GenArt Tagged Articles at Cinematical

Not long ago we told you about a little contest in which Fox Searchlight and Gen Art were bringing filmmakers and designers together to see which team could produce the best How-To video with the theme being Fantastic Mr. Fox costumes, based on the Wes Anderson movie due out next month. The idea behind it was that aspiring designers would submit costume designs, while aspiring filmmakers turned in treatments. From there a team of judges narrowed it down, chose the winning designs, and filmmakers were then given a small budget to go produce mini How-To videos/short films based on the costume design.

Some time has passed now, and Fox Searchlight has chosen four finalists. You can watch the four finalists over at the Searchlight site now (and my personal favorite after the jump), but Gen Art has also posted director's cut videos for two of the finalists, as well as a runner-up video over on their site. (I recommend watching the Ash Fox extended cut because it's full of Wes Anderson references and just a tad insane.)

If anything these videos will show you how to pull together a Fantastic Mr. Fox Halloween costume at the last minute on the cheap. As far as the actual film goes, that will arrive in theaters on November 13th.

If you're an aspiring filmmaker or an aspiring designer, then you might dig this latest contest from our good friends at Gen Art. The company, who specialize in promoting emerging talent in film, music and fashion, have partnered with Fox Searchlight and Wes Anderson's upcoming flick The Fantastic Mr. Fox on a competition that asks designers and filmmakers to incorporate these foxy characters into what they do best.

The meat and potatoes of the contest revolve around designers pitching easy-to-make Fantastic Mr. Fox costumes, and then filmmakers using the winning designs to create a do-it-yourself video that teaches folks at home how to make the costume themselves. Of course there's plenty of room for tons of creative freedom -- just how you design your costume or shoot your how-to video is completely up to the artist, with some fine cash prizes for the winners. Check out all the specifics over at the contest's official website, then let us know if you enter so we can scope out your creation. Assuming the finalist videos are available online, we'll be back to show you what the finished products looks like. In the meantime, check out the trailer for The Fantastic Mr. Fox (which hits theaters November 13) after the jump.

As some of you may already know, I've been a big supporter of Gen Art for a long time now. Aside from being heavily involved in their annual film festival in New York City (this year I was a programmer), I'm real close friends with the folks who work there and feel their footprint on the indie film community is invaluable. Gen Art, in case you're not aware, is a company (based in New York) that helps promote emerging talent in film, music and fashion all year round. Not only do they host a very cool film festival in NYC in the spring, but they also host a mini-fest in Chicago ... and part one of this post is dedicated to that.

Beginning tonight with the very cute and quirky 500 Days of Summer, the Gen Art Chicago Film Festival will continue through to June 27 and feature other buzzed-about festival films like Mercy, Patriotville and Shrink. Other than opening night, which will set you back $25 for the movie and after party (open bar!), the other three nights will run you a fairly inexpensive $20 for a short, feature and after party w/ open bar. So if you're in Chicago, please head down to the festival and support these small films, as well as Gen Art. You can find out more information on the festival right here.

In addition to the festival, Gen Art is hosting a benefit in New York City tomorrow to help raise money to keep the company afloat while they navigate their way through some tough economic waters. I know -- yet another company hit hard by the recession. But understand that companies like Gen Art -- who make their living and invest everything they have in supporting emerging talent -- don't really exist anymore. And so they need our help.

As a programmer (my first time!) for the 2009 Gen Art Film Festival, I can tell you that finishing this slate was not easy. It required me (and a small group of others) to watch a lot of films ... and I mean a lot of films. The awesome part of this, though, is the discovery. Sure, you'll get the occasional mess -- but then sometimes you stumble across a brilliant piece of work that hasn't been seen by anyone yet, and you just know it's destined for greatness. With that said, the programming is now complete and I'm able to share with you the names of the films playing at this year's Gen Art Film Fest in New York City from April 1 to April 7.

The Sundance and Toronto hit Lymelife (we premiered the poster here) was chosen as this year's opening night film. It's a gem of a family drama starring Alec Baldwin and Cynthia Nixon (watch the trailer on Moviefone), and you should definitely look for it in theaters on April 8. Also from this year's Sundance fest is the romantic dramedy Peter and Vandy, starring my gal Jess Weixler and Jason Ritter. One of the more experimental and cult-ish films screening is My Suicide, which I whole-heartedly recommend as a deep, dark and oddly hilarious flick about the Me Generation. Julie Davis' Finding Bliss (starring Leelee Sobrieski, Denise Richards and Jamie Kennedy) was chosen to close out the fest, while Gigantic (Paul Dano, Zooey Deschanel), Punching the Clown (Slamdance audience award winner) and Picture Me: A Model's Diary (doc about a model) round out this year's slate.

As always, I'll be on the ground at the Gen Art fest looking for whatever I can wrap my brain around -- so definitely stay tuned. But, heck, if you're in the NYC area, you may as well check this sucker out for yourself. The fest runs from April 1-7, and you can find out much more (like how to buy tix) over at the official Gen Art Film Fest website.

Full press release after the jump

Follow me on Twitter

The other day we wrote about the new horror flick Jack Brooks: Monster Slayer (which hit theaters this past weekend), and Cinematical reader Aaron L. (who also happens to be a very good friend of mine) pointed out the fact that Jack Brooks director Jon Knautz had helmed a very cool short back in 2005 called Still Life. I forget exactly when I first saw this short (probably during one of Gen Art's many, many functions/contests/parties), but I remember absolutely loving it over and over again. And we've actually written about it on at least two other occasions, though it's been awhile and, well, I felt our new (and old) readers would like a little something to watch while you eat lunch/surf the internet, etc ...

The short, which runs about eight minutes, follows a very sleepy driver who's in desperate need of a rest and some gas. When he pulls off into a small town, however, he notices that it's populated by mannequins. And that's all I'll say about that. Definitely check it out if you've got a few minutes free, and then hunt down Jack Brooks: Monster Slayer (read our review here) -- a film most of our team here at Cinematical dug quite a bit.

The 2008 Gen Art Film Festival has come to a close, and four very good films have emerged victorious. Their Grand Jury awards went to Jennifer Phang's Half-Life (feature) and The Ladies (short). Half-Life, which combines troubling global conditions and a dysfunctional Asian-American family together in this sort of mish-mosh, half real, half animation head trip, first premiered back in January at the Sundance Film Festival. It's a good flick that tries a tad too hard to get across its message, but nevertheless one you should definitely seek out.

The Audience Award for best feature went to my favorite film of the fest, Surfwise. The doc, which was funded -- in part -- by Mark Cuban, follows the Paskowitz family (aka the first family of surfing), who, lead by Dorian "Doc" Paskowitz, traveled the coast with no money and big dreams. Whether or not you believe in what "Doc" Paskowitz did or didn't do for his family (not one of his nine children went to school), Surfwise is a powerful documentary -- funny, sad, hopeful, spiritual and tremendously engaging. Watch this one if and when you get the chance. Additionally, the Audience Award for best short went to A Day's Work and the Stargazer Award (which recognizes new, upcoming talent in front of the camera) went to Luis Chávez, from A Day's Work. (Gotta love a fest that rewards actors in its short films. Kudos Luis!)

You can check out another one of David Jr.'s fabulous video blogs from Day 7 of the fest (the night The Take screened) after the jump, or view one from each night over here. Check out Night 4 and keep an eye out for a familiar face ...

Last night I attended the opening of the 2008 Gen Art Film Festival here in New York City, where the film Diminished Capacity enjoyed its New York premiere at the historic Ziegfeld Theater. Did you go? Really enjoyed this film; as one guy points out in the video above -- "it was cozy." That's exactly how I felt; it was this quiet little comedy starring Matthew Broderick as a guy suffering from memory loss due to a concussion who joins up with his Alzheimer's-impaired Uncle (Alan Alda) on a journey to a baseball memorabilia expo to sell a rare card. Great quirky characters (especially Dylan Baker as a crazed Cubs fan) and the kind of film that just leaves you with good vibes.

But anyway, our very good pal David Jr. is all over this year's festival (as he is every year) with his trusty video camera that tends to freak people out (watch Matthew Broderick's reaction). So if you weren't able to attend the festival last night, his videos give you a great glimpse at what it's like to enjoy a hot, hip Gen Art film event. Seriously, these people are very hot and very hip. I do not, in any way, shape or form, belong in their company. I'm just a slacker from Queens who's balding.

Enjoy the video. Visit DavidJr.com for more of his wacky videos. And head over to the official Gen Art Film Fest site to get tickets, see what's screening, blah blah blah. OH, and Diminished Capacity hits theaters on June 27. Go see it -- cute flick.

If you live anywhere near New York City, and you're a fan of independent films (and free drinks), then there's absolutely no reason why you shouldn't be attending at least every night of the 2008 Gen Art Film Festival. As always, Cinematical will be there in full force (well, those of us in NYC, at least) when the fest kicks off tomorrow night at New York's historic Ziegfeld Theater with a screening of Diminished Capacity, starring Matthew Broderick, Virginia Madsen, Alan Alda and Dylan Baker. Knowing Gen Art, I'm sure more than a handful of celebs will be on hand for that red carpet event.

The fest will continue throughout the week with screenings of films like Half-Life, Cook County, Frost, Surf-Wise, Nightlife and The Take. Of course, following each film is the obligatory awesome after party (with open bar!), which is open to anyone with a ticket to that night's screening. Seriously, it's a cool festival -- and the kind you could totally take a date to, in case you were looking for ideas. (Keep in mind, though, that a kiss at the end of the night is still not guaranteed -- though it's pretty much a given after one of Gen Art's bashes.) Cinematical will be there for a few of the nights (with both Weinberg and myself at the Friday Nightlife screening), so do make sure you say hello.

The 2008 Gen Art Film Festival runs from April 2nd through April 8, and you can find out everything you need to know over at the fest's official website.

Delta Air Lines and Gen Art are coming together for the second year in a row to stage a short film competition, and I've got to say that I love the idea. It never occurred to me before, but screening short films on airplanes is brilliant -- what better way (aside from airing before big films) is there to get an audience for shorter fare? The people are strapped in, and they can't go anywhere! The contest, called "Delta's Fly-In Movies," will select five finalists who will get their shorts aired online as well as on the airline's domestic, transcontinental flights. Viewers will then vote on the films, and after all the finalists are flown out to Sundance, the winner will be announced. The big prize: $10,000 cash and a pair of round-trip tickets to any international destination Delta flies to. (But watch out, taxes, fees and restrictions still apply.)

Now, this is cool, but it could be so very much cooler. Five films will get screened on cross-country flights -- but man, they should look into showing the shorts on shorter flights too -- and not just their contest finalists. It would be much better than an old sitcom re-run or old news piece. And, it could extend into bigger-budget shorts as well -- a perfect opportunity to screen both great little-known films and buzzed-about celeb shorts. Hopefully that will come sooner or later, but for now, some lucky travelers will get to see the 5 finalists when they're screened in December and January.

Submission requirements are after the jump.

Last night, Cinematical was on hand for the New York premiere of He Was a Quiet Man at the 2007 Gen Art Film Festival. Pic wrapped up what was a very exciting seven days, chock-full of some fantastic films that will soon be coming to a theater near you. Following the film, Jeffrey Abramson, Gen Art's VP of Film, announced that the documentary Sharkwater had won the Acura Grand Jury prize for best feature (check out our interview with Sharkwater director Rob Stewart from night 4) and a very cool short film, High Maintenance, won the Acura Grand Jury prize for best short.

On a personal level, this was a pretty cool night for me as I got to meet Christian Slater for the first time. In the video above, I speak with Slater about the film, his role (which has him playing a quiet and lonely cubicle hermit trying to decide whether or not he should listen to the voices in his head and shoot up the office he despises) and his future projects, which include a starring role in a big-screen adaptation of a graphic novel. Is Christian Slater hopping onboard the superhero bandwagon? You'll have to watch the video to find out. Also included is an interview with director Frank Cappello, who returns to the director's chair after a 12-year absence. Oh, and the very beautiful Elisha Cuthbert makes a brief appearance ... although her publicist wouldn't allow her to speak to Cinematical for some reason. She seemed nice though, albeit a tad tiny. I never knew she was that small.

As far as the film goes, it was pretty damn good. Imagine if the Milton character from Office Space was in a very very dark comedy; throw in some fantasy elements, a fantastic performance from Christian Slater and Elisha Cuthbert half naked in a wheelchair -- that's He Was a Quiet Man. With everything that's gone on recently over at the Virginia Tech campus, this was an interesting film to watch in that it really shows us how an ordinary man can be pushed so far, to a point where he contemplates killing those around him. Currently, domestic distribution is not set up, but we'll let you know when this sucker has a release date. Thanks again to Gen Art for hosting a wonderful festival, and for inviting Cinematical to be a part of it.

For more on He Was a Quiet Man, check out Jette's review from SXSW.

Note: Music from Madison Park