These days, it's hard to believe that Kate Hudson is a Golden Globe and Oscar-nominated actress. It's been years since she twirled as a band-aid, grabbing the hearts of William and Russell. Since then, she's surrounded herself with mainly romantic comedies -- some good, some bad -- and let her award-starting past slip away. All the way back in November of 2006, there was news of a new feature called Bride Wars. At the time, there was word that she had troubles getting the pic off the ground (she's one of the film's producers). She must've had more troubles to make it take this long, but all these months later, Variety reports that she finally has a director, Gary Winick, and has someone to star and war with -- Anne Hathaway.

Unlike Katherine Heigl's upcoming 27 Dresses, which is more about inner pain, this is about outwardly-warring brides, who are friends no less! Coming together from the pens of June Diane Raphael, Casey Wilson, Karen McCullah Lutz, and Kirsten Smith, "Hathaway and Hudson will play best friends who are pitted against each other when their wedding dates clash. They compete for venues, services and guests, once it's clear that neither will step aside." What is it about weddings that makes some women so crazy? I wonder if they'll end up in the hospital like that insane Grey's Anatomy episode where two women prioritized the perfect wedding over their health and safety?

So, will this help Hudson into better fare? Or be a crash and burn scenario for Hathaway? With Winick's involvement, I'm hoping for the former. He's responsible for the cute 13 Going on 30, and the great indie flick Tadpole. But this is all contingent on the project moving smoothly from here.

When Independent Digital Entertainment (InDigEnt) was founded in 1999, DV filmmaking was still fairly new, although not unknown or unused. The problem was that it wasn't yet recognized and respected enough to be taken seriously in the film market. This was three years before George Lucas delivered the DV-shot Attack of the Clones and changed many minds about the capability of digital cinematography. Today, a great percentage of indie and Hollywood features are made digitally, and InDigEnt may be somewhat obsolete. It comes as no surprise, then, that co-founder Gary Winick has announced the production company will be put to rest come 2007.

Winick, who directed the upcoming Charlotte's Web, got the idea for InDigEnt from the Dogma 95 movement and started the company with John Sloss as a way for indie filmmakers to finance small, cheap projects. Many of the movies produced by InDigEnt aren't too appealing to the eye, but a few of them were great showcases for actors, such as Aaron Stanford, who broke out by appearing in Winick's Tadpole, and Patricia Clarkson, who received an Oscar nod for Pieces of April. But while the company started off well, gaining notice for decent pics like Tadpole, Pieces of April, Personal Velocity: Three Portraits and Richard Linklater's Tape, it eventually fell to near-obscurity with forgettable titles, such as Kill the Poor, Puccini for Beginners and Steve Buscemi's Lonesome Jim (which I still say is hilarious, if not substantial).