ effects and the sight of comic actor Aziz Ansari jumping maniacally around a stage made you tingle in Judd Apatow's Funny People, then prepare yourself for what I'm about to say: Randy is getting his own movie. To paraphrase Randy himself, if you fine folks are prepared to chortle until your genitals become disconnected from your body, let me hear you say "Yes!"
Variety reports that Ansari and fellow Human Giant collaborator Jason Woliner pitched the Randy spin-off to Apatow along with two other intended Ansari vehicles, a buddy road flick about motivational speakers and an astronaut comedy. While Apatow's production company will produce all three, the report doesn't mention which of the projects will happen first.
Over at the MTV Movies Blog, Christopher Campbell notes that just last week, Apatow indicated some hesitation on Ansari's part to revisit the character of Randy. "Aziz may be concerned that more people think he's Randy than Aziz," Apatow explained. And that may be a legitimate concern for Ansari, who currently co-stars on "Parks and Recreation." His Randy characterization is so subtle, even in its bombastic raunchiness, that it's an entirely believable comic persona -- kind of a douchebag persona, but a hilarious one nonetheless. (Personally, if Ansari did nothing but "Randy" for the rest of his life, I'd be satisfied.)
More on the Randy spin-off and a video from Funny People after the jump.
Spin-ematical: New on DVD for 11/24
Filed under: New Releases », DVD Reviews », New on DVD », Home Entertainment »
Angels & Demons
The first was met with much critical disdain, but fought back to earn over $750 million at the worldwide box office. Angels & Demons still managed to make money, but less than $500 million (needing worldwide take to even make up for the budget) as Tom Hanks tries to hunt down a symbol-loving murderer. Eric D. Snider called it: "is as overly serious as its predecessor, and poor Mr. Hanks -- the world's most likable man, for crying out loud! -- is still dour and intense." Skip it. Also on Blu-ray.
Add to Netflix queue | Buy at Amazon
Four Christmases
Just as the title implies, Vince Vaughn and Reese Witherspoon are forced to stop avoiding their crazy families and must hit four households over the holidays. In his review, William Goss wrote: "The rest makes for an occasionally amusing, mostly shrill series of encounters with an ensemble that only encourages misanthropic ideals, and maybe if Four Christmases had decided to extend itself beyond white trash targets and projectile vomiting, we could've found ourselves talking about a new Christmas classic right now." Rent it if you want some uncomfortable holiday humor. Also on Blu-ray.
Add to Netflix queue | Buy at Amazon
Funny People
If ever there was a reason why Adam Sandler has been sticking to the ridiculous fluff, this is it -- a dramedy with a lot of heart that couldn't even make back its budget after worldwide release. In his review, Todd Gilchrist said: "Funny People is one of the summer's, if not the year's best films, because it's a comedy that inverts the medium's typical use – effectively revealing feelings rather than concealing them – and invites the audience to share in that discovery." Buy it and give the film some love. Also on Blu-ray.
Read Our Blu-ray Review | Add to Netflix queue | Buy at Amazon
Hit the jump for a peek at Shorts and other new releases...
Interview: Judd Apatow (Part Two)
Filed under: Universal », Fandom », Home Entertainment », Interviews »
Read Part One of this interview right here
When Judd Apatow's latest film, Funny People, was announced, many critics and audiences hailed it – even before they saw it – not only as an evolution of the filmmaker's style, but a return to the kind of drama-laced comedy that flourished in the 1980s and early '90s thanks to folks like Cameron Crowe and James L. Brooks. When it was released, the film more than satisfied those expectations, offering an unflinching but frequently hilarious portrait of an A-list comedian rediscovering himself, but there seemed to be a sense that audiences knew themselves less well than they felt like they knew the film's main character, resulting in a less enthusiastic response than perhaps even they expected.
The film arrives on Blu-ray this week, offering what is indisputably the most complete and comprehensive look behind the scenes at a comedy ever produced, and offers audiences a second chance to check out Apatow's most meaningful and resonant work to date. Cinematical got a chance to catch up with the writer-director via telephone to discuss the contents of the expansive, 2-Disc Collector's Edition; in the second part of our chat, Apatow talks about precisely what made the movie so personal for him, and offers a few insights about its place in his growing body of work, and its potential influence on his future films (including a Harry Potter movie, maybe?).
Cinematical: With or without talking to you at the time of the film's release, people seemed to assume that this was a very personal film, I think because it was more serious than your previous work. Was it really personal, and if so in what way or why?
Interview: Judd Apatow (Part One)
Filed under: Universal », Fandom », Home Entertainment », Interviews »
Funny People was the latest in Judd Apatow's ongoing series of summer comedies, but it was anything but a typical summer comedy: following a successful comedian (played by Apatow's longtime friend Adam Sandler) who reflects on his life after discovering he's going to die, the film offered lots of humor but with decidedly heavier themes lurking beneath the yuks. The film debuts on Blu-ray in a 2-Disc Collector's Edition next week, and the contents are amazing, showing how Apatow combined lighthearted fare with more serious ideas in the service of exploring something substantive.
Cinematical was lucky enough to catch up with Apatow via telephone one recent morning to discuss the process of putting together the film's home video iteration. In addition to discussing the bonus materials, extras, featurettes, and a documentary that's the most thorough and thoughtful ever produced about a comedy production, Apatow talked about finding the right ending for his magnum opus, discovering and deconstructing the process of producing laughs, and front-loading the film's universe with outside content about the supporting characters.
Cinematical: One of the ideas highlighted in the Blu-ray bonus materials was the fact that you knew this was going in a different direction than your previous films. Even knowing that while you were making it, were you surprised by the reactions of audiences and critics when it was released? Or does it matter?
Blu-ray Review: Funny People
Filed under: Universal », DVD Reviews », Home Entertainment »
These days it's common practice for filmmakers to document every single aspect of a movie's creation for its eventual home video release – examining previsualization, creature development, fight choreography, set and costume design, effects rendering, and so on. When you're making a comedy, however, there seems to be less of interest in the different aspects of production (not the least of which because many of those above aren't even a factor), leaving only outtakes, gaffes, and alternate line readings to fill out the bonus features for a forthcoming Blu-ray or DVD.
Judd Apatow's Blu-ray for Funny People, however, runs contrary to expectations; indeed, it's by far the most complete and comprehensive portrait of a comedy production ever assembled. Featuring not only the requisite slate of alternate takes, film flubs, and extra scenes, but two different versions of the film, multiple featurettes, archive footage, and a feature-length documentary about the film's origins, development and production, the two-disc set takes the art of being funny very seriously.
Discuss: Summer 2009 Fun Facts
Filed under: Action », Animation », Comedy », Drama », Horror », Independent », Romance », Sci-Fi & Fantasy », Thrillers », Mystery & Suspense », Family Films », Remakes and Sequels », Lists », War », Summer Movies »
So here we have it, the summer movie season finally winding down, and maybe it's just us, but a couple of peculiar trends have cropped up since May that we thought were worth bringing to light. For starters, we've only further elaborated on Eric's early indicator that puking was 'in' this year (seriously, it's gotten to be a pretty considerable theme), and as for the rest, you can check them out after the jump. Some spoilers follow. And if there are any corrections or additions to be made, please pipe up in the comments, and do so gently.
Weekend Box Office: 'G.I. Joe', 'Julia' Put Up Decent Numbers
Filed under: New Releases », Box Office »
"Decent," at least, is the watchword for G.I. Joe: Rise of Cobra, whose $56 million opening is roughly half of Transformers 2's first weekend gross. I fear that the movie may follow in the footsteps of Watchmen, which opened to $55 million and ended up with not even twice that much when it left domestic theaters. I do think Paramount deserves credit for actually opening a film that the media, for somewhat mysterious reasons, did its best to bury with manufactured bad buzz. It's really not a bad number, and foreign box office should be strong with this one. A year ago I would have expected G.I. Joe to be more of a summer standout.The $20 million on Julie & Julia seems a little low to me. I expected at least Devil Wears Prada numbers, but I guess this one skewed a little older. Hopefully that will also translate to legs for the well-reviewed film, though Mamma Mia!-style longevity seems unlikely. The clever A Perfect Getaway did mediocre business, as expected, grossing just under $6 million with no real marketing hook. I'll pick this one as my obligatory plug of the week: fans of thoughtful, off-kilter genre films should give it a shot.
Cinematical Seven: Navel-Gazing Comedies
Filed under: Fandom », Cinematical Seven », Lists »
Sometimes navel gazing is a good thing, if an artist looks truly and honestly inside him or herself for material. If they're truly gifted, and can tap into something universal or human, the result can be a masterwork. But if the artist finds himself too far removed from everyday life, or if their visions and ideas are too close to home to find a logical shape, the result can be something of a mess. Navel-gazing dramas are a dime a dozen, but it takes a special talent to try it with comedy. Judd Apatow's Funny People was the #1 movie in a very slow week, which shows that audiences were probably about as fond of it as critics were. I would bet the main complaint across the board was the same: it's too long. Either way, there's usually something interesting about these projects.
1. Elizabethtown (2005)
Though Apatow is catching up, Cameron Crowe is the #1 comedy navelgazer in the history of cinema. This rambling, sprawling thing was supposed to be a cute romantic comedy about a depressed schlub whose life is turned around by a cute airline stewardess. Unfortunately, too many useless subplots about funerals and forgotten bands get in the way, in addition to the fact that the male character is overwritten and underplayed by Orlando Bloom, and the female character is underwritten and overplayed by Kirsten Dunst. The whole thing culminates in a weird musical, mix-tape road trip odyssey that must have lit Crowe's fire, but didn't spark for anyone else.
Monday Night Poll: 'Funny People' Gender Divide?
Filed under: Comedy », Universal », Fandom », Moviefone Feedback », Polls »
Are you a man or a woman? That may be the essential reason why you either loved or hated Judd Apatow's Funny People, starring Adam Sandler as a comedian facing a mid-life crisis. Marketing research firm CinemaScore says that men graded the movie B+ but women only granted it C+. As reported by Los Angeles Times, that translates into: "men generally liked it ... most women did not."
Which is puzzling to me, because, as I was watching it (alone again, naturally), it didn't strike me as the kind of movie that might polarize the sexes. Now, I can understand the overall audience being smaller than something like the latest Harry Potter. Our own Eugene Novikov surmised as much in his box office summary, pointing out that attempting to market the film "as a typical Adam Sandler comedy was quixotic, and as another laugh riot from the Apatow factory only marginally less so." Yet, I would have anticipated that men and women who had seen Apatow's earlier directorial efforts, The 40-Year Old-Virgin and Knocked Up -- or any of the films of Adam Sandler -- would have a good idea what to expect, as far as the level of raunch and a view of women as generally cranky and more than a little scary. Did Funny People go too far?
Enlighten us, please. Take our poll of the sexes and let us know: Why did you like Funny People? Why didn't you like Funny People? And did you fight about it on the way home? Feel free to elaborate in the comments section.
Weekend Box Office: 'Funny People' for the Modest Win
Filed under: New Releases », Box Office »
Attempting to market Funny People as a typical Adam Sandler comedy was quixotic, and as another laugh riot from the Apatow factory only marginally less so. Still, the combination of Sandler and Apatow (and, probably, Rogen) was enough to get the off-kilter, two-and-a-half-hour dramedy off to a $23 million start -- not one for the record books, but hey, not too far off the opening numbers for Apatow's Knocked Up and Sandler's Bedtime Stories. There are shades of M. Night Shyamalan in Judd Apatow, in the way that he appears to be moving from blockbuster crowdpleasers to more personal, slightly odd films that not everyone "gets." Aliens in the Attic, hidden from critics and not really sold as any sort of event, unsurprisingly ended up with a middling $7.8 million -- a minor opening for a minor flick. The independently-distributed horror film The Collector, from some of the folks behind the Saw franchise, debuted in 11th place and $3.6 million; not great either, but probably above expectations, and perhaps an indication of how many ticket buyers are willing to see a horror movie, any horror movie, on a given weekend. (500) Days of Summer continues to do very well in limited release, with the highest per-screen average in the top 20. Next week, when the film expands to over 1000 screens, will be the real test.
Harry Potter and the Half-Blood Prince found its footing a bit in its third weekend after last week's big tumble; it won't wind up atop the franchise, but may make a run for second place. And I was glad to see Orphan hold up at least semi-respectably after a weak start. That's one summer movie that deserves better than it got.
The weekend's top 12 after the jump.
Indie Roundup: 'Sweetgrass,' 'Clarkworld,' 'Broken Embraces'
Shelf Life: Fight Club_thumbnail.jpg)
Watch: Famous 'Matrix' Scene Re-Created with LEGOs
Peter Jackson Says Spielberg's 'Tintin' is Done Filming, but...
Interracial Harmony: 'Ninja Assassin' vs. 'Blind Side'
_thumbnail.jpg)
