GiuseppeTornatore Tagged Articles at Cinematical

Most critics didn't love it, but for the second week in a row, viewers streamed in anyway. Still playing at just two theaters, Joshua Seftel's comedy-drama War, Inc. (First Look), starring John Cusack, averaged $12,100 per screen to continue its reign at the top of the indie weekend box office chart, according to estimates compiled by Box Office Mojo. That gives it a two-week total of $78,700.

Among new specialty releases, Leonard Klady at Movie City News reports that Tom Kalin's drama Savage Grace (IFC Films) made $11,150 per screen at the two theaters in New York where it opened. Julianne Moore stars in a suffocating period piece about a twisted mother/son relationship. You can read more about it in the reviews by Nick Schager and Kim Voynar.

Jody Hill's comedy The Foot Fist Way (Paramount Vantage) opened in four theaters and earned $8,550 per engagement, according to Mr. Klady. Patrick Walsh offered up a mostly positive review on this "character study about a character you'd never want to meet," a children's Tae Kwon Do instructor who goes off the rails when his wife cheats on him.

Jeffrey M. Anderson described Giuseppe Tornatore's The Unknown Woman (Outsider Films) as "a restless, panicked, devastating emotional roller coaster, meticulously planned and executed like a razor." The film follows the travails of a woman who leaves the Ukraine to look for work in Italy. It made $6,000 at one theater in Manhattan.

The Italian director Giuseppe Tornatore is best known for sweet, touching art house-friendly movies that send people away feeling gooey and cuddly. It's awfully tough to be a human being and resist his delightful Oscar-winning hit Cinema Paradiso (released in 1990). His film Malena (2000) had more detractors, but I found its images of a beautiful woman walking through the streets (with every eye following her every move) quite powerful and affecting. He once even made a movie with the life-affirming title Everybody's Fine. So when I sat down to Tornatore's new film, The Unknown Woman (his first since Malena), I was ready to be charmed. Instead, the film that actually unfurled was a restless, panicked, devastating emotional roller coaster, meticulously planned and executed like a razor.

Thinking back, I realized that there was more to Tornatore than his reputation suggests. In 2002, Miramax released the much longer director's cut of Cinema Paradiso with its rating tellingly changed from a PG to an R. A few years ago I tracked down an imported DVD of the director's cut of Malena, which was also considerably darker and more pointed; the Weinsteins were really the ones responsible for the softness of those films. I also remembered a movie called A Pure Formality (1994) about a police investigator (Roman Polanski) questioning a mystery man (Gerard Depardieu) found stumbling along the road; most of the film takes place in a damp, sinister police station with flashbacks to what might have happened previously. That tone gets closer to what's going on in The Unknown Woman, which starts with a knockout centerpiece performance by Kseniya Rappoport.

It's been five long years since Albert and Allen Hughes gave us Hell -- From Hell that is -- and though they have been busy with television projects, it is time they got back to the big screen. Well, their next project has now been confirmed as the long-awaited adaptation of the TV-series Kung Fu. For those unfamiliar with the show (I admit, I've never seen one episode), it featured David Carradine as a Shaolin monk who is forced to flee China and ends up in the American wild west.

A script was written for the movie version by Howard Friedlander and Ed Spielman, both of whom worked on the show, but it will be rewritten by Cory Goodman, who also wrote the upcoming Andrew Douglas film Priest. There is no word on casting yet, though Carradine will have to be involved somehow, but Warner Bros. is planning for a 2008 release to coincide, and hopefully garner a promotional tie-in with, the Beijing Olympics.

Considering The Hughes Brothers had been trying to get this job for past two years, they hopefully know what to do with it. Though we don't know who the other filmmakers were who wanted the gigs, I have to wonder if Quentin Tarantino was interested, at least as a writer or producer. After all, he has paid homage to the series through dialogue (Pulp Fiction) and casting (Kill Bill's title character is played by Carradine).

The tie-in part of the story makes me wonder if Hollywood will be putting together any other martial arts films around the same time. We still haven't heard the full stories on the Bruce Lee biopic Martha wrote about last summer, or the mysterious Rob Cohen-directed, Bruce Lee-starring film that Erik mentioned last month. And maybe Kung Fu Hustle 2 is on hold for this very same reason. Okay, I doubt it. The Olympics and cinema may already be linked enough by the promotional videos being shot by Oliver Stone, Giuseppe Tornatore and Majid Majidi.

Any fans of the show care to chime in with your opinion?