Gene Hackman Tagged Articles at Cinematical
Cinematical Seven: Favorite Con Men (and Ladies)
Filed under: Comedy », Drama », Romance », Thrillers », Mystery & Suspense », Steven Spielberg », Cinematical Seven »
There's a caveat or two with which I submit this list of our favorite con artists on film, to correspond with tomorrow's NY/LA bow of The Brothers Bloom (our review from Toronto is here; our interview with director Rian Johnson, there).
One: I have not seen the following -- David Mamet's House of Games, David Mamet's The Spanish Prisoner, and
Two: I've seen but don't fully recollect either The Grifters or Nine Queens enough to feel comfortable including them as if I had (I also missed the English-language remake of the latter, Criminal, though I've been told that's for the best). If I were a slier man, then maybe I could fittingly deceive the lot of you, but I'm not, so I won't.
While I don't doubt that the characters in those films would be worthy of a slot on our list, there are still at least seven other con (wo)men in the movies worth shining the spotlight on, and I do hope that you do think that may make do when all's said and done.
DVD Review: Bonnie and Clyde (Special Edition)
Filed under: Warner Brothers », DVD Reviews », Home Entertainment »
Where exactly does Bonnie and Clyde rank in the American pantheon? It's a bona-fide classic, to be sure. It placed on the American Film Institute's Top 100 in 1998 and again in 2007. It's also on the IMDB's Top 250 list. Upon closer inspection, however, it's far more than a perfect, polished gemstone. Rather, it's a bundle of contradictions. Everyone knows that it was a groundbreaking film of its day, the first to incorporate a new kind of violence and moral complexity into the mainstream. But screenwriters Robert Benton and David Newman borrowed these elements directly from French New Wave films like Jean-Luc Godard's Breathless (1959) and Francois Truffaut's Shoot the Piano Player (1960). In fact, Truffaut was the first director approached for the project. Despite this, Bonnie and Clyde somehow transcends time. More than just a moldy relic of the 1960s, it has aged much better and is far more watchable today than, say, Easy Rider (1969) or even The Graduate (1967).
Retro Cinema: Young Frankenstein
Filed under: Classics », Comedy », Sci-Fi & Fantasy », Retro Cinema »
My grandfather was a very sick man. You are talking about the nonsensical ravings of a lunatic mind. Dead is dead. Hearts and kidneys are tinker toys! I'm talking about the central nervous system! I am a scientist, not a philosopher! There's more chance of reanimating this scalpel, then you have of mending a broken nervous system. My grandfather's work was doodoo! I am not interested in death! The only thing that concerns me is the preservation of life! Dr. Frederick Frankenstein
For years, Dr. Frederick Frankenstein (Gene Wilder) has tried to distance himself from the mad science of his grandfather, the original Dr. Frankenstein. He is so desperate not to be linked to it that he swears his name is pronounced "Frankensteen," not "Frankenstein." Yet he is still drawn to the science that his grandfather was enveloped in. The young Frankenstein is also a doctor, and he touts the importance of the central nervous system to fresh medical minds whilst damning the name of the first Dr. Frankenstein. But then he is presented with an ornate box, his grandfather's will, and given the key to understanding his relative's madness.
And this is the brilliance of Mel Brooks' stylish, black and white Young Frankenstein. Based on Mary Shelley's novel, and co-written with star Wilder, the comedy was part of a duo with Blazing Saddles that made 1974 a wonder year for the relatively new director -- one that garnered him five Oscar nominations between the two. The solid source material and stellar writing were only part of the film's success. It boasted one of the best comedic casts to ever hit the screen -- Wilder, Cloris Leachman, and Teri Garr, as well as some of the best faces of comedy who are no longer with us -- the purring and wonderful Madeline Kahn, the world's best monster, Peter Boyle, and the scene-stealing Marty Feldman.
Scene Stealers: Gene Hackman, The Quick and the Dead
Filed under: Fandom », Scene Stealers »
Our original plan was to mount a weekly series in which we'd applaud a different character actor with each new column. But it seems that this was SUCH a good idea that someone else beat us to the punch ... by about six years. So the Cine-Squad decided to take our "J.T. Walsh Award" and morph it into a feature called "Scene Stealers," which will celebrate great actors and actresses who have A) stolen entire movies with their awesomeness, B) popped up in a particularly juicy cameo or supporting role, or C) salvaged a failed movie simply by being a member of the cast.For our inaugural Scene Stealers feature, I chose to celebrate Mr. Gene Hackman, mainly because he's my very favorite actor, but also because ... well, have you guys ever actually seen Sam Raimi's The Quick and the Dead?
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