GaryClarkJr. Tagged Articles at Cinematical
TIFF Review: Honeydripper
Filed under: Drama », Independent », Music & Musicals », Theatrical Reviews », Festival Reports », Toronto International Film Festival », Cinematical Indie »

When Honeydripper opens, we see two young boys. One's fingers are pulling away at a string, while the other's are pounding piano keys painted on a piece of wood. While their music echoes only in their minds, their passion is palpable. This sweet scene is, in a way, a perfect metaphor for the work of John Sayles -- his films are, at once, both subdued and sonorous. However, where most of them seek to reveal hidden layers and webs, Honeydripper is a simple and plainly executed ode to the start of rock 'n' roll.
Tyrone "Pine Top" Purvis (Danny Glover) is the proprietor of the Honeydripper -- an ailing club in a town called Harmony, deep in 1950's Alabama. While he offers the stunning voice of Bertha Mae (Mable John), his competition, a hop free of a skip and a jump away, offers a loud and rowdy jukebox that draws in the crowds in droves. Pine Top has one last chance to save his club, or his landlord will rent the building to someone else. The plan -- bring in radio phenomenon Guitar Sam to perform for just one Saturday night. (This is a bit unheard of for the musician-turned-bar owner, as he considers guitar players to be dangerous.)
TIFF Interview: Honeydripper Director John Sayles
Filed under: Festival Reports », Podcasts », Interviews », Toronto International Film Festival », Cinematical Indie »

Many people may have done more for independent film -- producers who funded groundbreaking work, directors who brought crowds to theaters with groundbreaking work, pioneers who paved the way -- but, looking at the career of writer-director John Sayles, it's hard to think of anyone who's done more with independent film. Each of Sayles's movies is different , yet they all revolve around his central concerns -- life, morality, the struggles and rewards of life in America. His new film, Honeydripper, debuts at this year's Toronto International Film Festival -- a completely independent "rock and roll fable" about the birth of rock and roll, set in an Alabama juke joint in 1950. Sayles spoke with Cinematical in Toronto about re-creating the distant past on a shoestring budget, how he found young guitar man Gary Clark, Jr. , working with Danny Glover and Charles S. Dutton and recommended specific records where you, too, can hear the sound of rock and roll being born. You can listen directly here at Cinematical by clicking below:
You can also download the interview right here.









