Last night I attended the opening of the 2008 Gen Art Film Festival here in New York City, where the film Diminished Capacity enjoyed its New York premiere at the historic Ziegfeld Theater. Did you go? Really enjoyed this film; as one guy points out in the video above -- "it was cozy." That's exactly how I felt; it was this quiet little comedy starring Matthew Broderick as a guy suffering from memory loss due to a concussion who joins up with his Alzheimer's-impaired Uncle (Alan Alda) on a journey to a baseball memorabilia expo to sell a rare card. Great quirky characters (especially Dylan Baker as a crazed Cubs fan) and the kind of film that just leaves you with good vibes.

But anyway, our very good pal David Jr. is all over this year's festival (as he is every year) with his trusty video camera that tends to freak people out (watch Matthew Broderick's reaction). So if you weren't able to attend the festival last night, his videos give you a great glimpse at what it's like to enjoy a hot, hip Gen Art film event. Seriously, these people are very hot and very hip. I do not, in any way, shape or form, belong in their company. I'm just a slacker from Queens who's balding.

Enjoy the video. Visit DavidJr.com for more of his wacky videos. And head over to the official Gen Art Film Fest site to get tickets, see what's screening, blah blah blah. OH, and Diminished Capacity hits theaters on June 27. Go see it -- cute flick.

My favorite film festival of the year has just announced its slate, and it's a pretty darn good one. The Gen Art Film Festival, held annually in New York City, thrives in its simplicity. 7 shorts, 7 premieres and 7 parties over the course of -- you guessed it -- 7 nights. Does it get any better than that? And instead of trying to hassle your way onto the party guestlist (parties, mind you, which include open bars and are located at some of New York's hottest spots), all you have to do is buy a ticket for that night and you get into everything. Tell us more! Tell us more!

Okay, the fest runs April 2nd through April 8th, and things will kick off with an opening night at the historic Ziegfeld Theater featuring the film Diminished Capacity, starring Matthew Broderick, Virginia Madsen, Alan Alda and Dylan Baker. Other films include the Sundance fav Half-Life, Slamdance fav Frost, SXSW fav Cook County, an outstanding (from what I've heard) documentary called SurfWise, the horror mock Nightlife and the fest will close with Brad Furman's The Take. Tickets for each night run $30 for non Gen Art members and $25 for members, and you can also purchase passes for the entire festival. Cinematical will once again be on the ground throughout the fest, so definitely check back for our coverage.

For more on the festival, feel free to head on over to the official website.

The 2007 Gen Art Film Festival is in full swing, and last night I stopped by to check out the New York premiere of Sharkwater, a fantastic new documentary directed by Rob Stewart. The theme of the night was 'green' -- a save the environment kind of thing -- and prior to the Sharkwater screening, they showed a wonderful short film called Gimme Green; needless to say, I will never look at watering the front lawn the same way again. Sharkwater is a very different type of documentary; not only are sharks represented as the good guys here, but the film -- which starts off as a calm, peaceful nature documentary -- quickly turns into a battle between the filmmakers and a group of illegal shark poachers, corrupt governments and the shark mafia (I swear, there's a shark mafia!).

Check out the video above, and definitely make sure you swing by Gen Art's official festival website for more information on the films, as well as to pick up tickets for the remaining nights.

Note: Music from Colors of a New Dawn.

Last night I had the chance to check out night three of this year's Gen Art Film Festival. For those not aware, Gen Art is an organization that promotes emerging talent in film, fashion and music -- and their annual film festival is something I truly look forward to each year. It takes place over the course of one week, and in that time seven films enjoy their New York premieres, followed by seven kick-ass after parties. The film that premiered here last night first made waves when it landed at Sundance (where Magnolia Pictures picked it up for distribution) and, after making a pit-stop at SXSW, The Signal finally arrived in New York City.

If you're the type that likes a little originality with your gory horror flicks, then The Signal is definitely your cup of tea. When a mysterious signal invades every cell phone, TV and radio, the folks on the other end turn to murder as if it's become the normal thing to do. The film was directed by three different guys (David Bruckner, Dan Bush, Jacob Gentry), and so it's divided into three completely unique sections, each with its own style, edge and personality. Prior to the screening, I managed to shoot a little video diary from the scene to give you at home a small glimpse into the Gen Art world. Apart from talking to two of the co-stars of The Signal, I also caught up with Gen Art Film Fest alum (and Cinematical friends), Arin Crumley and Susan Buice (co-writers/directors, Four Eyed Monsters), to ask them more about the festival process, as well as to find out what they're working on next. Tickets are still available for the remaining four nights, so head on over to the festival's official website and come join the party.

Note: Music from friends of lizzy.

Gen Art has a remarkable line up of seven films for this year's festival. The 12th annual festival is responsible for bringing together many of the most diversely talented filmmakers for one week of screenings, parties and fun. The opening title, Crashing, directed by Gary Walkow, is a regular winner and nominee of the film festival circuit; pic stars David Cross, Campbell Scott and Izabella Miko. The film is about a famed Hollywood writer who is thrown out of his extravagant home and forced to live with two attractive young women. (Doesn't sound like a terrible situation for him ... )

If you are in town to see anything at this festival, I hands down suggest Chalk. I screened the film when it made its rounds at the L.A. Film Festival this past year and I personally thought it blew the rest of the filmmakers out of the water. Mike Akel and Chris Mass -- a comedy duo in Texas -- penned a skeleton of what was a mostly improvised script. The story is about public school teachers in Texas; they deal with over sized classrooms, gaining student's respect and competing for the coveted teacher of the year award. The film embodies both humor and heart; and I look forward to its future success.

This year will also be the first year that Gen Art expands its festival to the Chicago area beginning June 25; this gives five more innovative filmmakers the opportunity to get their work seen. They are also doing their part for the environment by creating an online festival in conjunction with Planet Green Game. I was not previously aware of the Gen Art organization but find their mission in the art world is worthy of applause: "Gen Art strives to provide access to the film, fashion, art and music worlds for those that are interested in these areas, but often are intimidated and made to feel unwelcomed by the exclusive nature of these art/entertainment realms."

The New York Gen Art festival begins on April 11, and each feature is preceded by a short film. Need more incentive to go? Each after party features a two-hour open bar and is free admission with your festival ticket for that night. So if you're in the city, go support these fabulous films ... and then stay for those groovy free drinks.

The 11th annual Gen Art Film Festival concluded last night with a screening of SXSW darling Live Free or Die, followed by the presentation of jury awards. 

Wristcutters: A Love Story took home the Acura Grand Jury Award for Best Feature and, honestly, you could tell the folks from Live Free or Die were pissed. In fact, and I don't know if this was his reason, but Michael Rapaport abruptly left immediately following the awards and was the only cast member not to participate in the Q & A. Judging from our reviews of both films, it appears Wristcutters was more worthy of its award. And I agree.

A film called The Intervention won the Acura Grand Jury Award for Best Short and my personal favorite from the festival, Behind the Mask, took the coveted Feature Film Audience Award. Why is it coveted? Well, because Gen Art claims they have the best audience. And since yours truly was in attendance for a few of the nights, I can't really disagree with that statement.

While all the buzz right now in New York City surrounds the Tribeca Film Festival, the 11th annual Gen Art Film Festival begins tonight at the famed Ziegfeld theater and is defintely perfect for us lazy folks who don't really feel like choosing among hundreds of films, fighting crowds and being denied access to the cool after parties.

Gen Art isn't your typical film festival, mainly because there are only seven feature films screened alongside seven shorts -- all of which are New York premieres. In addition to seven films and seven shorts, there are seven parties which feature, most notably, seven open bars. At two hours per night, that's roughly 14 hours of free alcohol. Need I say more?

This year's slate is a bit more high profile than previous festivals, in that it includes some of the top films from Sundance and SXSW. Tickets are $25 dollars per night and that gets you theater admission as well as access to the hot after party. Wow, did I just use the word hot? Is someone like me allowed to do that? Personally, I'm looking the most forward to Saturday night when Behind the Mask, the first ever horror film to play Gen Art, is screened. From what I hear, it's supposed to be one kick-ass good time. See a complete list of this year's films after the jump...