When Josh Brolin takes a night off from playing a young George W. Bush to get arrested in a bar, the jokes practically write themselves. (Method acting, anyone?) That's what happened in the wee hours of Saturday morning in Shreveport, La., as Brolin, co-star Jeffrey Wright (who plays Colin Powell), and five crew members from Oliver Stone's biopic W. were arrested at the Stray Cat bar and taken down to the big house.

The Associated Press's account is sparse, so we turn to Shreveport's KSLA News 12 for more details (and thanks to Jeffrey Wells for the link). Seems it was closin' time at the ol' Stray Cat, and Brolin and his pals wouldn't leave, despite bein' asked twice, and they were bein' rowdy. So the bar staff called the police, who arrived just after 2 a.m., whereupon there was a bit of a scuffle, and a fellow named Eric Felland got arresting for remaining in the bar, public drunkenness, and resisting arrest. Brolin, Wright, and the other W.-affiliated folks reportedly interfered with the arrest, so they got arrested for that misdemeanor.

The Shreveport Times reports that Brolin posted a $334 bond and was free to go. Wright and the other four arrest-resisters had the same price on their heads. The guy who was being arrested in the first place, Felland, who is a lighting technician on the film, had a $752 bond. It's unclear from the early news reports how long it took everyone to get out of the clink, but one assumes they didn't have to fester in jail too long. I like what one of the commenters at Hollywood Elsewhere said, that it would have been great if James Cromwell, who plays George Bush Sr., had had to come bail everyone out.

When it comes to sifting through all actors responsible for portraying the most powerful man on the planet, there's no shortage of options. John Travolta did a great Bill Clinton impersonation in Primary Colors and Timothy Bottoms delivered a near-perfect imitation of George W. Bush in both D.C. 9/11: Time of Crisis and That's My Bush! Neither one comes across as particularly flattering, so presidential nominee Barack Obama has chosen a safer bet: At a recent party in Los Angeles, Obama revealed that he prefers Jeff Bridges' conflicted commander-in-chief in The Contender. Granted, he may have said this simply to keep his audience happy -- in this case, Contender director Rod Lurie, one of the attendees who was willing to plop down $28,000 for the event. "'I just plugged your movie," Obama told Lurie, according to a report the director sent to Hollywood Elsewhere's Jeffrey Wells.

Still, when you're under the kind of intense scrutiny that Obama currently endures, Bridges actually seems like a pretty safe choice. Choose Anthony Hopkins in Nixon and it sounds like you're endorsing the bad guy. Choose Kevin Kline in Dave and you come across as disingenuous. Choose Peter Sellers in Dr. Strangelove and somebody will call you incompetent. Bridges, on the other hand, plays a fierce leader bound to his moral convictions. Of course, Obama also expressed sympathy over Lurie's short-lived television show Commander-in-Chief, which featured Geena Davis as the first woman president. Perhaps it's no coincidence that he and Hillary have publicly made amends.

Before the pre-festivals press screening of Boogie Man: The Lee Atwater Story, the new documentary about the life and death of Republican political operative Lee Atwater, two separate Rolling Stones songs were running through my head. "Street Fightin' Man, " possibly inspired by Atwater's reputation as a dirty trickster of the higher order, and "Sympathy for the Devil," perhaps springing from Atwater's deathbed renunciation of many of the things he'd done; both associations sprang from the little I knew about Atwater. Thanks to the work of director Stefan Forbes, I now know a lot more; I now know so much, in fact, I'm not sure what to think.

Combining archival news footage with interviews from people who knew Atwater and some who, interestingly, only knew him through the public ramifications of his work, Boogie Man paints a complex portrait of a complex figure: A race-baiting political operative (Atwater may or may not have been behind the infamous 'Willie Horton' ad that cost Michael Dukakis the election in '88) who nonetheless loved to listen to, and play blues music; a man who sprang from the South who helped elect Eastern elites like George H.W. Bush; a man whose pupils in the modern political art of war, Karl Rove and George W. Bush (who worked with Atwater on his father's campaign) turned their back on him as he lay dying.

If anyone was still expecting Oliver Stone's W to be a sympathetic, thoughtful treatment of a controversial figure a lá Nixon, you can pretty much toss that out the window. The teaser poster for the rushed-to-production George W. Bush biopic -- a piece of artwork Lionsgate took with them to Cannes -- makes Stone's attitude toward the man pretty clear. Check it out after the jump.

My question is this: does anyone seriously think that people are going to flock to the theater in the middle of election season lured by the promise of... Bushisms? That's your marketing pitch? Bush supporters don't appreciate the jibes, and Democrats have already heard all the jokes.

Look, I don't want a movie that's kind to Bush, or even one that's "even-handed"; I just want one that's thoughtful. Of course it's possible that the poster doesn't match the tone of Stone's film; after all, the Lionsgate marketing department almost certainly had final say. Granted, too, this was a poster produced for Cannes, and may not be representative of the eventual American campaign. But everything I've heard about W -- most notably this -- indicates that the poster has it pretty much right. Bush is a frat boy, a bumbler, "the improbable president." No doubt. But is he anything else?

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Now that you know what Josh Brolin's George W. Bush will look like, you should know that you'll get to see him in action real soon -- probably sooner than you thought. The ever-courageous Lionsgate has picked up Oliver Stone's W, and plans to release it on October 17th. Of this year. That's 2008. Before the election. Notably, the movie hasn't even started shooting yet -- it goes into production on May 12th in Louisiana.

I never really thought the film would fail to find distribution, though early buzz on the screenplay has been fairly toxic. I did think there was going to be a race between when W would be finished and when Dubya would be finished -- that is, out of office. But apparently Stone is not messing around and plans to deliver the film in a few months, with Lionsgate hoping to capitalize on the furor that will surround the election.

Jeez -- maybe it's because I read too many blogs (or because I live in Pennsylvania, suddenly a battleground state), but it's barely May and I'm already tired of the election. Is W really how people will want to spend their leisure time in late October? I can't imagine, but I respect the folks at Lionsgate enough to think they know what they're doing. Incidentally: Dick Cheney remains uncast. Any suggestions?

Oh Ari Fleischer -- the David Cross of Press Secretaries. Wait a minute -- why didn't they get David Cross for this role? He'd be perfect. Anyway, MTV tells us that Rob Corddry (The Daily Show, Semi-Pro ... and a bunch of other random comedies) has signed on to play former Press Secretary Ari Fleischer in Oliver Stone's W. Corddry joins a cast that continues to get larger by the minute, and includes Josh Brolin (George W. Bush), Elizabeth Banks (Laura Bush), James Cromwell (George Bush Sr.), Ellen Burstyn (Barbara Bush), Thandie Newton (Condi Rice), Ioan Gruffudd (Tony Blair) and 50 Cent (as Colin Powell).

Yes, I'm kidding about that last one.

Earlier today, we clued you into a script review of W currently circulating the internets. According to some, the film seems to be taking the Bush is a moronic alcoholic fratboy route, which, if you watch, well, The Daily Show, is kinda old news. As Eugene put it, "Most people -- whether or not they accept it -- have already absorbed the meme that Bush is an arrogant, reckless, hard-drinking buffoon, and I'm not sure that this perception merits its own movie." I completely agree -- and I'd much rather have watched Stone return to Vietnam with Pinkville than sit down for a feature-length version of a joke that's way past its prime.

The script for Oliver Stone's W -- a project we've been discussing a lot around here lately -- apparently leaked to several news outlets this week, and Slate has posted a delightful, albeit spoiler-heavy, review. Now, the extent to which a George W. Bush biopic can be spoiled is debatable, and a lot could change from the October 15, 2007 draft (titled Bush rather than W) that Slate got its grubby paws on, but the review does give away a good number of specific scenes, lines and moments, so proceed with caution.

Slate's prevailing impression is that the screenplay is heavy on Bushisms ("Is our children learning?") and common perceptions that have become clichés (Bush as alcoholic fratboy). Indeed, some of the lines they quote sound like something that I, having done no research and possessing virtually no insight into the man, might come up with if asked out of the blue to write a movie about Bush's life. (On the decision to invade Iraq, for example: "I think it's time we stopped standing around with our dicks in our hands, and raised the stakes on ol' 'Husseny.'")

So far, there are only a few actors officially attached to Oliver Stone's W., the epic biopic about our current commander-in-chief. Josh Brolin was cast as President George W. Bush back in January, then recently Elizabeth Banks was chosen as his wife, First Lady Laura Bush, and last week James Cromwell and Ellen Burstyn were locked into the roles of former President George H.W. Bush and former first lady Barbara Bush, respectively. Unofficial casting bites, though, include a lot of other big name actors. Jeffrey Wright is reportedly in negotiations to play Colin Powell, Tommy Lee Jones is supposedly being sought for Donald Rumsfeld, Robert Duvall has been rumored to be the choice for Vice President Dick Cheney and now both Paul Giamatti and Toby Jones are being named as potentials for the part of Karl Rove (who Giamatti may have already channeled for his character in Shoot 'Em Up).

I'm sorry, but this has got to be one of the strangest projects in recent years. The Hollywood Reporter tells us that Elizabeth Banks is about to sign on to play First Lady Laura Bush in that George W. Bush biopic Oliver Stone is directing. If she signs on, Banks will join Josh Brolin, who's already landed the part of our current President of the United States. Banks, who, funnily enough, just wrapped a film called Zack and Miri Make a Porno, would probably make a pretty good Laura Bush. She definitely resembles a much younger version of the woman, and, like Mrs. Bush, as an actress Banks often fades into the background.

Then again, some folks might think Brolin and Banks are way too hot to be playing the President and the First Lady. Personally, I feel Josh Brolin needs the most work -- but if he slims down and practices that famous Bush dialogue, I can almost see it. The film, which will be called simply W, will begin shooting in Shreveport, Louisiana in late April. Stone will direct off a script he co-wrote with Stanley Weiser (Wall Street).

What do you think about this film? Are the lives of George W. Bush and Laura Bush really that interesting? Or, will Oliver Stone make them interesting?

I've seen a lot of documentaries in the past few years about the decline of small towns and rural areas, how the population has dwindled and local businesses have closed shop and so forth. So it was strange to watch the opening sequences in the documentary Crawford, where the small Texas town starts to flourish when George W. Bush (then-governor, now President) buys a ranch in the area.

Crawford examines the effects on the town and its residents from the day Bush bought the Prairie Chapel Ranch in 1999 through 2007. At first, everyone in the town couldn't have been happier, especially once Bush became U.S. President. Businesses thrived as tourists and media flocked to the town, the local school band traveled to Washington, DC to perform at the inauguration, and the minister of the Baptist church felt confident that any day now, the First Family might join his congregation. However, a lot of things can change in half a decade, and Cindy Sheehan's 2005 protest in Crawford triggers even more radical effects.